Jason Smay has been in Nashville for a decade and plays with his son, McKinley James. Prior to that, he was based in Rochester, NY and toured with JD McPherson, Los Strait Jackets, and others. He and McKinley are also part of the Nashville group The Tiger Beats with Patrick Sweany and Ted Pecchio.

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Christopher Williams was born to be a drummer. Throughout high school, Williams drummed for several rock, jazz, metal, funk and blues groups, as well as the Greenville South Carolina youth orchestra. In 2004 he toured the United States as a member of the Carolina Gold Drum & Bugle corps. Christopher won a gold medal during the annual individual & ensemble competition and retained the title until 2006. Since 2008 he has been based in Nashville, Tennessee where he has built a strong reputation within the music community.

During his school years, Williams was able to study with Paul Riddle of the Marshall Tucker band, Dr. Gary Robinson, Brian Tinkle of the cavaliers drum & bugle corps, Ed Shaughnessy, Jim Chapin, and Elvin Jones.

During April of 2015 it was announced that Christopher would join the legendary heavy metal band Accept. Since then the group has played hundreds of shows in more than fifty countries around the world. Christopher has received global media attention, being featured in magazines and press since joining the band. When possible he performs, records, and tours with other artists & bands in a variety of genres.

Some of the artists/groups he has worked with include: Gene Simmons Ace, Frehley, Accept, Andrew W.K,. Rex Brown, Derek St Holmes, John Corabi, Kaato, Mick Mars, Blackfoot, Lee Greenwood, Kid Rock, Peter Stroud, Her, A Thousand Horses, members of: Parliament Funkadelic, the Rolling Stones, Kiss, Slaughter, Cinderella, David Bowie, Rod Stewart, Alice Cooper, Steppenwolf.

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Jason Smay has been in Nashville for a decade and plays with his son, McKinley James. Prior to that, he was based in Rochester, NY and toured with JD McPherson, Los Strait Jackets, and others. He and McKinley are also part of the Nashville group The Tiger Beats with Patrick Sweany and Ted Pecchio.

In this episode, Jason talks about:

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Growing up in the church among talented and influential mentors, Kevin Watkins developed into a professional drummer and musician. Opportunities for recording, touring and even singing were readily available. His longest gig was with Country Gospel band, Brush Arbor. Although they were based in SoCal, they spent a lot of time in Nashville, recording and doing TV. 

Later in life, Kevin’s drumming took a bit of a back seat to audio engineer and production work. He quickly became passionate about the other side of the glass in part because of his experiences as a player. 

Even though live FOH and production opportunities kept him busy, drums always remained in focus. In early 2023, Kevin made it official and launched K-Wat Drum Co.

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Sarah has been behind the scenes in the drum industry for decades, from her longtime role at Zildjian to her podcast Sarah Hagan Backstage to founding and running the Royal Cymbal company with Paul Francis. Most recently, she stepped into her newest role as director of artist relations for both Gibraltar Hardware and Rogers Drums.

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Born in Brooklyn, New York Rick Dior began his professional music career at the age of thirteen, freelancing in and around the metropolitan area in various small ensembles, orchestras and theater productions. He is a graduate of the Manhattan School of Music where he studied with timpanist Fred Hinger and jazz composer Bob Mintzer. He also studied extensively with famed jazz drummer Joe Morello. Rick has performed as a percussionist with a variety of superb artists in many musical genres including James Taylor, Aretha Franklin, Ray Charles, Al Jarreau, Roberta Flack, Martina McBride, BeBe and CeCe Winans, Linda Rondstadt, Glen Campbell, Bobby McFerrin, Mary Chapin Carpenter, Randy Newman, and Marvin Hamlisch. He has added his drum set talents to performances with many great jazz artists including Marvin Stamm, Bill Watrous, Rich Perry, Harold Danko, Clark Terry, Red Rodney, Chris Potter, Lionel Hampton and Russell Malone. Rick also has an extensive orchestral percussion background and has performed as principal percussionist, section percussionist and timpanist with the Charlotte Symphony Orchestra, Charlotte Ballet and Opera Carolina since 1990. As a first-call theater percussionist and drummer in Charlotte NC, Rick has performed in dozens of Broadway show tours. They include Chorus Line, Jesus Christ Superstar, Wicked, The Producers, Young Frankenstein, Spamalot, Hairspray, South Pacific, West Side Story, 9 to 5, Mary Poppins, Bring It On, Newsies, and Beautiful. His recording credits are extensive and include CD releases, movie soundtracks and commercial radio/television spots. As an engineer and producer Rick has been involved in hundreds of recordings. These include recording projects with artists such as Branford Marsalis, Delfeayo Marsalis, Ellis Marsalis, Ed Thigpen, Harry Connick Jr., Michael Spiro, Joey Calderazzo, Michael Carvin, and Jimmy Cobb.

Rick is also a very active educator and has served as the Professor of Percussion at the University of North Carolina at Charlotte since 2001. He also maintains a busy private and online teaching studio.

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Tim Carman is a Nashville-based drummer, author, and educator known for his deep pocket, soulful touch, and command of blues, soul jazz, and roots music. Originally from the Boston area, Carman built his reputation on the New England music scene as a first-call sideman and session musician. From 2018 to 2024, he toured internationally and recorded with GA-20, a three-time Billboard #1 blues artist on Colemine/Karma Chief Records, helping the band earn repeated Boston Music Awards for Blues Act of the Year.

Now based in Nashville, Carman records and tours with Parlor Greens, an organ trio on Colemine Records, and continues to be an in-demand session drummer and bandleader. His playing draws on vintage electric blues grit, organ-jazz lineage, and a shuffle vocabulary that has made him a go-to voice for artists seeking deep feel and stylistic authenticity. Alongside performing, Carman is an active educator, offering lessons, clinics, and online content that connect technique to real-world musical situations for working drummers and emerging players alike.

Carman is the author of six drum books, including The Shuffle Book Vol. 1 (2026), Philly-ISM (2023), and Haynes-ISM (2022), with the latter two nominated by Modern Drummer for Educational Product of the Year. His other titles include Groove Systems (2021), Shape Beats (2020), and Shape Beats for Kids (2017).

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Evan Hutchings was Born and raised in Arkansas, Evan grew up playing drums at his dad’s church in Fort Smith. He was the kid that would sit behind the drummer during church and soak in every detail and nuance. Once church let out, he’d jump up on the kit and play, until the next church service started a few hours later.
Evan got his first drum set at the age of 8 and began serenading his whole

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Sterling Laws is a well-established drummer in LA, having toured and/or recorded with Chappell Roan, Olivia Rodrigo, producer Dan Nigro, Natasha Bedingfield, and many others. He is a graduate of Musicians Institute in LA where he studied with Stewart Jean and Kevin Stevens.

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Jeff Brown started his musical journey in Southern California, eventually moving to Nashville, TN when he was 19 years old. He cut his teeth touring and recording with rock bands throughout his 20s, working as a hired gun for both studio sessions and touring artists across many different genres. His resumé includes Reeves Gabrels (David Bowie/The Cure), Paramore, Steve Cropper, Phil Vassar, Thomas Rhett, Casey James (American Idol), Steel Magnolia (Can You Duet), Bucky Covington (American Idol) and many more. His home studio, Shrug Sound Studio is where he records drum tracks remotely and mixes songs for clients all over the world. He also engineers tracks for fellow drummers that don’t have a space to record. Repeat clients Ed Toth (The Doobie Brothers) and Kevin Murphy (Tonic/Jon Pardi), among others, rely on his accessibility, professionalism, and quick turnaround times. His studio is a comfortable and enjoyable place to record music.

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