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In this episode of The Writing Life, prize-winning writer Julia Armfield shares insights on world building in horror fiction, and writing catastrophic and intense circumstances.
Julia Armfield's work has been published in Granta, The White Review and Best British Short Stories 2019 and 2021. In 2019, she was shortlisted for the Sunday Times Young Writer of the Year award. She is the author of salt slow, a collection of short stories, which was longlisted for the Polari Prize 2020 and the Edge Hill Prize 2020. Her debut novel, Our Wives Under The Sea, won the Polari Prize 2023 and was shortlisted for the Foyles Fiction Book of the Year Award 2022. She lives and works in London.
She sits down with NCW’s Steph McKenna to discuss her second novel Private Rites, a stunning, unsettling novel following three sisters navigating queer love and faith at the end of the world. Together, they discuss her use of imagery in her fiction, the influence of horror cinema on her writing, and how she maintains a blanketing sense of dread throughout her novels.
By National Centre for Writing4.6
2424 ratings
In this episode of The Writing Life, prize-winning writer Julia Armfield shares insights on world building in horror fiction, and writing catastrophic and intense circumstances.
Julia Armfield's work has been published in Granta, The White Review and Best British Short Stories 2019 and 2021. In 2019, she was shortlisted for the Sunday Times Young Writer of the Year award. She is the author of salt slow, a collection of short stories, which was longlisted for the Polari Prize 2020 and the Edge Hill Prize 2020. Her debut novel, Our Wives Under The Sea, won the Polari Prize 2023 and was shortlisted for the Foyles Fiction Book of the Year Award 2022. She lives and works in London.
She sits down with NCW’s Steph McKenna to discuss her second novel Private Rites, a stunning, unsettling novel following three sisters navigating queer love and faith at the end of the world. Together, they discuss her use of imagery in her fiction, the influence of horror cinema on her writing, and how she maintains a blanketing sense of dread throughout her novels.

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