Bill Almeida is gaffer known for his work on the John Wick Franchise, Fallout, and Instigators. In June 2025, he made some time to stop by the 4 Wall Vendor showcase in Moonachie NJ. Tune in as we pick Bill's brain while we sit on the volume that the 4wall team designed just for Wrap Drinks!

Like most of us breaking into the film industry, Jamie Rice's career began with PA work. Although she quickly knew she didn't want to be an AD, she found a path assisting both directors and producers. When the writer's strike happened, Jamie pivoted and began photographing bands like Meet Me @ The Altar and Daisy Grenade. Tune in as Jamie shares all the lessons she learned during her many shifts in film and photo and all the tips that helped her stay ahead of the game.

Jose Ramirez is a Sound Mixer born and raised in Queens NY. You’ve probably heard some of his work on Funny Pages, 2nd Chance, and Bad Shabbos. Unlike most of his peers in SVA, Jose chose the path of sound guy instead of a Director during his undergrad education. He found himself working so much while attending school that he nearly dropped out to work full time. Join us as we pick Jose’s brain about his career as a sound mixer, some of his tips for getting rehired, and his experience working on indies and the majors.

With a career spanning across 40 years, DP and ASC member Wolfgang Held has been traveling the world photographing award winning films. Whether it's a narrative feature or documentary film, Wolf's choices for lighting, framing, and even how many cameras are on a set are dictated by his verite approach. We talked with Wolf about some of his most notable work, his early projects, and what it's like applying for ASC membership.

Anni Abbruzzese is a union loader and 2nd AC who has worked on projects such as Hocus Pocus 2, Castle Rock, and The Instigators. Anni's journey into the camera department began when they were scooped up from their role as a PA by a camera team person who saw their potential. Anni quickly learned the camera department can be a challenging experience that tests your limits, but this taught them how and when to say no. Join us as we talk to Anni about how to navigate the politics of working on set and some of the nerdy solutions to their technical hurdles on set.

Although she is a bit softspoken, Food Stylist Jen Beauchesne is not afraid to dish out the truth on styling food for camera. Before venturing into this craft, Jen was working as a photo assist. After realizing her calling, Jen took the steps to transition careers and has collaborated with innovators such as Victoria Granof and Steve Giralt. Jen's years of experience include commercial work for Dunkin', Pepsi, and Buffalo Wild Wings. Tune in as we learn about the magic sauces that really make food look incredible for camera.

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Originally based in Ohio, Jeremy dropped out of film school and moved to Florida to pursue his career in film. After several years working in indie production, he joined the union where we was able to work on productions like Elementary, Cold Souls, and Hello Tomorrow. We spoke with Jeremy about his journey and learn about what the prop exam for the union is like, learning to work with big celebrities like Ryan Gosling, and his podcast venture: The Seltzer Kings Podcast Network.

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If you've worked on a New York Production, the chance that you've bumped into Smitty on your set is pretty high. If you haven't - it's likely the Key Grip on your set probably trained under him.

Born and raised in the Bronx, Rob Smith says he was saved by the film industry after years of getting into trouble on the streets. After a friend brought him to set of a music video in 1990s, he was immediately pulled into the industry where he tackled multiple crafts from PA, Director, AD, and more before eventually becoming most known as a Key Grip.

Smitty is probably one of the most seasoned non-union Key Grips you'll ever meet with an unforgettable personality. He's no BS, always keeps his cool, but loves a good challenge when it comes to rigging on his shoots. We talk with Smitty about his experiences working in music video world in its heyday, some of the challenges he encountered during his 30 year career in the industry, and where he thinks the industry is headed.

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Perhaps best known for working with the Polish Brothers on Northfork and Twin Falls Idaho, David Mullen has shot over 40 other independent feature films; Jennifer’s Body and the Love Witch to name a few. David's resume also includes television series such as United States of Tara, West World, and The Marvelous Mrs. Maisel.

David is not only renowned for his work, but he also has a reputation for being an avid film nerd. In many ways, David’s cinematographer education came from a hybrid of real world experience and film school. Before he was enrolled in CalArts, David had already mastered lighting and filming on Super 8mm cameras. He digested journals, magazines, almost any piece of literature that could give him the knowledge he needed to pursue this passion for photography.

Join us as we talk to this 3-time Emmy Winner and a 2-time ASC Award Winner about how he got started in this chaotic world of cinema and pick his brain about the wealth of knowledge he's collected during his career.

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