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We're at the end of our Season Ten Master Class, and if you've been diligent about the homework, you may very well have a finished manuscript in your hands. What do you do with it? Daniel José Older joins us for a bit of reminiscence. We talk about some of our first submissions, and what we did right, wrong, and weirdly. We cover our criteria for selecting publishers to whom we'd like to send our stuff, and we include the shiny intangibles in that list. This episode was engineered aboard The Independence of the Seas by Bert Grimm, and mastered in an abandoned missile silo by Alex Jackson.
By Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler4.6
12791,279 ratings
We're at the end of our Season Ten Master Class, and if you've been diligent about the homework, you may very well have a finished manuscript in your hands. What do you do with it? Daniel José Older joins us for a bit of reminiscence. We talk about some of our first submissions, and what we did right, wrong, and weirdly. We cover our criteria for selecting publishers to whom we'd like to send our stuff, and we include the shiny intangibles in that list. This episode was engineered aboard The Independence of the Seas by Bert Grimm, and mastered in an abandoned missile silo by Alex Jackson.

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