Writing Excuses

This the third in our series of retrospective episodes. The most important thing Dan learned this year? Being a full-time author is a lot different than he thought it would be. How different? What was Dan expecting? Was he really imagining silk pajamas and a notebook computer on the beach? We talk about the types of non-writing work that we've found ourselves doing, and why those things are so important to us and to our careers. We discuss how our publishers' schedules impact our own, and why writers are often expected to drop whatever they're doing in order to handle something for their publisher. During our discussion we mention a new local novelist Aprilynne Pike, whose debut book Wings is available now, and made #6 on the NYT Bestsellers List for Children's Chapter Books. Episode 32 has been brought to you by "A Snack." But hurry! We don't pause for long! Writing Prompt: Write the first page of a story, stop, write a first page of a different story and then go back and finish the first story.

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Here's the second part of our three-part "what we learned this year" series. This time around Brandon tells us the most important thing he learned this year. Summed up? Gimmicks cannot compensate for bad writing. So... what's a gimmick? We begin with hooks and pitches, but gimmicks can include things like photo-realistic cover art, internet grass-roots campaigns, and factoids like "the author is only 17 years old." Story elements like cool magic systems, uniquely alien aliens, and diamond-hard science can all be gimmicks. They're good to have, certainly, and they can work to sell the book, but real staying power (read: earning out your advance, and getting royalty checks for years to come) comes from good writing, page after page. Brandon confesses to some gimmick use himself, but fortunately we (and many of his readers) believe that his writing is strong enough that we don't begrudge him the gimmick one bit. This week's episode of Writing Excuses is brought to you again by the opportunity you have to sponsor Writing Excuses. Writing Prompt: An author comes up with a wacky, crazy gimmick for a book... and then it happens to the author in real life.

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This is the first of a three-part series in which Brandon, Dan, and Howard tell each other (and you, of course) about the most important thing each of them has learned in the past year. We start with Howard, who seems to believe that of all the many things he's learned about writing in the previous twelve months, the list-topper should be the fact that he is a satirist. So really the episode is about satire, and how that form differs from other humorous sub-genres. And then we talk about why knowing this is important, and how others can go about learning these sorts of things about their own work. This week Writing Excuses is brought to you by "Bringing Writing Excuses To You By!" Writing Prompt: An artist finds a way to improve or perfect the form he or she is working within, and by so doing unlocks magic.

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Let's talk about failure... but let's talk about it so that we can avoid it. How do you know if your ending has flopped? What kind of approaches to ending a story should you be avoiding? How can you recognize these approaches in time to avoid them? The best approach? Identify the promises you've made to your readers, and then fulfil them with your ending. Okay, now you don't have to listen. Writing Prompt: Start your book with an ending where everyone dies. This weeks Writing Excuses is brought to you by Hero of Ages by Brandon Sanderson, Book 3 of the Mistborn series now in paperback.

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Last week we talked about reading critically, reading as writers. This week we decided to apply that critical reading skill to Watchmen, the Hugo award-winning graphic novel by Alan Moore, illustrated by Dave Gibbons and colorist John Higgins. We start (once we get past the donuts in our mouths) by breaking it down into character, setting, and plot, and then we further dissect each of those elements based on what we thought of them. This episode is chock full of spoilers. If you're planning on reading Watchmen for the first time (or seeing the movie), you probably ought to do that before you let us ruin it for you. Writing Prompt: Write an alternate history for 2009 taking stylistic cues from Watchmen.

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As a writer you obviously know how to read. But being a writer changes how you read, and what you read, and even why you read. Do you read more, or less as a writer? How do you read so that your reading doesn't interfere with writing? How do you channel your reading into bettering your writing? And what's the difference between a critical reader and a book critic? Writing Prompt: Write a story about a critic, but a critic who criticizes something abnormal like Cement Mixers.

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Nancy Fulda, assistant editor at Baen's Universe and editor-in-chief and founder of Anthology Builder, joins us again while Dan Wells is out celebrating his birthday. We discuss the rise of digital SF magazines, and touch on concepts like user-generated content, the Superconducting Copy Machine, and disruptive technology. We talk about print-on-demand vs. self-publishing, we laugh as Nancy puts her foot in her mouth, and then we argue over whether free online content can generate income for authors, as opposed to webcartoonists. This week's episode is 20 minutes long, because you're not in as much of a hurry as we originally suspected, and Nancy made us at least a little smarter. This week's Writing Excuses is brought to you by I Am Not A Serial Killer by our very own absent-two-weeks-running Dan Wells. The book is only available in the UK, but you can get now from http://www.bookdepository.co.uk which has free shipping to anywhere in the world. Writing Prompt: Write a story that convincingly describes the death of the traditional publishing industry 25 years from now.

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This... THIS is why speculative fiction writers should never be trusted with actual technology.

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Nancy Fulda fills in for Dan for this week's episode (he was sick, she was in town, huzzah!) but she's more than just "filling in." She's FEATURED. Nancy is the assistant editor for Jim Baen's Universe, and as such is probably the one who rejected your story. Nancy is also the editor-in-chief and founder of Anthology Builder, where you can create collections of short stories you want to read, and have them printed and bound for you. She tells us the sorts of things that will get you rejected, maybe after a page, maybe after a paragraph, and perhaps even before the very first line has been read. This week's episode is brought to you by Schlock Mercenary: The Scrapyard of Insufferable Arrogance. Pre-orders are open now! Disclosure: Nancy is, in fact, Howard's sister-in-law. That might be why her stuff is getting so dang much relevant linkage in this entry. Writing Prompt: Write about a passionate egg.

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Tracy Hickman joins us again at "Life, The Universe, and Everything," and in this episode we let Brandon ask him random questions while Dan and Howard chime in with comments that hopefully don't detract from the discussion. During the interview Tracy mentions his latest project, XDM: Extreme Dungeon Mastery, but he doesn't mention the very latest news about it. That news is that Tracy and Curtis Hickman (the authors) have contracted with Howard Tayler to illustrate and publish it. So that bit about Tracy doing it in his basement? It's no longer accurate. This week's Writing Excuses is brought to you by I Am Not A Serial Killer by our very own Dan Wells. The book is only available in the UK, but you can get now from http://www.bookdepository.co.uk which has free shipping to anywhere in the world. Writing Prompt: Give us Winnie the Pooh's big death scene. On a destroyer in the South Pacific.

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