Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Sometimes we have to look at our ensemble of characters and ask ourselves what kind of story we're trying to tell? If the story works with a single protagonist and one POV, maybe this isn't an ensemble story after all. If, however, the plot requires a team effort from the heroes, then we need to make sure the necessary team members make it onto the page. Liner Notes: The "I'm the tin dog" moment is from Doctor Who, S2 E3, "School Reunion." Mickey is speaking. Howard couldn't remember Mickey's name because sometimes Howard is the tin dog. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every character in your ensemble needs to matter to the team, or they probably don't belong in the ensemble. Zoraida Cordova leads us into this discussion of how we build our ensembles, how we introduce the characters, and how we ensure that all of them are important to the group. Liner Notes: The article about Superman's very first line of dialog is here. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler Every member of your ensemble has a reason to be there, but they also have their own voice. Zoraida Cordova joins us for a discussion of how we make our ensemble characters distinct from one another. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Your Hosts: Dan Wells, Zoraida Cordova, Kaela Rivera, and Howard Tayler What's the difference between an ensemble story, and a story the has a lot of characters in it? Zoraida Cordova joins us for this episode, kicking off an eight-episode mini-master-class about ensembles. In this episode we discuss what makes ensembles work, and how we distinguish the "pro-protagonist" from the "co-protagonist" as we create character arcs. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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Your Hosts: Dan Wells, Brandon Sanderson, and Megan Lloyd Megan Lloyd returns to the podcast to talk us through the process of creating something in a collaborative environment, whether it's a pair of authors working together, or a dozen people working to write, storyboard, and animate a television series. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Your Hosts: Dan Wells and Brandon Sanderson, with special guest Jody Lynn Nye So, you've decided you want something to be funny. How do you go about making that happen? Jody Lynn Nye joined Dan and Brandon at LTUE, and pitched this topic to them. And yes, it's much more than just "delivery, delivery, delivery." Liner Notes: "It's always more funny when Howard's not here." —Brandon Sanderson at LTUE 2022 (posted here for posterity) Credits: This episode was recorded by Dan Thompson, and mastered by Alex Jackson. 

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Your Hosts: Dan Wells, Brandon Sanderson, and Gama Martinez Did you know that there are some famous intellectual properties which have entered the public domain, and which you can therefore use to create your own stories? It's true! Gama Martinez (whose God of Neverland novel features Peter Pan) joined Dan and Brandon at LTUE to talk about how cool this is, and (more importantly) what kinds of things authors need to do in order to make sure they're only using the public domain bits of the properties in question. Liner Notes: Need a list of things that entered the public domain in 2022? Here you go! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Thus far we've attempted to organize our discussion of sub-, micro-, and other alternative structures with specific categories, but this domain is a lot larger than that. This final episode with our guest host Peng Shepherd has been titled "Miscellaneous Structures" because, y'know, sometimes the last bucket in your row of carefully, taxonomically-labeled buckets needs to be "miscellaneous." Liner Notes: Howard mentions "LTUE" during the episode. Hey, guess what! The next few episodes following this one were (will have been?) recorded at LTUE! Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler You probably already know what footnotes are¹, but have you ever seen a story told through the footnotes²? It's similar to the story-within-a-story structure, but there's more to it than that. In this episode our guest host Peng Shepherd explores footnote storytelling³ with us. Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson ——— ¹ This is an example of a footnote. ² This is not an example of footnote storytelling. ³ With the addition of a third footnote, maaaybe there's a beginning, middle, and end, and therefore a story?

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Your Hosts: Dan Wells, Mary Robinette Kowal, Peng Shepherd, and Howard Tayler Guest host Peng Shepherd leads our discussion of "order-less reading order" (after we get past the business of "having too much fun with the episode title"). But what do we even mean by "order-less" or "disordered?" At one level, we mean you can just pick up the story anywhere and start reading. Kind of like TV series prior to the advent of the fully serial series. But kind of unlike it, because how does this work within just one book? Liner Notes: For good examples of non-order-dependent stories, consider schlockmercenary.com, The Lady Astronaut universe, DISCWORLD, Seventy Maxims (annotated), Credits: This episode was recorded by Marshall Carr, Jr., and mastered by Alex Jackson

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