Your Hosts: Brandon, Piper, Dan, and Howard We are often asked what software we use to get our work done. In this episode we answer that question in a bit of detail. Liner Notes: Here's a linked list of the tools referenced during this episode. Aeon Timeline Asana Time Management Dropbox Excel OpenOffice Scrivener Wikidpad Word WordPerfect Write or Die Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex Jackson

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Your Hosts: Howard and Dan, with Steve Diamond, and special guest Joe McKinney We invited Steve Diamond, who has been a guest before, and who has some law enforcement background, to help us grill Joe McKinney, who has tons of that background, and who also happens to be a best-selling author. This Week's Liner Notes are extensive. Follow the link for a Google Doc, or click here for our local mirror of Lyn Worthen's notes. Credits: Mastered by Alex Jackson 

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Revision: it's when you make a too-short piece longer, or a too-long piece shorter.

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We discuss the ways in which we decide upon the length of the stories we write, and at which point(s) in the creative process we make that decision.

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Your Hosts: Brandon, Piper, Dan, and Howard Our listeners had questions about outlining and discovery writing. Here are a few of the very best: Do you outline scenes? How? How do you know when to STOP outlining something? How much do you have to know about your character and/or world before you start writing? What do you to to diagnose and fix a structural problem with a discovery-written draft? What do you do to 'get into' an outline that you're struggling with. Are each of your projects similar in terms of procedure? What are some major indicators that a piece needs more structural work? Soundbite moment: DAN: "I had to learn the difference between a story, and a bunch of stuff that happens." Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered via great mastery by Alex Jackson 

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Your Hosts: Howard and Dan, with special guest Callie Stoker Callie Stoker joined Howard and Dan at the World Horror convention to answer our questions about hiring an editor, which is part of the process by which self-published authors build the team of people who will make the manuscript far better than they can make it by themselves. Credits: Mastered by Alex Jackson

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Your Hosts: Brandon, Mary, Mary Anne, and Wesley How might you go about creating great outlines? There are many processes, and we cover several of them. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson

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Your Hosts: Brandon, Mary, Dan, and Howard Let's talk about selling your stuff. In this episode we discuss query letters, pitches, and proposals—the tools that you use to present your material to people who can pay you for it, and who will partner with you in the task of selling it to the general public. Liner Notes: This episode pairs very nicely with episode 11.50, "Hand-Selling Your Book," with Michael R. Underwood. Credits: this episode was recorded in Cosmere House Studios by Dan Dan the Audioman Thompson, and mastered deep beneath a rugby pitch by Alex Jackson

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Your Hosts: Brandon, Piper, Dan, and Howard What can discovery writers learn from outlining? What can outliners learn from discovery writing? Is there a balance between the two that can serve as a happy, productive place for writers? (summary of answers: lots, lots, and yes-but-not-all-writers.) 

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Your Hosts: Howard and Dan, with special guests Bill Fawcett and Carrie Patel Bill and Carrie both have extensive experience writing for games, and they joined us at GenCon Indy to talk about writing for an interactive story, like a tabletop RPG, or a video game. Narrative Bumper Pool: This term comes to us from Tracy Hickman's XDM: X-Treme Dungeon Mastery. Narrative Bumper Pool from X-TREME DUNGEON MASTERY, used with permission 

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