Writing Excuses

The rising, golden sun crested the snowcapped eastern mountains, its first morning rays pouring like molten lemon through the window to glisten and gleam from the chrome grille of the studio microphone.

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Your Hosts: Howard and Dan, with Special Guest Linda Addison Linda Addison joined us at the World Horror Convention in 2016 for a discussion of the shapes and sounds of words as seen from the perspective of the poet, and how this approach can inform our prose.

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Your Hosts: Brandon, Mary, Mary Anne, and Wesley Let's talk about word choice. And when we say "let's" we mean "we're going to talk to you about it. You don't actually get to talk back." So maybe "let's" wasn't the best of the possible openers. Our discussion covers what we want to say, how specific we need to be, and what we want to evoke in the reader. Sometimes the wrong word is the right one, and the right word is the wrong one. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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Brandon, Mary, Dan, and Howard talk about authorial voice, and how to stop being afraid of examining how you "sound" when you write.

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Brandon, Piper, Dan, and Howard answer listener questions on viewpoint.

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Your Hosts: Brandon, Mary, Dan, and Howard Tananrive Due, whose short-fiction expertise is exemplified in her collection, Ghost Summer, joined us on the Oasis of the Seas to talk about how to use short stories to explore aspects of the craft. We discuss the importance of allowing ourselves to fail, and how we can learn from those failures, and continue to push our own limits. We also talk about how we go about pushing those limits, and what we do in order to most effectively explore new techniques. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Your Hosts: Brandon, Mary, Mary Anne, and Wesley The third-person POV lens can be used for simultaneously describing the world to the reader and describing the character. In this episode we'll talk about where we deploy these tools, where the pitfalls are, and how to do it well. Credits: This episode was recorded by Andrew Twiss, who heard the AC turn back on, and mastered by Alex Jackson, who was happy to not need to digitally filter the AC out of the mix.

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Your Hosts: Brandon, Mary, Dan, and Howard This episode focuses on the third person POV, and some variations on them, like omniscient and limited, and some sub-variants like cinematic and head-hopping. Credits: This episode was recorded aboard Oasis of the Seas by Bert Grimm, and mastered by Alex Jackson.

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Your Hosts: Brandon, Mary, Mary Anne, and Wesley This week we talk about the genre of Literary Fiction. Our first hurdle is the word "literary" whose use in this context can imply that all other genres are somehow not literature. In that vein, then, we're talking about mainstream, or "non-genre" fiction which is crafted with close attention to the finer points of the prose. After framing our discussion, we dive into the nuts and bolts of writing in the Literary Fiction genre. Credits: This episode was recorded by Andrew Twiss, and mastered by Alex Jackson.

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Your Hosts: Brandon, Piper, Dan, and Howard, with Sandra Tayler Piper J. Drake joins the cast for our week-four episodes, of which this is the first. This week we'll be drilling down into hybrid viewpoints—blending 1st and 3rd person, framing stories, stories-within-stories, and unreliable narration—and how to best serve our work with these techniques.

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