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Allison W. Hill and C. Austin Hill joined us at the Out of Excuses Retreat to talk about turning A Night of Blacker Darkness, by Dan Wells, into a stage play. "From the page to the stage" is a thing that theater people actually say to describe this, so the process is one that has a lot of precedent behind it. We talk about the guiding principles behind adaptation, and then dive into the challenges that our guests face with this particular project. (Note: We may be tweaking the audio on this episode in the future to remove the "Season 10" references right at the end. They're confusing, and you don't need that.)
If there's a crowd with good questions, it's the Out of Excuses Workshop and Retreat attendees. Given the trend toward moral ambiguity, is there still a place for an unquestionably evil character? Should you publish a first book that isn't in the style or genre that you're ultimately interested in? Is it possible to write epic fantasy with a single POV? Of all of the myriad talents of the literary agents you work with, what's the one that makes you stick with your agent? How do you maintain your writing chops when you're buried in the research phase of a project? What are some issues a short story writer should be aware of when tackling a novel? How do you go about discovery writing characters? When you build a story, does the foreshadowing go in during the first pass, or in later edits? Our sponsor, Audible, is giving away Legion: Skin Deep, by Brandon Sanderson between now and December 24th. Follow that link and get a free audio book!
Recorded live in front of the Out of Excuses students, a crowd of savvy readers if ever there was one, we talk about how to effectively write for readers who are familiar with the genre or story structure in which we're writing. It's a tricky problem, since genre fiction is supported in large part by the very tropes that prove problematic. Sometimes the solution is trope subversion, but that brings its own problems. Dave Farland’s Writing Workshops sponsored us for this episode! Both Brandon and Dan have studied under Dave, and we’re all happy to wholeheartedly recommend his workshops to you. If you can’t fly to his place, well, visit MyStoryDoctor.com and take the online course. The coupon code for your Writing Excuses discount is EXCUSES, but don't think that means you actually HAVE any of those...
As authors we spend a lot of time trying to make our readers care about the characters we create. We have a wide variety of techniques at our disposal to accomplish this. But do we ever ask ourselves why any of this is possible in the first place? What is it about our brains that makes us care about fictional characters? Enter Cory Doctorow, who posed this question to us at Westercon 67. If you like the episodes where a guest comes in and blows our minds (and they're some of our favorites) you need to put this one on the list. Audiobook Pick of the Week: Homeland, by Cory Doctorow, narrated by Wil Wheaton, with Noah Swartz and Jacob Applebaum. (Note: Cory Doctorow's titles aren't carried by Audible, but you can find all of them here and buy them DRM-free directly from Cory.)
So, you're planning to kill somebody, but you don't want anyone to see it coming. How do you make that happen? We begin by talking about the hints that writers inadvertently drop, and why they drop those hints. Then we look at how to write without sending those cues, and how to get away with that while still fulfilling promises made to the reader. Special Offer: Our sponsor, Audible, is giving away Legion: Skin Deep, by Brandon Sanderson between now and December 24th. Follow that link and get a free audio book!
Sara Glassman joins us to talk about back cover copy, covers, query letters, signings, and what booksellers look for on page one.
Charlie Harmon, one of the luminaries of Utah area fandom, joined us to talk about disability in narrative. She's been going blind gradually since she was a child, and these days while she can see some colored blurs, she cannot read, or recognize faces. We talk about some of the nuances of disability that many writers fail to capture, and how we can learn to write those things more convincingly.
M. Todd Gallowglas is a writer and a storyteller who has spent years doing traditional oral storytelling at renaissance fairs. He joined us at FantasyCon/Westercon 67 before a live audience and talked to us about how this tradition has informed his writing, and how these principles can inform our writing as well. He also schools us (okay, mostly Howard) about how these principles should be informing parts of our podcast.
From the publisher's feed
Fifteen minutes long, because you're in a hurry, and we're not that smart.
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