Writing Excuses

Writing Excuses

By Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard TaylerBusinessFictionCareers
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  • Typical duration

    21 min

    per episode

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Writing Excuses episodes

  • Writing Excuses 7.34: How to Start the Next One

    Finishing one project means it's time to start the next one. And no, it's not necessarily going to get easier...



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    19 min
  • Writing Excuses 7.33: Authentic Emotion

    Emote! Now do it authentically! In this episode we'll explain how we do it, and hopefully help you do it better.



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    18 min
  • Writing Excuses 7.32: Astronomy 101 for Writers

    Eric James Stone joins the cast to talk astronomy as a tool for world-building



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    17 min
  • Writing Excuses 7.31: Project in Depth — Hollow City

    Spoilers galore as we discuss "Hollow City," in depth, with author Dan Wells



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    22 min
  • Writing Excuses 7.30: Micocasting…Again!

    The crew fields questions about criticism, suspension of disbelief, tension, and more.



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    20 min
  • Writing Excuses 7.29: The Villain Problem

    What do you do when your villain is more interesting and engaging than your hero? The first step? Admit that this is a problem...



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    18 min
  • Writing Excuses 7.28: Project in Depth– Glamour in Glass
    Mary Robinette Kowal talks in depth about her novel Glamour In Glass, fielding questions from Brandon, Dan, and Howard.

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    24 min
  • Writing Excuses 7.27: The Problem of Originality

    Do we value originality too much? What does it mean to be original, and how can we, as authors, write wonderful things when all of the good ideas have already been used?



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    17 min
  • Writing Excuses 7.26: Q&A at UVU part 2

    Recorded live at Utah Valley University, here's another Q&A episode from the LTUE Symposium! The questions: What was Brandon's plan with Mistborn and the themes regarding establishment? Why does Kelsier shrug so much? (This leads into a fun discussion of "tells.") How do you know when to stop a chapter? What about expanding it? How do you make your prose more transparent? How do you decide who and what to cut? What do you do to filter out the extraneous ideas that come while you're writing? What can collaborators do in order to create a single "voice" for the book? What's the best way to tackle a long back-story? Want answers? You'll just have to listen...



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    20 min
  • Writing Excuses 7.25: Writing Capers

    Capers and Heists as a plot form, with lots of movies cited as examples.



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    18 min

About Writing Excuses

From the publisher's feed

Fifteen minutes long, because you're in a hurry, and we're not that smart.

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