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Legendary folk singer, songwriter and multi-instrumentalist John McCutcheon kicks off 2025 on You, Me and An Album by introducing Al to Pete Seeger’s 1963 live album We Shall Overcome. John talks about how it was the first album he had ever bought and how it has shaped life and his work as a musician. He also discusses his personal relationship with Seeger and what made Seeger such an important and unique figure in folk music. John and Al wrap up by discussing John’s new album, Field of Stars, his baseball fandom and his upcoming touring and recording plans.

You can find out more about John’s music at his website, folkmusic.com. Also be sure to give him a follow on Instagram at @appalseed.

Al is on Bluesky at @almelchior.bsky.social. This show has an account on Instagram at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

As Al mentioned on the show, here is a list of organizations that are helping those who need assistance due to the fires in the Los Angeles area. Please consider donating to these organizations or helping in whatever way you may be able to.

American Red Cross of the Los Angeles Region: https://www.redcross.org/local/california/los-angeles/about-us/our-work/california-wildfires-response-january-2025.html

Los Angeles Fire Department Foundation: https://supportlafd.kindful.com/?campaign=1040812

Musicares: https://donor.musicares.org/page/lafirerelief

CA Community Foundation’s Wildlife Recovery Fund: https://www.calfund.org/funds/wildfire-recovery-fund/

California Fire Foundation: https://www.cafirefoundation.org/

Habitat for Humanity of Greater Los Angeles: https://www.habitatla.org/

World Central Kitchen: https://wck.org/

1:31 John joins the show

2:41 John’s copy of We Shall Overcome is incredibly well-preserved

4:32 John did not buy the album because of Pete Seeger

9:10 We Shall Overcome was different from other music that John had heard

13:01 John talks about his first Seeger concert

19:17 John explains why he thinks a rift developed in the folk community during the ‘60s

21:50 Seeger took care in how he orchestrated his setlists

25:45 We Shall Overcome was John’s first taste of what a concert experience was like

31:36 John talks about Seeger’s courage as an artist

34:33 John recounts the first time he met Seeger and his relationship with him over the years

39:54 John discusses Field of Stars and being inspired by Henry Aaron

45:49 John talks about his upcoming plans

Outro music is from "Field of Stars" by John McCutcheon.

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Georgia-based singer-songwriter Scott Colson—who performs under the name Slaw—visits YMAAA to discuss the 1969 album Led Zeppelin II. Scott explains how his love of the blues led him to become a Led Zeppelin fan and why he thinks Led Zeppelin II is their best album. Scott breaks down several of his favorite tracks from the album and tells Al about a game he plays with his friends that further cemented the album’s status as his favorite. He also talks about his debut album, Here I Come, which he released as a 55-year-old.

Be sure to follow Slaw on social media!

@slawmusicofficial on Instagram, Facebook and YouTube

Learn more about Slaw and his music at slawmusic.com.

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

As promised on this episode, Al did some research to try to figure out what John Bonham is playing to create the “pitter-patter” sound during the verses of “Ramble On.” He did not find a definitive answer, but came across several theories. Others have surmised that Bonham was drumming on a guitar case, a snare drum case, the seat of a drum throne, the soles of his shoes and a plastic garbage can lid.

1:05 Scott joins the show

1:39 This is not the typical episode for Al

2:34 Scott talks about how his love for the blues led him to Led Zeppelin

5:21 Scott explains why ‘Bring It On Home” is a highlight for him

7:32 Led Zeppelin II was when the band really put their own spin on blues

11:48 Has Scott gotten tired of listening to Led Zeppelin II after all these years?

13:56 Scott has a fun album-listening game he plays with his friends

17:47 Scott explains why “Ramble On” is one of his favorite tracks

23:44 Scott talks about a specific way he borrowed from Led Zeppelin in his own work

26:24 Which other Led Zeppelin albums does Scott frequently visit?

29:27 How does Scott feel about “Moby Dick” and drum solos in general?

32:13 Scott talks about the skillful use of dynamics in “What Is and What Should Never Be”

34:37 Scott is surprised that the band rarely played “Living Loving Maid” live

36:51 Al regrets that he initially had some resistance to Scott’s album choice

37:59 Scott explains why he decided to record his first album in his 50s

44:29 What has surprised Scott about being a full-time musician?

45:29 Scott talks about some of the choices he made in making Here I Come

49:03 Scott discusses his upcoming plans

Outro music is from “Here I Come” by Slaw.

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Nashville-based singer-songwriter Sarah Gargano visits YMAAA to discuss Bright Eyes’ 2000 album Fevers and Mirrors. Sarah talks about the unusual reason that got her to explore Bright Eyes in her early teens and how she was first introduced to Fevers and Mirrors. She explains why this is one of her favorite albums and why she considers some of the material to be both self-indulgent and helpful to her personally. Sarah also talks about her recently-released single, "Halloweekend," and what she has planned for the coming months.

Be sure to keep up with Sarah in the following places!

@sarahgargano29 on Instagram

@sarahgarganomusic on Facebook

@sarahgargano6012 on YouTube

sarahgarganomusic.com

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:31 Sarah joins the show

2:23 Sarah explains the event that got her to explore Bright Eyes for the first time

5:28 Sarah talks about the first time she listened to Fevers and Mirrors

6:28 Sarah and Al discuss the “interview” that occurs during “An Attempt to Tip the Scales”

11:00 Sarah talks about the unique way that Bright Eyes start their albums

13:43 Listening to Bright Eyes' later albums first made Fevers and Mirrors an easier album for Sarah to digest initially

17:12 Sarah explains why Fevers and Mirrors resonates with her so strongly

20:09 Sarah and Al interpret the lyrics for “Arienette”

23:32 What does it mean when we call music “self-indulgent”?

Discussion of selected tracks:

28:33 “An Attempt to Tip the Scales”

32:41 “The Calendar Hung Itself…”

34:24 “When the Curious Girl Realizes She Is Under Glass”

38:18 “Haligh, Haligh, A Lie, Haligh”

42:01 Al had a difficult time getting past Conor Oberst’s vocal delivery

44:22 Sarah gets a kick out of a pair of songs that Oberst references

45:52 Sarah shares her opinions of Bright Eyes’ more recent albums

49:30 Al asks Sarah about her song “Murdered Angels”

52:41 Sarah describes the perspective from which she wrote “Halloweekend”

58:11 Sarah talks about her upcoming plans

Outro music is from “Staring at the Screen” by Sarah Gargano.

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Simon Raymonde—bassist for Cocteau Twins and head/co-founder of the Bella Union record label—joins Al to introduce him to the Patti Smith Group’s 1976 album, Radio Ethiopia. Simon talks about his initial reaction to hearing the album when he was 15 and how that differed from his impressions of Smith’s debut Horses. He also talks about why he started listening to the album again in the last few years and how it hits him differently now. Simon discusses his work with artists—including Smith—as the head of Bella Union, and his recently published memoir, In One Ear: Cocteau Twins, Ivor Raymonde and Me.

If you love music or great writing, you’re going to love In One Ear! Get your copy here: https://geni.us/InOneEar

Be sure to follow Simon on social media…he is at @mrsimonraymonde on Instagram, Threads and Bluesky.

Bella Union website: bellaunion.com

Cocteau Twins official website: https://cocteautwins.com/

Cocteau Twins official merch site (as mentioned by Simon on the show): https://cocteautwins.tmstor.es/

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:30 Simon joins the show

2:08 Simon explains why he chose Radio Ethiopia despite being underwhelmed by it initially

6:46 Simon talks about how he became interested in Patti Smith and other American punk artists

9:21 Al didn’t understand why Radio Ethiopia got a negative critical reception

13:48 Simon identifies the parts of the album that he liked right away

17:27 The title track tested Simon’s boundaries of what he was willing to explore at age 15

19:33 Did Simon’s famous father influence his musical tastes when he was growing up?

21:37 Simon explains why he didn’t start to appreciate Radio Ethiopia more until the last few years

24:22 Simon and Al ponder the meaning of the album’s title

29:20 Simon and Al talk about their reactions to “Poppies”

31:59 Simon recalls the time he met Patti Smith at Roskilde

35:01 Simon names the one song from Radio Ethiopia that he doesn’t like that much

36:19 Simon likes “Pumping” more now than he used to

40:14 Simon explains why Radio Ethiopia is his favorite Patti Smith album, for now

43:34 Simon explores the “second album syndrome”

47:47 Simon explains how he handles “second album syndrome” with the bands on Bella Union

53:42 Simon talks about why he decided to write a memoir

1:00:07 Simon discusses his current and upcoming plans

Outro music is from “Every Beat That Passed” by Lost Horizons.

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Electric violinist Ginny Luke, who has played on sessions for numerous artists including Foo Fighters, Hozier, Britney Spears and Meat Loaf, drops by YMAAA to talk about her first solo album Devil at My Heels, which was released on Nov. 1. Ginny talks about her previous solo work, the process behind recording her first full-length solo album—including collaborations with guitarists Nili Brosh and Orianthi—and how recording her own album differed from her experiences as a session musician. She also discusses her advocacy work on behalf of victims of sexual assault in the music industry. To wind up, Ginny talks about her last-second invitation to gig with Nuno Bettencourt and recommends a favorite album of hers for us to check out.

CORRECTION: When discussing Ginny’s cover of Deep Purple’s “Burn,” Al incorrectly implied that the original was recorded by Rainbow.

Ginny mentioned the following organizations that offer assistance to victims of sexual assault and abuse and/or promote equality for women in the music industry. Please visit their websites for more information.

MusiCares: https://www.musicares.org/

Peace Over Violence: https://www.peaceoverviolence.org/

RAINN: https://rainn.org/

She Is The Music: https://sheisthemusic.org/

Be sure to keep up with Ginny on social media...

@ginnyluke on IG

@ginnylukemusic on TikTok

You can find Ginny’s music and much more on her website, ginny-luke.com.

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:16 Ginny joins the show

1:48 Does Ginny prefer listening to albums rather than tracks or playlists?

3:33 Ginny had done solo work long before making Devil at My Heels

6:57 Ginny talks about her collaborations with Nili Brosh and Orianthi

12:20 Ginny explains how she was able to make her album both eclectic and cohesive

17:04 Ginny surprised herself by how nervous she got recording her own album

18:57 Ginny explains why she doesn’t get nervous doing sessions for other artists

21:14 Ginny discusses her advocacy work for victims of sexual assault in the music industry

25:22 Ginny talks about her gig with Nuno Bettencourt

27:06 Ginny mentions some of her recent and upcoming events

29:34 Ginny recommends an album by another artist for us to check out

Outro music is from “Devil at My Heels” by Ginny Luke.

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Louisville-based singer, songwriter and multi-instrumentalist Jason Bemis Lawrence drops by YMAAA to talk about Radiohead’s 2000 album Kid A. Jason talks about why Kid A is one of his favorite albums and how his appreciation for Radiohead developed over time. He also discusses Radiohead’s influence on his own music and the difficulty of spending a lot of time with a particular album as one gets older. Jason also talks about the process of making his latest album, The Grand Routine, and his plans for his podcast Before the Stream.

Be sure to check out Jason’s music on Bandcamp! https://jasonbemislawrence.bandcamp.com/

You can also keep up with his Before the Stream podcast here: https://podcasts.apple.com/us/podcast/before-the-stream/id1510647714

Jason is on Instagram and Facebook at @jasonbemislawrence. He also has an Instagram account for Before the Stream at @beforethestream.

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:13 Jason joins the show

1:42 Al revisits an earlier time when he tried to get into Radiohead

3:18 It wasn’t hard for Jason to pick Kid A for this episode

5:35 Jason didn’t shy away from letting Radiohead influence the music on his latest album

9:09 Jason walks through how his Radiohead fandom developed

14:27 Jason was not thrown by the change in styles that Radiohead introduced on Kid A

19:56 What makes Kid A stand out in the Radiohead discography?

24:52 Al talks about his reaction to Kid A

27:38 Jason doesn’t find Radiohead’s music “hopeless” at all

32:58 The Radiohead-R.E.M. connection

38:34 “Optimist” is something of an outlier on Kid A

41:18 Jason highlights a couple of his favorite tracks from the album

43:35 Jason might not be as attached to Kid A if it had come out during a different part of his life

47:22 There was one particular stretch of songs that Al liked best

50:23 Jason’s final thoughts about Kid A

58:51 Jason finds it harder to dedicate himself to listening to particular albums now

1:01:15 Jason talks about the making of The Grand Routine

1:07:58 Jason discusses his Before the Stream podcast

Outro music is from “In The Quiet Golden Hour” by Jason Bemis Lawrence.

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3 Pairs of Boots vocalist Laura Arias joins this episode of YMAAA to discuss Cocteau Twins’ 1988 album Blue Bell Knoll. Laura talks about how she was introduced to Cocteau Twins during their early “goth” period and why she is particularly fond of Blue Bell Knoll. She specifies the elements of the band’s music that make it magical for her. Laura also discusses the latest 3 Pairs of Boots album, Boot Scootin’, and how she and her husband/bandmate Andrew Stern manage to blend multiple genres in their music. (Andrew was a guest on YMAAA for Ep 81, when he discussed Rosanne Cash’s album The River & The Thread.)

Al had asked Laura for any live clips of Cocteau Twins that she would recommend, and she came back with these. Enjoy!

“Blue Bell Knoll” live

https://youtu.be/m1QJjfjxnsM

Heaven or Las Vegas live:

https://youtu.be/w0yjLjm_7f8

Be sure to keep up with 3 Pairs of Boots! You can follow them at @3pairsofboots on Instagram and subscribe to them on YouTube, also at @3pairsofboots. Also, you can check out their website at 3pairsofboots.com.

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

IMPORTANT NOTE: At the beginning of the episode, Al mentioned a GoFundMe page for Kira Neal (a two-time guest on YMAAA). Please donate if you are able and/or share the page with others who may be able to help Kira, who is undergoing two brain surgeries: https://www.gofundme.com/f/brain-surgery-at-39-musicians-the-waymores-need-your-help

1:48 Laura joins the show

2:43 Al talks about his reaction to Blue Bell Knoll

3:22 Laura revisits how she was introduced to Cocteau Twins

8:01 Laura talks about her reaction to the changes in Cocteau Twins’ sound

10:47 Laura discusses Elizabeth Fraser’s vocal and lyrical styles

15:39 Laura thinks Cocteau Twins will continue to have a following for years to come

19:07 Laura identifies some of things that Cocteau Twins do that create magic

22:58 Laura is impressed that Cocteau Twins could create such great music while under duress

25:09 Al and Laura ponder the meanings of the song titles

27:10 Laura notes that Cocteau Twins were unconventional from the start

28:52 Do Cocteau Twins have things in common with Van Halen?

34:18 Laura likes how the title track sets the tone

37:42 Laura experiences each song from Blue Bell Knoll as a reset

40:36 Laura and Al make note of Simon Raymonde’s bass parts

42:57 Laura break downs some of the other elements of Cocteau Twins’ sound

44:49 What can The Police teach us about Cocteau Twins’ lyrics?

47:50 Laura’s advice to people who aren’t familiar with Blue Bell Knoll

50:14 Laura talks about making four 3 Pairs of Boots album in five years

56:41 Laura addresses the way that 3 Pairs of Boots mixes genres

Outro music is from “Tempt My Fate” by 3 Pairs of Boots.

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Veteran English singer-songwriter Iain Matthews (Fairport Convention, Matthews Southern Comfort, Plainsong, solo) stopped by YMAAA during his recent U.S. East Coast tour to talk about Crowded House’s 1991 album, Woodface. Iain delves into his admiration for Neil Finn as a songwriter and performer, and breaks down several of the tracks on the album. He also discusses the album’s sequencing and why it stands out in Crowded House’s discography. Iain talks about why he decided to make his latest solo album, How Much Is Enough, and whether he is likely to make another one.

As Iain mentions on the show, you can keep up with his releases and tour dates on his website. Check it out! http://iainmatthews.nl/

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:41 Iain joins the show

2:20 Iain explains why he was so motivated to discuss Woodface

4:22 Iain talks about why he loves Neil Finn’s songwriting

8:32 Iain picks out some of the aspects of Neil Finn’s songwriting that have improved over time

11:18 Iain’s favorite song from Woodface is constantly changing

12:52 Iain and Al discuss their reactions to “Four Seasons in One Day”

17:17 Iain and Al talk about how Woodface is sequenced and how Iain sequences his albums

21:45 Iain shares his experience of seeing Crowded House live for the first time

24:51 How much did Tim Finn influence the sound of Woodface?

29:05 Iain talks about Mitchell Froom’s contributions as a producer

32:10 Iain and Al discuss some of the songs on the latter half of the album

38:28 Iain focuses on “How Will You Go” as a standout track

40:57 Crowded House has mastered the sing-along chorus

43:05 Iain discusses a couple of Crowded House albums that came out after Woodface

45:20 Iain pinpoints when he became a true Neil Finn fan

46:37 Iain identifies the other album he repeatedly goes back to

48:58 Is Iain done with making solo albums?

54:16 Iain talks about how he approached his new album

58:35 Iain shares his tour schedule

Outro music is from “Where Is The Love” by Iain Matthews.

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Multi-instrumentalist/songwriter Joe Adragna of The Junior League makes a return visit to YMAAA to talk about Sloan’s 2001 album Pretty Together. (Joe was also the guest on Ep 49, on which he discussed The Monkees’ Pisces, Aquarius, Capricorn & Jones, Ltd.) Joe explains how he first got into Sloan and why the Canadian band is one of his favorites. He also talks about Sloan’s approach to songwriting and collaboration, and he breaks down what he enjoys about several of the album’s tracks. Joe explains why he released his recent Junior League EP Nattering Nabobs and new album Our Broadcast Day separately and discusses the vibe he was aiming for in these latest recordings.

Want to listen to or buy Joe’s music? Head on over to the Junior League Bandcamp page, https://thejuniorleague.bandcamp.com/, the Kool Kat Music website, koolkatmusik.com, or any of the usual streaming places.

Also, be sure to follow Joe on social media!

Instagram and Threads: @thejuniorleague

Facebook: @thejrleague

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:15 Joe joins the show

2:04 Joe talks about the Sloan song that was his entry point into the band's music

4:28 Joe has helped a lot of people become fans of Sloan

5:48 Joe talks about the division of songwriting among Sloan’s four members

10:53 It’s not easy to pick a favorite song or album from your favorite band

12:36 The members of Sloan will sometimes contribute to songs in unexpected ways

15:54 Joe talks about the experience of seeing Sloan live

Discussion of individual tracks:

19:24 The Other Man

24:16 I Love a Long Goodbye

25:11 Life of a Working Girl

28:42 Are You Giving Me Back My Love?

32:12 Your Dreams Have Come True

35:36 It’s In Your Eyes

36:54 If It Feels Good Do It

39:07 Who You Talkin’ To?

40:35 Joe talks about the process of writing melodic, accessible songs

48:59 “In the Movies” is an example of how Sloan successfully integrates different musical elements

54:40 Joe’s concluding thoughts about Pretty Together

56:16 Why is Joe releasing Nattering Nabobs and Our Broadcast Day separately?

58:57 Which came first: the Our Broadcast Day cover art or the title track?

1:00:45 Our Broadcast Day reminds Al of a specific year

1:03:36 Joe talks about the collaborators who worked with him on Our Broadcast Day

1:06:01 Joe mentions some upcoming live dates

Outro music is from “This Concludes Our Broadcast Day” by the Junior League.

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British pop/rock vocalist and songwriter Tasmin Archer joins Al to discuss Daniel Lanois’ 2003 album Shine. Tasmin talks about how she became a fan of Lanois’ music, and she breaks down the elements of Shine that make it one of her favorite albums, highlighting some of her favorite tracks along the way. She also revisits the making of her 1992 signature hit “Sleeping Satellite” and reveals which band indirectly influenced its sound. The conversation concludes with Tasmin talking about her upcoming album A Cauldron of Random Notes, which will be released in late 2024 or early 2025.

To keep up with news on Tasmin’s album release, sign up for her newsletter and much more, check out tasminarcher.com. You can also follow Tasmin on X at @tasminarcher and on Facebook at tasmin.archer.

Al is on Bluesky at @almelchior.bsky.social. This show has accounts on Instagram and Threads at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.

1:15 Tasmin joins the show

1:45 Tasmin talks about the Lanois track that hooked her on his music

2:52 Tasmin recalls the moment she knew “Sleeping Satellite” was going to be special

5:13 Tasmin explains how she initially got exposed to Lanois’ music

7:52 Tasmin and Al talk about how they responded to the album’s sequencing

11:55 Tasmin explains how Shine gets better with repeated listens

14:03 Tasmin talks about the timeless quality of Lanois’ music

18:58 Tasmin identifies what she likes about Lanois’ vocals

24:59 “Shine” is one of Tasmin’s favorite tracks on the album

26:54 Tasmin and Al discuss “I Love You” and “Falling at Your Feet” (with a brief Genesis detour)

31:53 Tasmin and Al talk about Lanois’ take on reggae

34:56 Tasmin shares her reaction to some of Lanois’ lyrics

38:49 Tasmin expects that Lanois will continue to make great music

41:57 Tasmin explains how Lanois may have influenced some tracks on her new album

44:17 Tasmin talks about some of the other influences on “Madame Joy”

48:41 One of Tasmin’s new songs reminds her of U2

50:36 Tasmin discusses the process of making A Cauldron of Random Notes

58:57 Tasmin explains where the title for A Cauldron of Random Notes came from

1:00:57 Tasmin talks about her initial reaction to “Sleeping Satellite” as it was being written

1:03:55 Tasmin discusses the possibility of upcoming live performances 

Outro music is from “Sleeping Satellite” by Tasmin Archer.

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