Pirates will return at a later date!

For now- Agatha Christie's 1929 novel The Seven Dials Mystery, the story kicks off with a mix of high-society high jinks and a sudden, sobering tragedy.

Set against the vibrant, slightly reckless backdrop of the 1920s, this is one of Christie's more "light-hearted" thrillers. It leans into the "bright young things" trope of the era, blending a comedic, adventurous tone with a classic whodunnit structure.

Chapter 1: The Alarm Clocks The story begins at Chimneys, a grand country estate currently being rented by Sir Oswald and Lady Coote. A group of young houseguests, including the likable but lazy Gerry Wade, is staying there. Gerry is notoriously difficult to wake up in the morning, so his friends—led by Jimmy Thesiger—decide to play a prank. They purchase eight alarm clocks and hide them in Gerry's room, timed to go off at intervals starting early the next morning to ensure he finally gets up on time.

Chapter 2: Death at Chimneys The prank takes a dark turn the following morning. While the alarm clocks go off as planned, Gerry doesn't emerge. When the guests eventually enter his room, they find Gerry Wade dead in his bed from an apparent overdose of sleeping draught. Curiously, seven of the alarm clocks are lined up on the mantelpiece, but the eighth is missing (later found discarded in the garden). The chapter introduces the vibrant and sharp-witted "Bundle" Brent, daughter of the estate's owner, who returns home to find the police and a brewing mystery.

Chapm3 begins with Virginia Governor Spotswood's decree that a reward was in effect for the capture of Blackbeard and his crew and ends with the battle between Blackbeard and Capt. Maynard at Ocracoke Inlet.

BONUS: Source "The Last Days of Bladckbeard The Pirate" by Kevin Dufus

The "Local Legend" Theory (Edward Beard) • True Identity: Claims Blackbeard was Edward Beard, not "Edward Teach." He was a colonial native, likely the son of Captain James Beard (who owned land in Bath, NC and Goose Creek, SC). Kevin Duffus Official Site • The "Black" Alias: Argues "Black" was a nickname or nom de guerre added to his real surname (Beard) to protect his family's social standing. North Carolina Historical Review • Local Knowledge: His ability to navigate the treacherous, shallow waters of the Pamlico Sound and hide in Bath (50 miles inland) proves he was a local mariner, not a stranger from England. North Carolina Department of Natural and Cultural Resources The "Survival" Narrative (The Crew) Duffus challenges the "General History" claim that the crew was largely wiped out, suggesting many used their social status and spoils to buy their way home. • Edward Salter (The Legislator): o The Myth: Reported as hanged in Virginia. o The Reality: Duffus found he was released, returned to Bath, and became a wealthy cooper, landowner, and member of the Colonial Assembly. o Legacy: He was a founding warden of St. Thomas Episcopal Church. His remains were recovered and re-interred there in 2011. St. Thomas Episcopal Church History • William Howard (The Island Owner): o The Near-Miss: Blackbeard's quartermaster was sentenced to hang but saved by a last-minute Royal Pardon in December 1718. o Legacy: He eventually purchased Ocracoke Island in 1759. His descendants, the Howard family, still reside on the island today. Ocracoke Island History • Caesar (The Trusted Associate): o The Survival: Though often said to have been executed, Duffus cites evidence of a "Caesar" of matching description appearing in the estate inventory of Tobias Knight in 1719. • Samuel Odell: o Aquitted after proving he was a local man forced into service just the night before the battle at Ocracoke. The Political Connection (The "Shield") • Tobias Knight: North Carolina's Secretary and Chief Justice who acted as a legal shield for the pirates. • The Evidence: A letter from Knight was found on Blackbeard's body after his death, proving a direct "pay-to-play" relationship between the pirate and the NC government. North Carolina History Project Key Departures from "A General History" • Characterization: Duffus views them as "Pamlico mariners" and "sons of plantation owners" rather than the bloodthirsty monsters described by Captain Charles Johnson. • Motivation: Suggests the pirates were motivated by local economic pressures and political Jacobite sympathies rather than pure nihilism.

The story of Capt.Martel, who was notable in 1716 and 1717 until his disappearance, and of Capt "Teach", also known as Blackbeard, who raided ships from 1716 until his demise at Ocracoke NC in the fall of 1718. There is much to learn anout Blackbeard outside of DeFoe's account so we are adding my research to next week's episode.

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This book is an excellent choice!

Episode Overview Title: A General History of the Pyrates by Daniel Defoe (Chap 1) Henry Avery & Crew

Duration: 43:02

Key Figures: Henry Avery (the "Arch-Pirate" who famously vanished with his loot) and Daniel Defoe (widely believed to be the true author behind the pseudonym "Capt. Charles Johnson").

Quick Historical Context The Author Mystery: While the book was originally attributed to Captain Charles Johnson in 1724, most modern scholars credit Daniel Defoe. Defoe's background as a journalist and his fascination with criminals (seen in Moll Flanders) makes him the prime suspect for having the "inside scoop" from Newgate Prison.

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Leave Her Johnny Nascara da Alexander

The Sailor's Bargain Kaazoom

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The Count of Monte Cristo was an enormous commercial and critical success, captivating readers with its intricate plot and universal themes. Following its publication, Alexandre Dumas earned a fortune but died poor due to an extravagant lifestyle, chronic overspending, and political upheaval.

Success of the Novel The novel, published in serial form from 1844 to 1846, was an immediate sensation and remains one of the most widely read French authors globally. Popularity: The serialization format, coupled with Dumas' ability to create suspenseful, page-turning narratives, ensured massive popularity among the 19th-century reading public. Themes: Its exploration of justice, vengeance, mercy, and forgiveness, along with a complex plot and well-developed characters, resonated strongly with readers and secured its place as a classic of world literature. Enduring Legacy: The book has been translated into numerous languages and adapted into countless films, TV series, and stage productions, demonstrating its lasting cultural influence. Life of Dumas After Publication Dumas became one of the most famous and wealthy Frenchmen of his day, but his life after the novel's publication was marked by extravagance and financial difficulty. Flamboyant Lifestyle: He lived a life as dramatic as his heroes, engaging in numerous love affairs and foreign adventures. He was known for his extreme generosity, often granting money and gifts to anyone who asked. Château de Monte-Cristo: A testament to his success, Dumas built an extravagant mansion on the outskirts of Paris, which he named the Château de Monte-Cristo, along with a theater, the Théâtre Historique, specifically for his plays. Financial Ruin: Despite earning millions, his lavish spending habits outpaced his income, leading to significant debt. He eventually had to sell the Château de Monte-Cristo property just two years after its completion. Exile and Travel: In 1851, to escape his creditors, Dumas fled to Brussels. He later traveled to Russia and then Italy, where he founded a newspaper, Indipendente, and supported Garibaldi's campaign for Italian independence. Later Years and Death: Dumas returned to France in 1864 and continued to write prolifically. He died of a stroke at his son's home near Dieppe in December 1870, far from a rich man, despite his monumental literary success.

CHAP 115 SUMMARY

Peppino, the jailor in the catacombs, announces to Danglars the next day that, if the banker would like to eat, he must pay 100,000 francs for a chicken, or 100,000 francs for a loaf of bread. Peppino says he knows that Danglars is carrying over 5 million francs worth of banknotes on his person, and so he asks that, for each individual item, Danglars pay out 100,000 francs so that he might survive. Danglars realizes this is how his ransom is to be meted out, and he does in fact pay 100,000 francs for a chicken, which he considers rather "thin" as he eats it angrily in the cave. This is a small, humorous episode in Danglars capture, allowing Vampa, Peppino, and their men to slowly peel away Danglars' money. It should be noted that this money has effectively been stolen from Boville, who was to use it for charitable ends. Thus, though Vampa is stealing it for himself, he is at least stealing from a thief, one who is doing all he can to maintain his social standing in the face of public shaming.

CHAP 116 SUMMARY

Danglars continues bargaining his money, thousands by thousands, so that he might eat in the prison for five days. The Count of Monte Cristo finally appears with Vampa when Danglars is down to his last 50,000 francs, and the Count says that he is now pardoning Danglars—and that Villefort and Fernand were not so lucky, as the first is now mad with grief, and the second is dead by suicide. The Count announces that he is actually Edmond Dantes, and that Danglars' utter financial ruin is for the sake of punishment, but the Count allows Danglars to start his life anew somewhere else upon release by Vampa. He also states that the 5 million francs "paid out" to the bandits have been given to the hospice account of Boville, from which Danglars first drew them under criminal circumstances in Rome. This shows that, though he could exact even more damning revenge on Danglars by killing him, the Count has chosen not to – he has placed a limit on his desire for vengeance.

113 THE PAST SUMMARY

the Count returns to Marseilles with Maximilien Morrel, witnessing Albert's departure for Africa before visiting Mercédès, who accepts her fate, and then revisiting his old prison cell at the Château d'If, where he receives Abbé Faria's manuscript and reflects on his past before telling Max to meet him on the Isle of Monte Cristo on October 5th for their final encounter, signaling the end of his vengeance and the start of a new path.

114 PEPPINOKey Events in Chapter 114: The Withdrawal: After fleeing Paris, Baron Danglars goes to the banking firm of Thomson and French in Rome to cash a receipt for five million francs from the Count, planning to use the money to rebuild his fortune.

Peppino's Role: Peppino, a young man connected to Vampa, works at the bank and informs Vampa of Danglars's large withdrawal, setting the trap.

The Ambush: The next day, as Danglars travels by carriage towards Venice, he is intercepted by Vampa's bandits, led by Peppino, and taken to the catacombs.

False Security: Danglars is placed in a comfortable cell with a bed and, remembering Albert de Morcerf's experience, assumes he'll be held for a reasonable ransom, believing he'll still have plenty of money left, and falls asleep contentedly.

The Count's Indirect Vengeance: This event is part of Monte Cristo's broader plan, as Vampa and his bandits are essentially working for the Count, systematically stripping Danglars of his wealth. In essence, Chapter 114 marks Danglars's capture and the beginning of his financial ruin at the hands of the Count, though Danglars remains blissfully ignorant

In chapters 111 and 112 of The Count of Monte Cristo, titled "Expiation" and "The Departure," the story reaches a critical psychological turning point as the Count's quest for revenge results in unintended tragedy.

Chapter 111: Expiation Following the public disgrace of his trial, Villefort rushes home. He has realized that he is no more virtuous than his wife and intends to forgive her so they can flee France together with their son, Edward.

The Discovery: Upon arriving, Villefort finds that his wife has already followed his earlier command to commit suicide. Horrifically, she has also poisoned Edward, refusing to leave her son behind to face a world of shame.

The Confrontation: A broken Villefort encounters the Count (disguised as Abbé Busoni) in his father Noirtier's room. The Count reveals his true identity as Edmond Dantès, expecting a moment of triumph.

The Turning Point: Instead of triumph, Dantès is met with the sight of Edward's corpse. Shaken to his core by the death of an innocent child, he tries and fails to revive the boy with his elixir. He begins to doubt if he has overstepped his role as the hand of "Divine Providence."

Villefort's Fate: The chapter ends with Villefort losing his mind completely, seen digging in his garden for his dead son.

Chapter 112: The Departure This chapter focuses on the emotional aftermath and the transition away from Paris.

Leaving Paris: The Count picks up a grieving Maximilian Morrel from the home of Julie and Emmanuel. As they leave the city, the Count looks back at Paris and declares his work of vengeance is finally done.

Return to Marseille: They travel to Marseille, where they witness Albert de Morcerf boarding a ship to begin his new life as a soldier.

The Meeting with Mercédès: The Count visits his father's old house and finds Mercédès living there in solitude. Their meeting is deeply bittersweet. While he offers her his fortune, she refuses most of it, choosing a life of quiet penance.

Resolution: The Count encourages her to live, but Mercédès remains a shell of her former self, resigned to her fate. This encounter reinforces the Count's growing sense of remorse for the collateral damage caused by his long-plotted revenge.

CHAP 109 THE ASSIZES Chateau-Renaud, Debray, and Beauchamp are in court to see the beginning of the famous Benedetto Affair. They discuss the rumor that the murderer in the house of Villefort is young Edouard, who has become increasingly jealous of his stepsister and her grandparents. But others in the group dismiss this as nonsense and wait for the excitement of the case to begin, with Villefort drawing up evidence against the accused "Prince," Cavalcanti.

CHAP110 THE INDICTMENT

Villefort is called as the crown prosecutor before the court, and the judges similarly call Andrea to testify. He admits that he lived a life of petty crime before causing the murder of Caderousse, and when the court asks him for his identity, he pauses and says he does not really know his "actual" name, for he was abandoned as a very young infant by his father. When the court asks who this father might be, Andrea/Benedetto declares that it is the crown prosecutor himself, Villefort. Villefort understands instantly that, from this point on, there is nothing he can do to protect his good name. Like Fernand and Danglars, he too will suffer in shame, and will need to determine some way to slide nobly off the public stage of French civic life. The crimes Villefort committed so many years ago have finally come back to light, causing the criminal to be punished.

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The scene shifts to the prison, called the Lion's Pit, where violent criminals are kept awaiting trial. This includes Andrea, who still insists to the other prisoners that he is of royal birth, although they make fun of him, harry him, and threaten him. Late one day, Bertuccio pays off the guards to visit his adoptive son, telling him he has information related to Benedetto's real father. Bertuccio promises to return with this information in due course, and Andrea says he awaits it with great eagerness. This important interstitial chapter shows that Andrea is once again in prison, a place he's become accustomed to at this stage of the novel. It is not entirely clear to the reader what Bertuccio intends to do to his "son."n this brief chapter, Villefort finally confronts his wife Heloise after many days spent going over evidence—evidence not only of the poisonings in his own home, but also in the case regarding Benedetto, now known publicly as the Benedetto Affair (because it involves the famous Count). This affair has taken over Paris, and indeed every affair involving the Count seems to be of citywide, and indeed national, importance. In the space of only a few months, the Count has placed himself in the center of French social life. Villefort abruptly asks Heloise if she still has the poison she has used on the Saint-Merans, Barrois, and Valentine. He says that he asks not because he will denounce her publically, but instead because he expects her to do the honorable thing and commit suicide at her earliest convenience. If she does not do this in the next day, he warns, he will send her to prison, which will result in her eventual execution.