Find out how much praise we shower on the AFI’s #4 – Bernard Herrmann’s score for 1960’s Psycho! How did arguably the most famous of all film score cues result from ignoring Hitchcock’s specific instructions? What did Herrmann see in this film beyond even what Hitchcock perhaps intended? And, how would you spell the Psycho noise? Plus, a special appearance by Jon’s wife Becky for some insight into violin techniques.