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It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson? From the start, co-writer and director Malcom Washington came in with a very specific take on the material, and was incredibly grateful when Oscar-nominated "Mudbound" co-writer Virgil Williams came on board to help nurture that take on the page. In today's conversation, you'll hear how the two of them wrote together in the desert, creating a routinized approach to the material, while still leaving space for discovery.
Learn more about your ad choices. Visit megaphone.fm/adchoices
By Meg LeFauve & Lorien McKenna4.9
968968 ratings
JOIN TSL WORKSHOPS: https://tslworkshops.circle.so
It's no secret that plays and movies are entirely different mediums, so how do you give the cinematic treatment to a play as celebrated as "The Piano Lesson" by Pulitzer Prize-winning August Wilson? From the start, co-writer and director Malcom Washington came in with a very specific take on the material, and was incredibly grateful when Oscar-nominated "Mudbound" co-writer Virgil Williams came on board to help nurture that take on the page. In today's conversation, you'll hear how the two of them wrote together in the desert, creating a routinized approach to the material, while still leaving space for discovery.
Learn more about your ad choices. Visit megaphone.fm/adchoices

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