Adolf Loos’s essay ‘Ornament and Crime’ (1910) is considered the classic modernist polemic against the frills and folderols of the established arts of the day.

We're in the city of Freud — and the neurotic subtext is very close to the surface.

We discuss a little of Loos’s career as an architectural iconoclast, jersey fanatic, and pervert :-/

Then we go on to a more freeform discussion of ornament in the contemporary, during which we massively contradict ourselves several times.

We discussed — 

Contemporary ornamenters — 

Music — 

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