We round off our series on Carlo Scarpa with two projects for Italian consumer electronics dynasties — the Olivetti corporation, for whom he designed a famous shop in Piazza San Marco, and the Brion-Vega family for whom he designed an extraordinary cemetery complex.

These are two of his most unrestrained, symbolically laden and elaborate projects — in which Scarpa's unique approach to architectural form, decoration, materials and narrative are most powerfully evident.

Thanks for watching, and all the best — back with you in 2022.

Edited by Matthew Lloyd Roberts.

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The Castelvecchio Museum (1959-73) in Verona is an elaborate spatial narrative, weaving together historic structures and ingenious design elements to create a fragmentary and multi-layered story about the site, the city, and the objects contained in it. The project was Carlo Scarpa's largest and longest running, and we go through it at some length.

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Edited by Matthew Lloyd Roberts.

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We talked about Carlo Scarpa's work at the Querini Stampalia foundation (1959-63), a palazzo-museum in Venice. Scarpa's interventions are focussed on the ground floor spaces, including a new entrance bridge, galleries and courtyard garden. There's a very distinctive mixture of restoration and fantasy, historical narration and occasional touches of grooviness.

You can watch this episode, including relevant images, on our YouTube channel.

Edited by Matthew Lloyd Roberts.

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In our first episode on Carlo Scarpa, we're trying something new! We've made a video to accompany the episode that you can find on our YouTube Channel, in which you can watch Luke and George discuss the enigmatic architecture of Carlo Scarpa, accompanied by images of the buildings! Make sure you subscribe on YouTube to keep up to date.

This is an experiment, so let us know what you think! We will always put out these main episodes here on the podcast feed, and we will try to keep them accessible to those in audio only. As always, accompanying images will appear on our socials. Thanks to everyone for supporting the show and making this new model possible, do give us a review on your podcast app if you're enjoying what we do.

Edited by Matthew Lloyd Roberts.

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In the final episode in our series on Ian Nairn, we discussed the 1967 book 'Britain's Changing Towns' and the BBC television work that has granted Nairn a viral afterlife on YouTube.

Here's the Nairn clip from the outro: https://www.youtube.com/watch?v=4K-53widcdY You can find all the Nairn tv shows we discussed in the episode by simply searching 'Ian Nairn' on Youtube, and we'll be posting some Nairn clips on the socials over the next couple of weeks.

Bonus episode for patreon subscribers on Gordon Cullen and Townscapes will be out this week!

This episode is sponsored by Blue Crow Media, purveyors of beautiful architectural maps, including maps of London tube stations and Art Deco or Brutalist architecture in London, in the tradition of Ian Nairn! Use the code aboutbuildings at checkout for 10% off! https://bluecrowmedia.com/

Edited by Matthew Lloyd Roberts.

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In the second episode of our series on Ian Nairn, we talked about Nairn's London, the 1966 architectural guide to the city which was the critic's magnum opus. We discussed his inimitable prose style, his deep knowledge of the buildings of London, the afterlife of the book and its un-propositional nature.

This episode includes clips from a walking tour of the West End that we took with Nairn's London in hand. The full audio tour of the West End will be published on our Patreon for subscribers!

This episode is sponsored by Blue Crow Media, purveyors of beautiful architectural maps, including maps of London tube stations and Art Deco or Brutalist architecture in London, in the tradition of Ian Nairn! Use the code aboutbuildings at checkout for 10% off! https://bluecrowmedia.com/

Edited by Matthew Lloyd Roberts.

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The first episode in our new series on the work of architectural critic Ian Nairn. In this first episode we discussed his breakout work for the Architectural Review, Outrage, which railed against 'subtopia', the suburban sprawl of concrete and fencing that Nairn saw ruining the British environment in the decades after World War 2. We also discussed his writings on America, his similarities to Jane Jacobs and his work on Nikolaus Pevsner's Buildings of England.

Nairn has become something of a cult figure in recent years, with his uniquely irascible and sullen television style enjoying a successful afterlife on YouTube. In our next episode we'll be discussing his guide books: Nairn's London and Changing Towns, followed by a final episode on his TV work.

This episode is sponsored by https://bluecrowmedia.com/, who produce beautiful architectural maps that show you all the architectural highlights of a city, including newly released maps of Modernism in Venice and Prague. Use the offer code aboutbuildings for 10% off your next purchase.

Edited by Matthew Lloyd Roberts.

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Our final episode on Otto Wagner considers his relationship to modernism, asking whether Wagner was a predecessor to modernism. We discussed his most modern building, the Österreichische Postsparkasse or Austrian Postal Savings Bank, like so much in Vienna at this time, a coming together of the old world and the new.

Our next series on Ian Nairn will start very soon!

Edited by Matthew Lloyd Roberts.

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In the penultimate episode in our series on Otto Wagner, we discussed Wagner's most famous projects, the art nouveau works produced at the height of the Vienna Secession. We talked about the Majolikahaus, other art nouveau apartment blocks, the Karlsplatz stadtbahn station and his transcendent Kirche am Steinhof designed for a psychiatric hospital with Wagner also masterplanned.

There's one more episode to come on Otto Wagner, where we will discuss his relationship to modernism! Our next series on the British architectural critic Ian Nairn will start in June.

Edited by Matthew Lloyd Roberts.

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This is a preview of our latest bonus episode on Gustav Klimt and the Vienna Secession, get access to the full episode on our Patreon.

In this episode we discussed the work of the Vienna Secession beyond Otto Wagner, particularly the artist Gustav Klimt. The Secession were a group of radical artists who were central to establishing the Art Nouveau in the Austro-Hungarian Empire. Klimt's paintings, with their flattened perspectives, hallucinatory colours and heroin-chic female nudes made him famous, however increasingly prominent commissions led to his style coming into conflict with the dominant hierarchies of taste within the Empire.

Edited by Matthew Lloyd Roberts.

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