William Castle channels his inner Hitchcock with this sordid tale of selfish relatives (re: inheritance plot) and gender bending minutiae; it's 1961's Homicidal, featuring a lead pulling double duty, bad teeth, and a gimmicky fright break. It's also our 15th birthday, so we've collectively surpassed Erik's mental age by a couple of spins around the sun.

We discuss the obvious (though unintentional?) riffs on Alfred Hitchcock's Psycho (1960), the labyrinthine murder plot, decapitated mutes, fright break theater experiences, and much, much more!