Join the LIVE Headshot Class!

We're sharing exactly how we're approaching our upcoming headshot sessions, including why we booked two different photographers, how we used our audition histories to figure out what we actually need, and why we're finally remaking The Headshot Class.

We break down the process of pulling your character types from real audition data, why you shouldn't be getting headshots for roles you've never been called in for, and what to do when you're earlier in your career and don't have much data yet. We also get into some real talk about Gab's Cape Fear premiere, the nerves that come with seeing yourself on screen, and what it means to finally not be celebrating a career milestone alone.

Links:

Follow us on Instagram:@samvalentine: https://www.instagram.com/samvalentine/@gabriellebyndloss: https://www.instagram.com/gabriellebyndloss/

Join The Membership: https://themembership.co/

Chapters:

00:00 Gab's coming to LA (and it's already a lot)02:00 Why we booked two photographers instead of one05:00 Sam's new commercial rep and what they're actually asking for10:00 We're remaking The Headshot Class, and here's why11:30 How to use your audition log to plan your headshots13:00 Gab doesn't keep an audition log, and here's how she approached it anyway15:00 Stop getting headshots for roles you've never auditioned for17:30 What to do when you're starting out and have no data yet19:30 It's okay to get the wrong headshots first22:00 Gab's five character types from her audition history24:00 Sam's character types (including the one she really wants to play)27:00 Commercial vs. theatrical: why they need completely different shots32:00 Gab's premiere nerves and what she's actually nervous about34:30 Why it matters to not do this career alone