So you want us to talk about Mark Knopfler’s score for the 1987 fairy tale adventure The Princess Bride? As you wish. How is this score sensitive to the twists and turns of the dire straits in which our heroes find themselves? Can a movie have a good score without having good music? And, when Rob Reiner said no one else could have scored the movie, did he mean it? (Anybody want a peanut?)

So you want us to talk about Mark Knopfler’s score for the 1987 fairy tale adventure The Princess Bride? As you wish. How is this score sensitive to the twists and turns of the dire straits in which our heroes find themselves? Can a movie have a good score without having good music? And, when Rob Reiner said no one else could have scored the movie, did he mean it? (Anybody want a peanut?)

So you want us to talk about Mark Knopfler’s score for the 1987 fairy tale adventure The Princess Bride? As you wish. How is this score sensitive to the twists and turns of the dire straits in which our heroes find themselves? Can a movie have a good score without having good music? And, when Rob Reiner said no one else could have scored the movie, did he mean it? (Anybody want a peanut?)

#38 – The Princess Bride

Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required.

The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new.

Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years.

Support the show at Patreon.com/SettlingtheScore.
Write us at scoresettlers@gmail.com.

TV & Film

Arts

Music

Performing Arts

Music Commentary

Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required. The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new. Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years. Support the show at Patreon.com/SettlingtheScore. Write us at scoresettlers@gmail.com.

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#38 – The Princess Bride

#38 – The Princess Bride

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