In our final episode on Andrei Tarkovsky, we discuss the two films he directed after leaving the Soviet Union: Nostalghia (1983) and The Sacrifice (1986). Both films see a continued intensification of the directorial moves that Tarkovsky had been developing for his whole career: from heightened and ecstatic soundtracks to long and suspenseful shots; from close-ups of valuable objects in the mud to underdeveloped and over-emotional female characters. The films both draw heavily on the landscapes of Northern Italy and the island of Gotland in Sweden, which are rendered sublimely beautiful through Tarkovsky's unique blend of painterly compositions and disorientating surrealism. We hope you enjoyed this series on the films of Tarkovsky, next up we will be returning to architecture in the company of the inimitable Zaha Hadid!

Edited by Matthew Lloyd Roberts.

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