Hear Jon and Andy go on and on, over and over and over and over again, about Philip Glass’ score to the 2002 literary drama The Hours. How does Glass' minimalism resonate with the movie's repeating and interwoven timelines? What is it implying about life and death? And, is it cheating?

Hear Jon and Andy go on and on, over and over and over and over again, about Philip Glass’ score to the 2002 literary drama The Hours. How does Glass' minimalism resonate with the movie's repeating and interwoven timelines? What is it implying about life and death? And, is it cheating?

Hear Jon and Andy go on and on, over and over and over and over again, about Philip Glass’ score to the 2002 literary drama&nbsp;The Hours. How does Glass' minimalism resonate with the movie's repeating and interwoven timelines? What is it implying about life and death? And, is it cheating?

#74 – The Hours

Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required.

The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new.

Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years.

Support the show at Patreon.com/SettlingtheScore.
Write us at scoresettlers@gmail.com.

TV & Film

Arts

Music

Performing Arts

Music Commentary

Join Jon and Andy as they explore the world of film music, one score at a time. Each episode is an in-depth discussion of a classic film score: what makes it tick, how it serves the movie, and whether it's, you know, any good. It's a freewheeling, opinionated conversation with an analytical bent, richly illustrated with musical examples. No expertise required. The series began by tackling “100 Years of Film Scores," the AFI's list of (purportedly) the 25 greatest scores in American cinema history, and now draws from a broad range of distinguished scores old and new. Jonathan Dinerstein writes music for film and television in Hollywood. Andy is a pianist and music director. They've been chatting together about movie music for 20 years. Support the show at Patreon.com/SettlingtheScore. Write us at scoresettlers@gmail.com.

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#74 – The Hours

#74 – The Hours

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