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You might think the Chronicles of Narnia are just for kids. But scholars have discovered some amazing historical, literary, and theological keys in the stories that Lewis never talked about openly, and that bind the 7 stories together in a way only Lewis could have imagined.
This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Check out Delores Morris' course Believing Philosophy. Get 50% off your first three month subscription with the code 'Undeceptions50'.
Visit the undeceptions.com for more content, including the full show notes for this episode.
Follow the show on Facebook, Twitter and Instagram
Email the show with your comments / feedback: [email protected]
Undeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.
Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band.
Hosted by John Dickson
Produced by Kaley Payne
Directed by Mark Hadley
Audio Editing by Richard Hamwi
Social Media by Sophie Hawkshaw
Administration by Lyndie Leviston
Writer and researcher: Alasdair Belling
Online Librarian: Siobhan McGuiness
Copyright Undeceptions Ltd 2022
By Undeceptions Ltd4.8
315315 ratings
You might think the Chronicles of Narnia are just for kids. But scholars have discovered some amazing historical, literary, and theological keys in the stories that Lewis never talked about openly, and that bind the 7 stories together in a way only Lewis could have imagined.
This episode of Undeceptions is sponsored by Zondervan Academic's Masterlectures. Check out Delores Morris' course Believing Philosophy. Get 50% off your first three month subscription with the code 'Undeceptions50'.
Visit the undeceptions.com for more content, including the full show notes for this episode.
Follow the show on Facebook, Twitter and Instagram
Email the show with your comments / feedback: [email protected]
Undeceptions is the flagship podcast of Undeceptions.com: Letting the truth out.
Theme music: JS Bach's Cello Suites, Prelude, performed by the Undeceptions Band.
Hosted by John Dickson
Produced by Kaley Payne
Directed by Mark Hadley
Audio Editing by Richard Hamwi
Social Media by Sophie Hawkshaw
Administration by Lyndie Leviston
Writer and researcher: Alasdair Belling
Online Librarian: Siobhan McGuiness
Copyright Undeceptions Ltd 2022

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