99% Invisible

The leaf blower is one of the most hated objects in the modern world. They’re loud, they pollute, and… how important is a leafless lawn anyway? In a lot of towns and cities, the gas-powered leaf blower has been banned. In others, there are strict guidelines on where and when they can be used. In Los Angeles, California, the leaf blower has never gone quiet, but the war to ban them has been raging for decades.

The Los Angeles Leaf Blower Wars

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For a long time, the Court operated under what was called Legal Formalism. Legal formalism said that the job of any judge or justice was incredibly narrow. It was to basically look at the question of the case in front of them, check that question against any existing laws, and then make a decision. Unlike today, no one was going out of their way to hear what economists or sociologists or historians thought. Judges were just sticking to law books. The rationale for this way of judging was that if you always and only look at clean, dry law the decisions would be completely objective.

In the late 19th, early 20th century a movement rose up to challenge legal formalism. They called themselves the legal realists. Fred Schauer, professor of law at University of Virginia, says the Realists felt that the justices weren’t actually as objective as they said they were. "Supreme Court justices were often making decisions based on their own political views, their own economic views, and would disguise it in the language of precedence or earlier decisions," says Schauer. The realists said lets just accept that reality and wanted to arm the judges with more information so those judges could make more informed decisions.
For a long time the debate between realists and formalists had been mostly theoretical. That is until the arrival of the Brandeis Brief. The Brandeis brief came during a pivotal court case in the early 20th century. And the man at the center of that case was a legal realist and progressive reformer named Louis Brandeis.

Fact Checking the Supreme Court

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In late 2018, two hundred people gathered at The Explorer’s Club in New York City. The building was once a clubhouse for famed naturalists and explorers. Now it’s an archive of ephemera and rarities from pioneering expeditions around the globe. But this latest gathering was held to celebrate the first biological census of its kind –an effort to count all of the squirrels in New York City’s Central Park. Squirrels were purposefully introduced into our cities in the 1800s, and when their population exploded, we lost track of how many there are.

2024 update: We have a number!

Uptown Squirrel

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Los Angeles actually used to have a massive electric railway system in the early 1900s, called the Red Car. Jake Berman, the author of The Lost Subways of North America, tells us about how, time after time, when North American cities seemed just inches away from having a robust, utopian future of fast, reliable, and convenient public transportation systems, something gets in the way. That thing is sometimes dysfunctional local politics, sometimes it’s bureaucracy. Sometimes it’s the way our infrastructure favors cars over mass transit, and too often, it’s racism.

The Lost Subways of North America

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This is the fifth official episode, breaking down the 1974 Pulitzer Prize winning book, The Power Broker by our hero Robert Caro. 

This week, Roman Mars and Elliott Kalan sit down with Brandy Zadrozny, a senior reporter for NBC News who covers misinformation, conspiracy theories, and the internet. Brandy recently finished The Power Broker, and she’s got a great perspective on what the book says about the press and its relationship to power, what has changed in journalism, and what has remained the same.

Elliott and Roman also cover the last section of Part 4 of the book (Chapter 21 through Chapter 24), discussing the major story beats and themes.

The Power Broker #5: Brandy Zadrozny

Join the discussion on Discord and Reddit.

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In the twentieth century, the jetpack became synonymous with the idea of a ‘futuristic society.’ Appearing in cartoons and magazines, it felt like a matter of time before people could ride a jetpack to work. But jetpacks never became a mainstream technology, leaving many to wonder... why did they fall off the radar? 

Rocket Man

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The Howdy Doody Show is one of those pieces of 1950s ephemera that has come to symbolize mid-century American childhood. For over a decade, every weeknight at 5pm, kids all across the country would sit down in front of their parents’ tiny televisions and take in the wild west adventures of Buffalo Bob and his puppet sidekick Howdy Doody.

The show was disproportionately important in the history of television. It was the first television program to reach 1,000 episodes, one of the first shows to broadcast in color, and it pioneered new ways of marketing products to children. But in the early days of the medium, especially when Howdy Doody first started, the world of television was strange. In many ways, the story of Howdy Doody is the story of the weird, wild-west days of early TV. A story in which programmers, advertisers, artists and money men were inventing everything as they went along. Starting with what to put on television in the first place.

It's Howdy Doody Time!

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Recently we published an episode called Towers of Silence. It's about how the Parsis in India are grappling with the loss of vultures and how it changed something very intimate and meaningful for the community. It was reported by our own Lasha Madan and it is epic and it is beautiful. So first of all, go listen to that story if you haven't heard it. It's so good. 

On the one hand, it's a very specific story, it's about a unique set of circumstances that happened to a very specific community. But it also feels universally relevant. Because it's a story about death and how we choose to transition out of this world. It's about how we might react when there’s a major cultural shift that we cannot control. And importantly it is about a keystone species collapse, which is something we are on track to see more of in these times. Lasha Madan collected a ton of information about vulture conservation in their reporting but it didn't quite fit into the original story that we wanted to tell but it's so vital and interesting that we're releasing this bonus episode to cover it all.

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Mr. Yuk is a neon green circular sticker with a cartoon face on it. His face is scrunched up with his eyes squeezed tight and his tongue is sticking out of its mouth. It's the face you make when you taste something disgusting. He's the pictorial embodiment of the sentiment of yuck. Aptly enough: he was designed to be the symbol for hazardous substances, aimed at deterring children from ingesting them. The idea what that if you saw a Mr. Yuk sticker on something around the house, it meant that that something was poison.

Friend of the show, Gillian Jacobs, is a BIG FAN of Mr Yuk, who turns out to be a hometown hero of her beloved Pittsburgh, and talked Roman through the origins of the mean, green face that was meant to save children from their worst impulses.

Plus, we revisit another story about warning symbols from our archive: the quest to find a symbol that would warn future humans of dangerous radiation 10,000 years in the future.

Mr. Yuk

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Situated right in downtown Mumbai, India is an area of about 55 acres of dense, overgrown forest. In one of the most populous cities in the world, this is a place where peacocks roam freely -- a space out of time. This forest is protected by a religious community. It has survived in a relatively undeveloped state in the middle of this gargantuan city. Importantly, it’s also home to an ancient tradition in crisis -- one that is central to the lives (and deaths) of a particular population.

There’s a certain point in this forest beyond which almost no one can step -- only special caretakers of these grounds can go any further. They go by many names: khandia, nassassalar, pallbearer, corpse bearer. Their work here is holy. They carry dead bodies to their final resting place – atop stone structures that stand gray against the lush green. These buildings are called Towers of Silence.

Towers of Silence

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