The Punisher has always been a complicated Marvel antihero: a man whose creator imagined him as a reaction to the failures of government at home and in the Vietnam War. So why is the Punisher’s trademark dripping skull insignia — a menacing image used throughout history to denote imminent death — being painted on police vehicles, adopted by members of the military, and donned by white supremacists?

This episode of Endless Thread explores the story of The Punisher’s symbol as a meme, and looks at how well we understand its origins, its use today, and whether its creator — or Marvel — can take it back.

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At the end of the calendar year and into the new year the 99pi staff collects a bunch of short, joyful little stories that are fun to produce and make us happy. We call them mini-stories. This is the third and final episode of this batch and the 14th volume overall and it’s a good one- we have surprisingly architectural sport commentary, Ben Franklin’s role in Daylight Saving Time, and the origin story of the fire pole.

Mini-Stories : Volume 14

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We're kicking off the new year at 99pi with a fresh installment of mini-stories, including: a strange collision of mundane infrastructure and political insurrection; a graphic design history mystery dating back to the 1980s; what may be the most hated architectural design of 2021; and a record-breaking album cover design so cutting edge it cost more money to make than to buy.

Mini-Stories: Volume 13

Get Beauty Pill's Instant Night

Get New Order's Blue Monday

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It's that time of year again! When 99pi producers and friends of the show join Roman to tell shorter stories, many of which have been sitting on our idea shelves, just waiting for this moment. Our first set of minis delves into the surprisingly controversial logo of a major sports league; a wild goose chase into erroneous statistics; the largely forgotten arts competitions of the Olympic Games; and a Modernist penguin pool that is beloved by preservationists but not so adored by actual penguins. And this is the first batch of our turn-of-the-year mini-stories. Tune back in for more minis at the beginning of 2022!

Mini-Stories: Volume 12

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Slovenia is a small country in Central Europe nestled between Italy, Austria, Croatia and Hungary. It's a land of snowy white peaks, green valleys, and turquoise rivers. The country is beautiful in all seasons, but it is perhaps at its most magical around Christmastime. This nation of just over 2 million people is visited by, not one, not two, but three different "santas" every festive season. But it hasn't always been this way. Each Santa has had his moment in the spotlight—each in a different period of Slovenia’s complicated history. And in order to have a Christmas season that reflects that history and speaks to all Slovenians, you need three magical men.

The Three Santas of Slovenia

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For Black Americans, Collier Heights became a suburban jewel in the postwar South spanning thousands of acres and packed with nature. Just as amazing as the expansive beauty is how this neighborhood came to be, especially given everything that stood in the way. Collier Heights was established in the early 1950s, when redlining and racial zoning all put hard limits on where black people could live. Driving its development was a team of community leaders who used cold, sharp strategy, flipping the logic of Jim Crow housing segregation on its head.

The Epic of Collier Heights

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In much of the western world, alphabetical order is simply a default we take for granted. It’s often the one we try first -- or the one we use as a last resort when all the other ordering methods fail. It’s boring, but it works, and it’s so ingrained that it’s hard to imagine not using it. But despite its endurance for most of its history, the alphabet wasn’t initially used to order much of anything. Judith Flanders, author of A Place For Everything, a history of alphabetical order, says that in societies like ancient Rome and early medieval Europe, writing implements were still rare. So what mattered most was organizing knowledge in a way that helped you to memorize it. And that was usually much easier to do in the order you naturally came across the information, like: chronologically, or by size, or geography, or region, or hierarchically.

Alphabetical Order

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The French bulldog is now the second most popular breed in America. Their cute features, portable size, and physical features make for a dog that can easily travel and doesn't require a lot of exercise. But these characteristics sometimes have a detrimental effect on the dog's health. Tove K. Danovich writes "Rather than requiring human owners to change their lives to accommodate a new dog, the French bulldog is a breed that’s been broken to accommodate us."

Historically, dogs were bred for functional reasons, not aesthetics. But evaluating a breed based on how they accomplish a task is tricky, leading to the rise of visual standards more easily judged. As breed standards were formalized, purebred dogs grew in popularity and became a luxury of sorts; but with a limited genetic pool, this popularity naturally led to a lot of inbreeding to maintain breed consistency.

Cute Little Monstrosities of Nature

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Fitness trends come and go. But the simple weight is an anchor in the shifting tides of culture. As workout equipment has become canonized within the realm of home appliances, this heavy metal object aids in our dual — and sometimes conflicting — pursuit of athletics and aesthetics.

In season 2 of the Nice Try! podcast, show host and former 99pi producer Avery Trufelman heads inside the home, interrogating how individuals channel utopian ambitions through the lifestyle technologies and home goods that determine the ways we clean, cook, exercise, and sleep in order to lead better lives. But the problems these objects are designed to solve, and the way they solve them, promote a distinctly American ideal that prioritizes personal betterment over improving society as a whole.

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Even if we think of the camera as a neutral technology, it is not. In the vast spectrum of human colors, photographic tools and practices tend to prioritize the lighter end of that range. One example of this bias was Kodak's Shirley Card, a reference photo used to calibrate photo printing machines.  For decades all of the models on the Shirley Cards were white. This meant that photographs of people with darker skin tones were often not printed correctly. But that's just one example of the limited dynamic range of photography purposefully excluding people with darker skin.

Shirley Cards

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