The Daily

President Trump announced a deal to purchase Russian diesel fuel and temporarily suspended sanctions in an effort to lower domestic fuel prices amid rising costs from the war in Iran and in anticipation of the upcoming midterms. This abrupt foreign policy shift stunned European allies and drew sharp criticism from Ukraine, which viewed the move as a weakening of Western leverage against Russia.

Today, Anton Troianovski, a global affairs correspondent for The New York Times, discusses what the deal reveals about the Trump administration’s strategy with Russia, and how much it could actually lower prices at the pump.

Guest: Anton Troianovski, a global affairs correspondent for The New York Times who writes about foreign policy, national security and America’s place in the world.

Background reading: Trump faces a new crisis over Ukraine following the Russian diesel deal.

Photo: Igor Grussak/picture alliance via Getty Images

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Artificial intelligence has gone from struggling with basic arithmetic to helping solve some of mathematics’ most famous open problems — and the field is reckoning with what that means.

Steven Strogatz, a professor of mathematics at Cornell University, describes the excitement and grief of watching A.I. take on work that gives people a sense of purpose — and asks what could be lost if machines deliver answers without the human struggle, insight and understanding that make solving problems meaningful.

Guest: Steven Strogatz, a professor of mathematics at Cornell University who writes for The New York Times about the future of research.

Background reading: 

• Mathematics isn’t just a game to let A.I. solve — history shows why.
• A.I. is mastering the kinds of projects that have long helped to build the careers of young mathematicians. What does that mean for their future?
• Steven Strogatz’s forthcoming book: Big Math.

Photo: Ian C. Bates for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The documentary film “NAZA,” which investigates the methods the Israeli military has used in the war in Gaza since the Hamas-led attacks on Oct. 7, 2023, received a record-breaking standing ovation at the Venice Film Festival last month. Just a few days later, Prime Minister Benjamin Netanyahu said he would propose legislation that could revoke the directors’ Israeli citizenship, arguing that they had defamed their country.

Now, with a global theatrical release underway, the directors spoke with “The Daily” to discuss the film and all the pushback that it — and they — have experienced.

Guest: 

• Rachel Szor, an Israeli investigative journalist, film director and activist.
• Yuval Abraham, an Israeli investigative journalist, film director and Arabic-Hebrew translator.

Background reading: 

• After accolades abroad, “NAZA” met backlash at home.
• Read The Times’s review of the film.

Photo: Stefano Rellandini/Agence France-Presse — Getty Images, The Guardian/IFC Center, Ander Gillenea/Agence France-Presse — Getty Images

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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A dramatic pop music comeback story is underway: Celine Dion is performing again.

In 2022, Dion, the renowned Canadian singer, announced that she had stiff person syndrome, a rare and incurable neurological disorder that causes painful muscle spasms and affects roughly one in a million people. The announcement came as a shock to her fans, and in a raw and revealing documentary released in 2024, “I Am: Celine Dion," she shared her struggle to overcome her condition, and sing again. But Dion worked her way back to performing, and is now appearing in a run of sold out shows in Paris.

The culture reporter Elisabeth Vincentelli was there on opening night, and in this episode of “The Sunday Daily,” she talks with our host Natalie Kitroeff about the remarkable comeback of Celine Dion.

On Today’s Episode:

• Elisabeth Vincentelli, an arts, culture, and theater journalist.

Background Reading:

• Celine Dion Is Back Onstage. Naturally, She Chose Paris.
• Paris Really, Really Loves Celine Dion

Photo credit: Clementine Schneidermann for The New York Times.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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As the head of the International Committee of the Red Cross, Mirjana Spoljaric goes to both sides of conflicts. She’s worried that our warring world is spiraling out of control.

• Thoughts? Email us at [email protected]
• Watch our show on YouTube: youtube.com/@TheInterviewPodcast
• For transcripts and more, visit: nytimes.com/theinterview

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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If you dine out regularly, you might have noticed some changes in restaurants over the past few years. Perhaps you’ve found yourself ordering at a counter, scanning a QR code to see the menu, or eating … a lot more soft serve.

These changes aren’t just trends. Brett Anderson, a New York Times food reporter, says they are restaurant owners’ desperate attempts to stay afloat in an industry in crisis. According to a report from the National Restaurant Association, 42 percent of restaurant owners said they weren’t profitable in 2025. Many of them were at serious risk of closing.

In this episode of “The Sunday Daily,” Brett talks with our host Michael Barbaro about the economic realities that are forcing businesses to rethink the entire concept of a restaurant, including a radical experiment at one Minneapolis diner that stopped charging for food entirely.

On Today’s Episode:

• Brett Anderson, a reporter for the Food section of The New York Times.

Background Reading:

• This Restaurant Stopped Charging for Food. And Profits Are Up.

• The Restaurant List 2026

  Photo credit: Caroline Yang for The New York Times. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The comedian and filmmaker on what real friendship looks like, what keeps him up at night and his new movie, "Misty Green."

• Thoughts? Email us at [email protected]
• Watch our show on YouTube: youtube.com/@TheInterviewPodcast
• For transcripts and more, visit: nytimes.com/theinterview

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The turn of the century was the beginning of a new era in television: prestige TV for the masses. Today, television is where big stars and innovative creators go to marshal sizable budgets and tell meaningful stories.

Over recent months, our colleagues at The New York Times ran a survey, asking industry insiders — on-screen talent, writers, directors, producers, executives and others — to pick their top 10 television series of the last 26 years. We compiled their responses into a list, published this week, of the best TV of the 21st century.

In this episode of “The Sunday Daily,” The Times’s canon editor, Gilbert Cruz, and our chief TV critic, James Poniewozik, talk with our host Natalie Kitroeff about what made the list, and what didn’t.

On Today’s Episode

James Poniewozik is The New York Times’s chief TV critic.

Gilbert Cruz is the canon editor at The New York Times.

Background Reading

• The 100 Best TV Shows of the 21st Century
• The 100 Best TV Shows of the 21st Century: Cast Your Vote
• The 100 Best TV Shows of the 21st Century: How Stars, Creators and Other TV Lovers Voted

Photo: The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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For the first time in centuries, the Bayeux Tapestry — a nearly 1,000-year-old piece of embroidery that depicts the invasion of England by William the Conqueror in 1066 — is on display in Britain.

It was long said by art experts to be too fragile to move. But in a development that required geopolitical persuasion, this summer the tapestry made its way from Bayeux, France, to the British Museum in London.

When the first block of tickets went on sale, the British Museum said, over 80,000 people at a time waited online to buy them.

In this episode of the “Sunday Daily,” Alex Marshall, a culture reporter for The New York Times, talks with host Michael Barbaro about why this ancient piece of embroidery matters so much to the British public.

On Today’s Episode:

Alex Marshall is a European culture reporter for The New York Times, based in London.

Background Reading:

• How to See a Bayeux Tapestry — Without Going to the British Museum
• A Nation Gripped by ‘Bayeux Fever’ Finally Gets to See the Tapestry

Photo credit: Kin Cheung for Associated Press.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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When it comes to movies we love, there are the artistic masterpieces and there are the foot-stomping crowd pleasers. But there’s another particular kind of beloved movie, the one that makes our friends groan, but that we rewatch incessantly; the one that we can quote line for line, even as we giggle at the actors’ performances; the one that we’d say is great, but that we might not say is good. These are the kinds of movies that Maya Salam, a pop culture writer at The New York Times, covers in her monthly column, The Good-Bad.

This episode is a celebration of good-bad movies, timed to the release of “Practical Magic 2,” the long-awaited sequel to the 1998 cult film that Salam called “a bubbling cauldron of plot holes and tones.” Our host Rachel Abrams talks to Salam about the joys of loving a movie despite (or because of) its flaws. Then, they’re joined by The Times’s canon editor, Gilbert Cruz, and Taffy Brodesser-Akner, a Times Magazine writer, to discuss the best of good-bad cinema.

On Today’s Episode:

Maya Salam covers pop culture for The New York Times.

Gilbert Cruz is the canon editor for The New York Times.

Taffy Brodesser-Akner is a features reporter for The New York Times Magazine.

Background Reading:

• The Good-Bad
• Why Loving Good-Bad Movies Feels All Good

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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