More and more people are wearing technology in the form of fitness bands and smart rings. These devices track metrics such as heart rate, skin temperature and sleep. The latest frontier is health tech for babies — and it’s being supercharged by artificial intelligence.

Sapna Maheshwari shares her family’s experience with health tracking and discusses whether it’s helping people or just adding to their anxieties.

Guest: Sapna Maheshwari, a reporter covering new media companies for The New York Times.

Background reading: 

• Aw, it’s baby’s first A.I. surveillance system.
• Will A.I. kill us? Can it hack my bank account? Your A.I. questions answered.

Photo: Margeaux Walter for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

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For every day of Donald J. Trump’s presidency, there has been a camera from a major television network pointed at him. But on Monday, that all changed.

Zolan Kanno-Youngs and Michael M. Grynbaum discuss the face-off between the president and the press. 

Guest:

• Zolan Kanno-Youngs, a White House correspondent for The New York Times
• Michael M. Grynbaum, a media correspondent for The New York Times.

Background reading: 

• CNN, MS NOW and Politico were barred from the White House after President Trump’s ban.
• Networks suspended pool coverage of the president after the White House barred CNN.

Photo: Andrew Leyden for The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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In its second term, the Trump administration has increased its efforts to undo environmental regulations. Last week, it became clear that the Endangered Species Act, one of America’s bedrock environmental laws, would be losing some of its most important protections.

Catrin Einhorn, who covers biodiversity, explains what is changing and what impact that could have on the country’s most vulnerable animals and ecosystems. 

Guest: Catrin Einhorn, a reporter covering biodiversity, climate and the environment for The New York Times.

Background reading: 

• The Trump administration moved to gut a core protection of the Endangered Species Act last week.

Photo: Tom Gallagher/Associated Press

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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For the first time in centuries, the Bayeux Tapestry — a nearly 1,000-year-old piece of embroidery that depicts the invasion of England by William the Conqueror in 1066 — is on display in Britain.

It was long said by art experts to be too fragile to move. But in a development that required geopolitical persuasion, this summer the tapestry made its way from Bayeux, France, to the British Museum in London.

When the first block of tickets went on sale, the British Museum said, over 80,000 people at a time waited online to buy them.

In this episode of the “Sunday Daily,” Alex Marshall, a culture reporter for The New York Times, talks with host Michael Barbaro about why this ancient piece of embroidery matters so much to the British public.

On Today’s Episode:

Alex Marshall is a European culture reporter for The New York Times, based in London.

Background Reading:

• How to See a Bayeux Tapestry — Without Going to the British Museum
• A Nation Gripped by ‘Bayeux Fever’ Finally Gets to See the Tapestry

Photo credit: Kin Cheung for Associated Press.

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The Oscar-winning writer returns to Facebook with “The Social Reckoning”— and surprises us with the revelation of why he is so drawn to uplift and romance. 

• Thoughts? Email us at [email protected]
• Watch our show on YouTube: youtube.com/@TheInterviewPodcast
• For transcripts and more, visit: nytimes.com/theinterview

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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When it comes to movies we love, there are the artistic masterpieces and there are the foot-stomping crowd pleasers. But there’s another particular kind of beloved movie, the one that makes our friends groan, but that we rewatch incessantly; the one that we can quote line for line, even as we giggle at the actors’ performances; the one that we’d say is great, but that we might not say is good. These are the kinds of movies that Maya Salam, a pop culture writer at The New York Times, covers in her monthly column, The Good-Bad.

This episode is a celebration of good-bad movies, timed to the release of “Practical Magic 2,” the long-awaited sequel to the 1998 cult film that Salam called “a bubbling cauldron of plot holes and tones.” Our host Rachel Abrams talks to Salam about the joys of loving a movie despite (or because of) its flaws. Then, they’re joined by The Times’s canon editor, Gilbert Cruz, and Taffy Brodesser-Akner, a Times Magazine writer, to discuss the best of good-bad cinema.

On Today’s Episode:

Maya Salam covers pop culture for The New York Times.

Gilbert Cruz is the canon editor for The New York Times.

Taffy Brodesser-Akner is a features reporter for The New York Times Magazine.

Background Reading:

• The Good-Bad
• Why Loving Good-Bad Movies Feels All Good

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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This week marks the start of the Gustavo Dudamel era in New York.

The superstar conductor was just 28 when he became the musical director of the Los Angeles Philharmonic in 2009. A native of Venezuela and a product of its El Sistema musical training program, Dudamel quickly established himself not just as a great conductor, but also as a cultural force of nature. In his time in Los Angeles, he expanded the Philharmonic’s repertoire, created a successful youth outreach program, won prestigious awards and ingratiated himself with Hollywood elite.

Now, after 17 years in Los Angeles, Dudamel is taking the helm at one of the world’s most famous and storied orchestras: the New York Philharmonic. It’s a job once held by Leonard Bernstein, and Dudamel is hoping to follow in Bernstein’s footsteps to make the Philharmonic and the music that it plays a bigger part of the pop culture landscape.

On today’s episode, Joshua Barone, who covers classical music for The Times, discusses Dudamel, what he’s accomplished and the high hopes for his tenure with the New York Philharmonic.

Music Featured (in order of appearance, all conducted by Gustavo Dudamel):

• Johann Strauss, Tik-Tak Polka, Polka Schnell, Op. 365, Weiner Philharmoniker (Sony Music Entertainment)
• Dmitri Shostakovich, Festive Overture, Op. 96, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Gustav Mahler, Symphony No. 5 in C-Sharp Minor IV. Adagietto, Berlin Philharmonic (Berlin Philharmonic Recordings)
• Antonin Dvorak, Symphony No. 8 in G Major, Op. 88, B. 163, III. Allegretto grazioso- Molto vivace, Los Angeles Philharmonic (Deutsche Grammophon)
• John Williams, “The Imperial March” (From “Star Wars: Episode V — The Empire Strikes Back”), Los Angeles Philharmonic (UMG Recordings, Inc)
• John Adams, “En un Día de Amor Yo Bajé Hasta la Tierra,” The Gospel According to the Other Mary, Los Angeles Master Chorale and Los Angeles Philharmonic (Deutsche Grammophon)
• Gabriela Ortiz, “Kauyumari,” Los Angeles Philharmonic (Platoon)
• Ludwig Beethoven, Symphony No. 7 in A Major, Op. 92, IV. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Thomas Adès, “XII. The Thieves — devoured by reptiles,” Dante, Los Angeles Master Chorale and Los Angeles Philharmonic (Nonesuch Records)
• Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Youth Orchestra (Deutsche Grammophon)
• Ludwig Beethoven, Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio, Simón Bolívar Symphony Orchestra (self-released)
• Leonard Bernstein, “End Credits” and “The Dance at the Gym: Mambo,” from “West Side Story” (Original Motion Picture Soundtrack), Los Angeles Philharmonic and New York Philharmonic (Hollywood Records)

On Today’s Episode:

Joshua Barone is an editor for the Culture section of The New York Times who works on classical music and dance coverage. He also writes criticism about classical music and opera.

Background Reading:

• Gustavo Dudamel’s Long Goodbye to L.A., and Long Hello to New York

• What Makes Superstar Conductor Gustavo Dudamel So Good?

  Photo Credit: James Estrin/ The New York Times

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The U.S. Open, the final tournament of the tennis season, is getting underway. The world’s best players are heading to the U.S.T.A. Billie Jean King National Tennis Center in Queens, N.Y., to battle it out for the chance to play a championship match at Arthur Ashe Stadium, the largest tennis arena in the world.

The players come freighted with great expectations, previous victories and defeats, aches and pains, personal dramas and professional rivalries, all of which they will carry with them out on the court when they play. Tennis is a game that exposes a lot about its players, which is one of the things that makes it so beloved around the world.

In this episode of the “Sunday Daily,” the host Natalie Kitroeff talks with Matthew Futterman, a senior tennis writer for The Athletic and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis,” about this year’s crop of players. They’ll dig into the biggest rivalries and dramas brewing in the tournament ahead.

On Today’s Episode:

Matthew Futterman, a senior tennis writer for The Athletic, and the author of “The Cruelest Game: Chasing Greatness in Professional Tennis.”

Background Reading:

“U.S. Open Men’s Title Contenders: Jannik Sinner Cut, Carlos Alcaraz In and a U.S. Man’s Big Chance?”

Photo credit: Al Bello/Getty Images. 

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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Jesse and Emily Cole created the Savannah Bananas with a simple mission in mind: to make baseball as entertaining as possible. They introduced some innovations to America’s pastime, including twerking umpires, stilt-walking pitchers and TikTok-ready choreographed dance numbers. They tinkered with the rules of baseball, making a game that was shorter and faster, with plenty of opportunities for fan engagement. The result? A sports sensation. In the 10 years since its founding, the team has become one of the most popular sports organizations in the world, reaching tens of millions of fans online, with a waiting list of millions of others hoping to see a game in person.

For many, the Bananas are the ultimate sports success story, one that shows a path forward for teams and leagues concerned about fan retention in an era of shortened attention spans and endless entertainment options. But others take a less rosy view of the Bananas and their hyper-energetic brand of baseball, seeing them as an existential threat to a game that fans have loved for more than a hundred years.

On today’s show, our host Natalie Kitroeff talks with Jonathan Abrams, a Times reporter who covers culture news, about the Bananas phenomenon, and then heads to a Banana Ball game to see things for herself.

On Today's Episode

Jonathan Abrams is a reporter for The New York Times covering national culture news.

Background Reading

A Broadway Star Is the Savannah Bananas’ Phantom of the Bullpen

As Savannah Bananas pursue ‘a billion fans,’ are they real competition for MLB?

Photo: Al Bello/Getty Images

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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The New York Times Book Review recently released its list of the 50 best thrillers of the 21st century.

To put it together, the team asked almost 300 authors and other experts to vote for the best heart-thumping, page-turning, white knuckle reads published since 2000.

In this episode of “The Sunday Daily,” Natalie Kitroeff talks with the Times thrillers columnist, Sarah Lyall, about how the list came together. Then, Natalie speaks with one of the greatest thriller writers of this century — with four books featured on the list — the author Tana French.

On Today’s Episode:

Sarah Lyall writes a monthly thrillers column for The New York Times.

Tana French is the author of many best-selling books, including “In the Woods,” “The Searcher,” “The Likeness” and “The Witch Elm.”

Background Reading:

The 50 Best Thrillers of the 21st Century

Photo credit: Naila Ruechel

For more information on today’s episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

Subscribe today at nytimes.com/podcasts or on Apple Podcasts, Spotify and Amazon Music. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

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