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It turns out there is a crucial moment after you pitch -- the ten-minute window when the pitch is finished. In part four of this multi-episode series hosts Tasha Huo and Josh Hallman discuss this moment and how it can make or break your pitch. It's important and pitching is the greatest/worst!!!
Edited by the great Paul Lundquist
Music by 414beg.
Questions/Comments: [email protected]
To have a sustainable Screenwriting career, you need to know more than just how to write a brilliant screenplay. Eventually, every Screenwriter is asked to revise. But taking notes and executing them effectively is a whole other part of the brain and a different skillset than simply writing a genius spec. For that reason, hosts Tasha Huo and Josh Hallman kick off their Notes Series with the “10 COMMANDMENTS FOR NOTE TAKERS”, a handy how-to-guide for Screenwriters on how to think about notes like a professional, and set yourself up for continued success.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
In this inaugural edition of WHY MOVIES WORK, hosts Tasha Huo and Josh Hallman discuss three recently-released movies — NOBODY, MORTAL KOMBAT and THE MITCHELLS VS. THE MACHINES — and, more specifically, why these movies work on a screenwriting level. *Do be warned — SPOILERS AHEAD*
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
Development Hell is part of every Screenwriter’s career, great and small. In this first in an ongoing series about real-life development stories, hosts Tasha Huo and Josh Hallman kick things off with a break down of just how a writer gets caught in Development Hell, what exactly that means, and even tell a few epic stories of how some hellish development stories have produced movies we all know and love.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
Chances are, the Screenwriters of your favorite movies have hired a Ghostwriter to do everything from joke punch-ups to full on writing of your favorite scenes and set-pieces. Ghostwriting is one of the best kept secrets in Hollywood Screenwriting. In this episode, hosts Tasha Huo and Josh Hallman go full investigative journalist and bring to light real stories from real working Ghostwriters in Hollywood who have ghost written everything from TV shows to studio franchise movies. These Ghostwriters dish (anonymously) on what it’s like to have big writers ask you to do their work for them. The stories that came up may shock you.
The Walt Disney Television Writing Program is one of the most sought-after programs for up-and-coming writers because of its extremely high success rate in transitioning its program participants into working staff writers on Disney/ABC TV shows. In this interview with 2020 alums Adrian Viña and Allyson Philobos, we break down how the program works and why it's so successful. We discuss everything from the grueling interview process, the fantastic education in real-life skills to help develop you as both a writer and a professional, and how the program goes about connecting its participants to staff writing jobs.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
Hosts Tasha Huo and Josh Hallman talk with spec master Daniel Kunka to discuss his latest script: LIFT. Kunka’s spec created a frenzy that resulted in him teaming up with Netflix, Simon Kinberg, and Matt Reeves. The Act Two Podcast loves (LOVES) specs, and it was great to have Kunka offer inspiration while sharing his insight.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
Fireside Chats are where hosts Tasha Huo and Josh Hallman pose real situations from real-life working Screenwriters, and ask "What would you do?" In this chat, they discuss everything from What would you do if an exec fell asleep in your pitch to How would you gracefully fire your manager?
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
"That writer has a great voice," is a comment often uttered by producers and reps when talking about writers they love. And it's what buyers and producers look for in hiring the best writer for the job. Using examples from masters of voice in the industry (JJ Abrams, Shane Black, Mike Flanagan, and others), hosts Tasha Huo and Josh Hallman break down what the hell "voice" even means, why your voice is so important as a Screenwriter, and how to find your unique voice in your own writing.
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
Hosts Tasha Huo and Josh Hallman watch the 4-hour Snyder Cut of JUSTICE LEAGUE and both rant and rave about it, while also bringing it back to writing -- How do you write good mythology, and what are some of the pitfalls to avoid if you are creating your own mythology in a script?
Questions/Comments: [email protected] -- Edited by Paul Lundquist -- Music by 414beg
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