Berlin-based Danish singer, pianist, and composer Agnes Obel presents her ghostly, beautiful, classical chamber music-informed self-produced art-pop. Listen for luthéal (a kind of mechanism that can make a piano sound like a harp or cimbalom), piano, viola, cello, percussion, and lots of dreamy, ethereal vocals, asking questions about trust and doubt. For the latest record, Myopia, Obel experimented with recording processing, warping and pitching down vocals, melting and twisting the chamber music instruments strings, piano, celesta and lutheal piano – until she found a feeling of home in the soundworld she’d created. Agnes Obel and her band share some of these latest songs, in-studio. - Caryn Havlik

Watch the session here:

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