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Artists have used Yugoslav World War II monuments as elements in their works to criticize official policies or inaction. In the process of performing such artistic interventions, these artists have created contemporary monuments. Three such artists, Siniša Labrović (Croatia), Elena Čemerska (North Macedonia), and D.A. Calf (Australia) discuss their interventions.
Featuring the songs "Termopil" ("Termopylae") by Sara Renar (Croatia) and "A bre Makedonče" ("Macedonian Boy") performed by Zbor Praksa (Croatia).
The Remembering Yugoslavia podcast explores the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak. New episodes two to four times per month.
Support the show
By Peter Korchnak5
3838 ratings
Artists have used Yugoslav World War II monuments as elements in their works to criticize official policies or inaction. In the process of performing such artistic interventions, these artists have created contemporary monuments. Three such artists, Siniša Labrović (Croatia), Elena Čemerska (North Macedonia), and D.A. Calf (Australia) discuss their interventions.
Featuring the songs "Termopil" ("Termopylae") by Sara Renar (Croatia) and "A bre Makedonče" ("Macedonian Boy") performed by Zbor Praksa (Croatia).
The Remembering Yugoslavia podcast explores the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak. New episodes two to four times per month.
Support the show

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