Art Monthly Talk Show

Kathryn Lloyd on Iván Argote’s show at Space, Jamie Sutcliffe brings a worm’s eye view to art and the Chthulucene and Lynton Talbot discusses the Whitechapel Gallery’s ‘Electronic Superhighway (2016-1966)’ exhibition.

Maria Walsh discusses Adam Chodzko’s eco-art film Deep Above, Alex Fletcher reports from Raven Row’s exhibition ‘The Inoperative Community’ and Chris Fite-Wassilak examines Jessie Brennan and Nathan Coley’s artists’ books about art and regeneration.

Beth Bramich reports from ‘Art & Stupidity’, Nathan Jones makes sense from non-sense with glitch poetics and Paul O’Kane seeks orientation without maps.

Jonathan P Watts discusses art and the commodification of happiness, Lauren Velvick introduces the work of Jennet Thomas, and Jamie Sutcliffe examines Marcus Werner Hed and Nathaniel Mellors’s film The R&B Feeling about the life of Bob Parks.

Matthew Bowman and Mark Wilsher discuss the latter’s ‘Everyone is an Curator’ show, Chris Fite-Wassilak introduces the social art of Jonathan Hoskins and Rob La Frenais reports on the Istanbul Bienali.

Larne Abse Gogarty discusses the reinvention of documentary, Richard Grayson explores the ends of post-internet art and Alex Fletcher talks about the recent film work of Ben Rivers..

Andrew Hunt discusses the return of the exhibition itself to the heart of curatorial thinking while Paul O’Kane considers Robert Smithson’s legacy.

Patricia Bickers discusses Okwui Enwezor’s Venice Biennale with host Chris McCormack, Morgan Quaintance argues that we are at the end of post-internet art and Jamie Sutcliffe reports on Katrina Palmer’s Artangel commission End Matter on the Isle of Portland in Dorset.

Larne Abse Gogarty asks how artists make a living, Alex Fletcher discusses Harun Farocki’s Labour in a Single Shot project and Virginia Whiles reports on the art scene in Lahore.

Lizzie Homersham, Cherry Smyth and Marina Vishmidt discuss exhibitions by Sarah Sze and Rachel Reupke as well as the willingness of post-internet artists to embrace the art market and patrons that other artists choose to boycott