Mark Prince discusses the resistance of objects in relation to his article on sculpture ‘The Made v The Readymade’.

Laura McLean-Ferris discusses her essay on dissolution of the body in the internet age, and Morgan Quaintance follows up on his review of the book Digital and Other Virtualities.

Christopher Townsend discusses how mid-century British modernism has become inaccessible to contemporary viewers since it can now only be viewed through contemporary culture's mythologising of late capitalism.

John Douglas Millar on why experimental writing thrives in the art world, and Peter Suchin on Focal Point Gallery's 'Tarot' exhibition.

Bob Dickinson reports on the nuclear-bunker-based Time Machine Biennial in Bosnia and Herzegovina, and Paul O’Kane discusses Gillian Whiteley’s book on assemblage, Junk: Art and the Politics of Trash.

Stephanie Schwartz discusses her feature article ‘Photography as Work’, which questions the utopian potential of digital photography, with reference to the Jorge Ribalta-curated exhibition ‘A Hard, Merciless Light: The Worker-Photography Movement 1926-1939’ at the Museo Nacional Centro de Arte Reina Sofia, Madrid.

Maria Walsh discusses her interview with Mary Kelly, and JJ Charlesworth argues that theory’s current obsession with objective critique misses the mark in comparison with subjective criticism.

Critic, musician and curator Morgan Quaintance joins critic and artist Peter Suchin. They discuss General Idea’s ‘Haute Culture’ exhibition in Paris and Suchin’s ‘Rebel Without a Course’ article on practice-led PhDs, which questions the institutionalisation and professionalisation of artists.

Dave Beech and Larne Abse Gogarty discuss ugliness, in relation to Beech's feature article 'On Ugliness', and Gregory Sholette’s book about guerilla activist art, Dark Matter: Art and Politics in the Age of Enterprise Culture.

Art Monthly Editor Patricia Bickers discusses with Dean Kenning his report on art students’ recent direct-action campaigns, including occupation, teach-ins and protests. The pair also discuss Mike Watson’s polemic (AM342), which advocates that art schools become independent of the university system.