Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.

Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.

Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.

Morgan Quaintance, Stephanie Schwartz and Conal McStravick on art-world manoeuvres over the past decade, photography books by David Levi Strauss and Jörg Colberg, and the work of Scottish artist Jamie Crewe.

Morgan Quaintance, Izabella Scott & Gwen Burlington on the ever-widening gap in the UK art world between social, cultural and political realities; artists’ responses to the US’s denial of its colonial history; and the recent work of Irish artist Eimear Walshe.

Tom Denman and Sophie J Williamson discuss artists who counteract paradigms of racial representation, and also those who reveal unspoken taboos in art through the intimacy of being with someone dying.

Mark Wilsher and Adan Heardman consider the notion of presence in art during a pandemic and discuss Elizabeth Price’s Artangel video installation ‘Slow Dans’.

Amy Budd & Frances Whorrall-Campbell on Onyeka Igwe’s work exploring her family’s Nigerian history, and the changing way that pandemics have been televised by artists, from Stuart Marshall’s Bright Eyes during the AIDS crisis in 1984 to Grayson Perry’s response to Covid-19, Grayson’s Art Club.

Bob Dickinson & Sophie J Williamson discuss the home in art as a place of haunted obsession, and explore silence not as a retreat from the world but as a state from which to enact protest.

Morgan Quaintance, Khairani Barokka & John Douglas Millar discuss the current rush to online content and the failings of prescriptive commissioning policies, ableism in the art world, and new books by Olivia Laing and Paul B Preciado.