Michaële Cutaya on the importance of surface over depth, and Chloe Carroll on the role of the monument.

Morgan Quaintance on the problems with Tate’s British-Caribbean exhibition ‘Life Between Islands’, Tom Hastings on performer SERAFINE1369, and Jack Smurthwaite on Danielle Brathwaite-Shirley’s solo show at Arebyte.

Bob Dickinson discusses ‘Art and Dyschronia’, his essay where he warns that our concern for the future should not distract us from what is happening to the past at the hands of right-wing populist governments intent on rewriting history.

Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.

Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.

Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.

Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.

Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.

Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.

Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.