Isobel Harbison on the Joan Jonas survey exhibition at Tate Modern, Taylor Le Melle on Sophia Al-Maria’s show at Project Native Informant and Edward C Ball on the art scene in Paris, including the opening of the Rem Koolhaas-designed gallery, Lafayette Expectations.

Dave Beech discusses the idea that the robot is to visions of the future what the genius was to the industrial age, and argues that current thinking devalues labour while simultaneously ushering in a new form of slavery.

Jennifer Thatcher discusses the art world’s We Are Not Surprised anti-harassment movement in response to the wider post-Weinstein #MeToo campaign, and Amy Budd discusses the ‘No, No, No, No’ exhibition at Cell Projects. Presented by Chris McCormack.

Ashiya Eastwood explores TJ Demos’s book Against the Anthropocene, Kathryn Lloyd examines Sophie Jung’s performance-based art practice and Virginia Whiles discusses her interview with Rasheed Araeen.

Lizzie Homersham on Hannah Black and her recent show at Chisenhale Gallery, Seth Pimlott on Erika Balsom’s book ‘After Uniqueness: A History of Film and Video Art in Circulation’ and George Vasey on David Dye’s exhibition at the Henry Moore Institute.

Bob Dickinson on art, life and the algorithm, Giulia Smith discusses the upsurge in art about sickness, and Virginia Whiles reports on Manchester's New North and South exhibition marking 70 years of independence for India and Pakistan.

Isobel Harbison on the Gothenburg Biennial, Richard Hylton on the rise in thematic shows of black artists, and Maria Walsh on Leon Wainwright’s book ‘Phenomenal Difference: A Philosophy of Black British Art’.

Lisa Le Feuvre discusses the crisis in public sculpture highlighted by this year’s Münster Sculpture Project.

Sophia Phoca on Documenta, Jamie Sutcliffe on Jenna Sutela’s exhibition at Banner Repeater and Lauren Velvick on Marlie Mul’s project at Glasgow GoMA, ‘This exhibition is cancelled’.

Bob Dickinson on crowdthinking and the political fallout from the rise of referendums, and Chris Fite-Wassilak on the music-themed exhibition Wagstaff’s at Mostyn in Llandudno and Martin Herbert's book of artist refuseniks ‘Tell Them I said No’.