
Sign up to save your podcasts
Or


Bassem Youssef, author of Revolution for Dummies: Laughing through the Arab Spring, joins co-hosts Eric Newman and Medaya Ocher to discuss what it's like to launch an entirely new genre in the Middle East - mass media political satire (modeled upon Jon Stewart's Daily Show) - and then become Egypt's most popular TV host before having to flee the country. Youssef has lost none of his wit or political insight since his days on center stage of an actual revolution; and the conversation is laden with relevance for a certain country dealing with a dangerous, wannabe-authoritarian leader. Youssef's analysis of the role of political satire during troubled times delivers a pointed lesson for all us taking solace in the wit of Colbert, Bee, SNL & Co. Also, Azareen Van der Vliet Oloomi, author of Call me Zebra, returns to recommend Claire Lispector’s The Passion According to G.H.; a classic of Brazilian literature from 1964. Azareen reads a stunning passage that foregrounds a central concern of all serious authors, how words fall short.
By Los Angeles Review of Books4.9
131131 ratings
Bassem Youssef, author of Revolution for Dummies: Laughing through the Arab Spring, joins co-hosts Eric Newman and Medaya Ocher to discuss what it's like to launch an entirely new genre in the Middle East - mass media political satire (modeled upon Jon Stewart's Daily Show) - and then become Egypt's most popular TV host before having to flee the country. Youssef has lost none of his wit or political insight since his days on center stage of an actual revolution; and the conversation is laden with relevance for a certain country dealing with a dangerous, wannabe-authoritarian leader. Youssef's analysis of the role of political satire during troubled times delivers a pointed lesson for all us taking solace in the wit of Colbert, Bee, SNL & Co. Also, Azareen Van der Vliet Oloomi, author of Call me Zebra, returns to recommend Claire Lispector’s The Passion According to G.H.; a classic of Brazilian literature from 1964. Azareen reads a stunning passage that foregrounds a central concern of all serious authors, how words fall short.

3,887 Listeners

525 Listeners

466 Listeners

290 Listeners

598 Listeners

128 Listeners

93 Listeners

184 Listeners

1,403 Listeners

389 Listeners

232 Listeners

79 Listeners

226 Listeners

630 Listeners

76 Listeners