Berkeley Voices

Berkeley Voices

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Berkeley Voices episodes

  • 51: For Malika Imhotep, devotion to black feminist study is a life practice

    Malika Imhotep grew up in West Atlanta, rooted in a community that she calls an "Afrocentric bubble," in a family of artisans, entrepreneurs and community organizers. Now, as a Ph.D. candidate in the Department of African American Studies at UC Berkeley, she's studying how black women and femmes make sense of themselves in a society designed, in many ways, to keep them out. "I’m interested in how people create new possibilities for themselves, either inside of mainstream society or outside of it, or underneath it or on top of it.”

    But she couldn't do it alone. She needed to find and nurture a community of thinkers who could aid in the development of her research and her personal journey of discovery. So, she — along with Miyuki Baker, a Ph.D. candidate in theater, dance and performances — started the Church of Black Feminist Thought.

    Read the story and see photos on UC Berkeley News: https://news.berkeley.edu/2019/03/11/church-of-black-feminist-thought-podcast/

    Hosted on Acast. See acast.com/privacy for more information.

    7 min
  • 50: In campus records 49 years and still loving it

    When Karen Denton got a job in UC Berkeley's registrar's office at 20, she had one job: to remove incompletes. "I did that all day every day," she says. Her tools of the trade? A fountain pen, an inkwell, an eraser, a razor blade and a marble. At 71, Karen has been the assistant registrar for two decades and has worked in records for 49 years. And she has no plans to retire anytime soon. "Why would I retire?" she asks. "I love working here. I love the students. I love the challenge." But she will leave sometime, and before she does, she wants to have all student records — dating back to the late 1800s — digitized.

    Read the story and see photos on UC Berkeley News: https://news.berkeley.edu/2019/03/04/karen-denton-assistant-registrar-podcast/

    Hosted on Acast. See acast.com/privacy for more information.

    7 min
  • 49: Black history cemetery tour: Abraham Holland and the Sweet Vengeance Mine

    In 1849, a man named Abraham Holland packed up his things and left his life on the East Coast for California, in hopes that he’d strike it rich. The year before, gold had been discovered in the Sierra Nevada foothills, and people were coming from across the U.S. — and the world — to seek their fortune. It became known as the California Gold Rush. It marked a new set of opportunities for African American migration to California.

    On Saturday, Feb. 23, Berkeley staffer Gia White, who volunteers as a docent at Mountain View Cemetery in Oakland, will give a tour about notable African Americans — including Holland, and Berkeley alumni Ida Louise Jackson and Walter Gordon — who are buried in the cemetery. 

    “It’s a privilege to talk about their life stories, because when are they going to be heard?" says Gia. "I feel like, you’re just doing them a little honor by talking about them again.”

    See photos and read the story on UC Berkeley News: https://news.berkeley.edu/2019/02/19/black-history-cemetery-tour/

    Hosted on Acast. See acast.com/privacy for more information.

    7 min
  • 48: Cal alumni leader gives hope to students who need it most

    For Black History Month, we are resharing Fiat Vox episode #23, first published in 2018, about Clothilde Hewlett, the executive director of the Cal Alumni Association:

    Some people move to San Francisco for its jobs. Or its nightlife. Or its natural beauty.

    But Clothilde Hewlett moved for Rice-A-Roni. Hewlett was 14 years old waiting at the Canadian border with her mom and two younger sisters. They’d been there for two weeks, but things weren’t looking promising. “And at one point, my mother, out of despair, looked at me and she said, ‘Where do you wanna go?’ says Hewlett. “And all I could think of is I had a seen a commercial called Rice-A-Roni and it didn’t look like people in San Francisco were suffering. So I said, ‘San Francisco.'”

    Listen to Hewlett’s story — how she pulled herself out of poverty, found salvation as a student at UC Berkeley, climbed the ranks in the government and corporate America and returned to the campus, where she giving back to students who need it most.

    Read the story and see photos on UC Berkeley News: https://news.berkeley.edu/2019/02/12/fiat-vox-podcast-clothilde-hewlett/

    Hosted on Acast. See acast.com/privacy for more information.

    12 min
  • 47: For international relations staffer, ballet kept her family’s Ukrainian culture alive

    When Erika Johnson was 7, her Ukrainian mom put her in ballet class. Although Erika didn’t have the body that most principal dancers were known for, she had the work ethic that it took to be successful. "It was never like, ‘I must handpick you and cultivate you like a rose,’ says Erika. "You know it was like, ‘If you work hard, you might get a job.’ And I was like, ‘Okay, well I’m going to work hard.’” Shaped by her ballet career, Erika is now a development associate at Berkeley. Not only has ballet has played a big role in her life — it has helped keep her connected to her Ukrainian culture.

    Read the story and see photos on UC Berkeley News: https://news.berkeley.edu/2019/01/22/erika-johnson-ballet-podcast

    Hosted on Acast. See acast.com/privacy for more information.

    12 min
  • 46: Berkeley Haas Chief of Staff Marco Lindsey lives like his 80-year-old self is watching

    Every morning, Marco Lindsey wakes up in East Oakland, where he was born and raised. He puts on a suit and tie, packs his briefcase, chats with his neighbors and drives to work at Berkeley Haas. It's a typical morning routine, but to Marco, it’s a lot more than that. It’s a way to show boys and young men in his community that they have possibilities. He didn't have that growing up. But his drive — and mentors who helped steer him — propelled him forward, and now he's helping others to succeed. His motto: Live your life as if your 80-year-old self is guiding you.

    See photos and read the story on UC Berkeley News: https://news.berkeley.edu/2018/12/11/marco-lindsey-berkeley-haas-chief-of-staff/

    Hosted on Acast. See acast.com/privacy for more information.

    10 min
  • 45: Native American 'Antigone' explores universal values of honoring the dead

    In the summer of 1996, Will Thomas and Dave Deacy were wading in the Columbia River in Kennewick, Washington, watching the annual hydroplane races. Will kicked something with his foot, bent down and pulled something up. It was a human skull. Turns out, it was a really old skull — 9,000 years old, one of the oldest human remains found in North America. It’s a discovery that would fuel an ongoing debate between scientists and Native Americans about how ancestral remains should be treated. It also inspired Beth Piatote, an associate professor of Native American studies at UC Berkeley and a member of the Nez Perce tribe, to write the play Antíkoni. It’s a Native American version of the Greek tragedy, Antigone.

    See photos and read the story on UC Berkeley News: https://news.berkeley.edu/2018/11/20/podcast-antikoni/

    Hosted on Acast. See acast.com/privacy for more information.

    9 min
  • 44: Academic counselor Quamé on standing out, dreaming big—and letting go

    When John Patton was in high school, he changed his name to Quamé. When he got to UC Berkeley as a student, "it stuck, instantly," he says. At Berkeley, Quamé's world opened up: "African American studies changed my life." After graduating, getting a master's degree, trying to make it as a DJ, hitting rock bottom, then coming back to his alma mater to teach hip hop, Quamé is still Quamé. And he's an academic counselor, helping students unlock their potential and follow their hearts.

    See photos and read the story on UC Berkeley News: https://news.berkeley.edu/2018/11/06/podcast-quame-on-standing-out-dreaming-big-and-letting-go

    Hosted on Acast. See acast.com/privacy for more information.

    18 min
  • 43: 'White voice' and hearing whiteness as difference, not the standard

    In the 1940s and 50s, actors in major American films, like Katharine Hepburn and Jimmy Stewart, spoke with a kind of faux British accent as a way to sound “upper class.” This pronunciation spread across the country as a kind of standard to imitate. The problem was, this way of talking left out nearly all actual American voices, says Tom McEnaney, a UC Berkeley professor who teaches a class called “Sounding American.”

    While the class talks about the generational differences of sound — no one today really speaks like movie stars of the 40s — they also discuss how today’s filmmakers, like Boots Riley in “Sorry to Bother You,” are pushing back against the racial norms concealed in what we might say sounds American. McEnaney says the film, about a young black telemarketer who uses his “white voice” to be successful at sales, takes the sense that many people have — that whiteness is a kind of invisible standard against which all other cultures are judged in the U.S. — and makes the audience think about how whiteness is audible, and is another kind of difference.

    Listen to the story on UC Berkeley News: https://news.berkeley.edu/2018/10/16/white-voice-and-the-american-sound/

    Hosted on Acast. See acast.com/privacy for more information.

    6 min
  • 42: The history of why some say women sound shrill, immature

    Professor Tom McEnaney, who teaches a class called “Sounding American,” says the U.S. has a long history of men criticizing the way women speak. Sound technologies, starting with the gramophone and phonograph, he says, were developed for men's voices — and distort women’s.

    Read the story on UC Berkeley News: https://news.berkeley.edu/2018/10/09/podcast-sounding-american-gender-and-politics/

    Hosted on Acast. See acast.com/privacy for more information.

    7 min

About Berkeley Voices

From the publisher's feed

Berkeley Voices highlights UC Berkeley’s advances in teaching and research, sparking curiosity about how we live and the histories that shape us. Each season centers on a new theme. It's…

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