In 1970, when Chancellor Carol Christ joined UC Berkeley's English department as an assistant professor, only 3% of the faculty on campus were women. “I always felt like a pioneer, in part, because I’m of the generation of the feminist revolution,” says Christ.

In this Fiat Vox podcast episode, Christ and her longtime friend and colleague Carol Clover, a professor emerita in Scandinavian studies and film studies, discuss what it was like for women in the academy 50 years ago and how it’s changed, what makes a strong leader — and offer advice to the next generation of Berkeley women.

See photos and read the transcript on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

When Amy Nostbakken and Nora Sadava started writing Mouthpiece six years ago, they revealed their deepest secrets to each other with the prompt: “Tell me something that you would never want anyone ever to know.” From that, they created a raw, one-hour confessional that reflects what it feels like in one woman’s head after she finds out her mother has died and that she has to deliver the eulogy the next day. 

Mouthpiece premiered in 2015, and four years later, Amy and Nora, who make up the Toronto-based company Quote Unquote Collective, are performing the play for the last time on March 22-24 in the Zellerbach Playhouse. It’s the last performance of Cal Performances’ 2018-19 Berkeley RADICAL Initiative’s strand “Women’s Work,” which takes a specific look at the extraordinary artistry of women who are expanding the definition of what it is to be an artist in the 21st century.

“This continuum of women’s voices and their work — the work that drives them — is important to put a spotlight on,” says Sabrina Klein, director of artistic literacy at Cal Performances. “Every single one is unique. Every single one is different. But it’s not incidental that they’re connected as women across this continuum of making work — live work, new work, fresh work, continually meaningful work.” 

Read the story and see photos on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

Malika Imhotep grew up in West Atlanta, rooted in a community that she calls an "Afrocentric bubble," in a family of artisans, entrepreneurs and community organizers. Now, as a Ph.D. candidate in the Department of African American Studies at UC Berkeley, she's studying how black women and femmes make sense of themselves in a society designed, in many ways, to keep them out. "I’m interested in how people create new possibilities for themselves, either inside of mainstream society or outside of it, or underneath it or on top of it.”

But she couldn't do it alone. She needed to find and nurture a community of thinkers who could aid in the development of her research and her personal journey of discovery. So, she — along with Miyuki Baker, a Ph.D. candidate in theater, dance and performances — started the Church of Black Feminist Thought.

Read the story and see photos on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

When Karen Denton got a job in UC Berkeley's registrar's office at 20, she had one job: to remove incompletes. "I did that all day every day," she says. Her tools of the trade? A fountain pen, an inkwell, an eraser, a razor blade and a marble. At 71, Karen has been the assistant registrar for two decades and has worked in records for 49 years. And she has no plans to retire anytime soon. "Why would I retire?" she asks. "I love working here. I love the students. I love the challenge." But she will leave sometime, and before she does, she wants to have all student records — dating back to the late 1800s — digitized.

Read the story and see photos on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

In 1849, a man named Abraham Holland packed up his things and left his life on the East Coast for California, in hopes that he’d strike it rich. The year before, gold had been discovered in the Sierra Nevada foothills, and people were coming from across the U.S. — and the world — to seek their fortune. It became known as the California Gold Rush. It marked a new set of opportunities for African American migration to California.

On Saturday, Feb. 23, Berkeley staffer Gia White, who volunteers as a docent at Mountain View Cemetery in Oakland, will give a tour about notable African Americans — including Holland, and Berkeley alumni Ida Louise Jackson and Walter Gordon — who are buried in the cemetery. 

“It’s a privilege to talk about their life stories, because when are they going to be heard?" says Gia. "I feel like, you’re just doing them a little honor by talking about them again.”

See photos and read the story on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

For Black History Month, we are resharing Fiat Vox episode #23, first published in 2018, about Clothilde Hewlett, the executive director of the Cal Alumni Association:

Some people move to San Francisco for its jobs. Or its nightlife. Or its natural beauty.

But Clothilde Hewlett moved for Rice-A-Roni. Hewlett was 14 years old waiting at the Canadian border with her mom and two younger sisters. They’d been there for two weeks, but things weren’t looking promising. “And at one point, my mother, out of despair, looked at me and she said, ‘Where do you wanna go?’ says Hewlett. “And all I could think of is I had a seen a commercial called Rice-A-Roni and it didn’t look like people in San Francisco were suffering. So I said, ‘San Francisco.'”

Listen to Hewlett’s story — how she pulled herself out of poverty, found salvation as a student at UC Berkeley, climbed the ranks in the government and corporate America and returned to the campus, where she giving back to students who need it most.

Read the story and see photos on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

When Erika Johnson was 7, her Ukrainian mom put her in ballet class. Although Erika didn’t have the body that most principal dancers were known for, she had the work ethic that it took to be successful. "It was never like, ‘I must handpick you and cultivate you like a rose,’ says Erika. "You know it was like, ‘If you work hard, you might get a job.’ And I was like, ‘Okay, well I’m going to work hard.’” Shaped by her ballet career, Erika is now a development associate at Berkeley. Not only has ballet has played a big role in her life — it has helped keep her connected to her Ukrainian culture.

Read the story and see photos on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

Every morning, Marco Lindsey wakes up in East Oakland, where he was born and raised. He puts on a suit and tie, packs his briefcase, chats with his neighbors and drives to work at Berkeley Haas. It's a typical morning routine, but to Marco, it’s a lot more than that. It’s a way to show boys and young men in his community that they have possibilities. He didn't have that growing up. But his drive — and mentors who helped steer him — propelled him forward, and now he's helping others to succeed. His motto: Live your life as if your 80-year-old self is guiding you.

See photos and read the story on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1996, Will Thomas and Dave Deacy were wading in the Columbia River in Kennewick, Washington, watching the annual hydroplane races. Will kicked something with his foot, bent down and pulled something up. It was a human skull. Turns out, it was a really old skull — 9,000 years old, one of the oldest human remains found in North America. It’s a discovery that would fuel an ongoing debate between scientists and Native Americans about how ancestral remains should be treated. It also inspired Beth Piatote, an associate professor of Native American studies at UC Berkeley and a member of the Nez Perce tribe, to write the play Antíkoni. It’s a Native American version of the Greek tragedy, Antigone.

See photos and read the story on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.

When John Patton was in high school, he changed his name to Quamé. When he got to UC Berkeley as a student, "it stuck, instantly," he says. At Berkeley, Quamé's world opened up: "African American studies changed my life." After graduating, getting a master's degree, trying to make it as a DJ, hitting rock bottom, then coming back to his alma mater to teach hip hop, Quamé is still Quamé. And he's an academic counselor, helping students unlock their potential and follow their hearts.

See photos and read the story on Berkeley News.

Hosted on Acast. See acast.com/privacy for more information.