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France-based Cameroonian musician Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of blues, folk-soul, and pop, and embody a deep reverence for the traditional music of Cameroon and other parts of Africa. On his latest, record, 1958, dedicated to the memory of Ruben Um Nyobé, Felix Moumié and the other heroes of Cameroonian independence, Bassy embraces a listener (mostly in his ancestral language of Basaa) over minimal cello, trumpet, trombone, keyboards, and electronic production. Bassy performs some of these songs, in an intimate, acoustic setting in-studio. - Caryn Havlik
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By WNYC Studios4.5
138138 ratings
France-based Cameroonian musician Blick Bassy’s quiet and beautiful songs fall somewhere on the spectrum of blues, folk-soul, and pop, and embody a deep reverence for the traditional music of Cameroon and other parts of Africa. On his latest, record, 1958, dedicated to the memory of Ruben Um Nyobé, Felix Moumié and the other heroes of Cameroonian independence, Bassy embraces a listener (mostly in his ancestral language of Basaa) over minimal cello, trumpet, trombone, keyboards, and electronic production. Bassy performs some of these songs, in an intimate, acoustic setting in-studio. - Caryn Havlik
Watch the session here:

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