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In this bonus episode, we’re joined by Dr. Kent Lehnhoff to talk about his new book, Voice and Ethics in Shakespeare’s Late Plays. Together, we explore how Shakespeare uses the concept and qualities of human voice in The Tempest, Cymbeline, King Lear, Pericles, and The Winter’s Tale, how he writes for and about the voice, and beyond that, how embracing the unique voice of each character (and actor) can create a more ethical, inclusive theatre. 

About Kent Lehnhof

Kent Lehnhof earned a BA from Brigham Young University and a PhD from Duke University. He is Professor of English at Chapman University, where he specializes in early modern literature and culture, especially the works of William Shakespeare. Dr. Lehnhof has published two dozen scholarly articles, has co-edited two essay collections, and is coming out with a new book in October titled Voice and Ethics in Shakespeare’s Late Plays. In this book and in many of his articles, Dr. Lehnhof treats Shakespeare’s plays like lively enactments of ethical philosophy. He believes that one of the things that makes Shakespeare’s work distinctly Shakespearean is its interest in exploring what it’s like to be in relation—what it’s like to be tied to other people, some of whom love you, some of whom hate you, and some of whom pay you no mind at all.

At present, Dr. Lehnhof is finishing a guidebook for Arden Shakespeare called Understanding Shakespeare’s Plays: A Candid Companion to All the Drama. This book goes through all the play, one by one, giving an overview of each and offering insights and analysis as to what it offers. Dr. Lehnhof only has six plays left to do, which means he’s getting down to the deep cuts. Timon of Athens, anyone?

Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp.

Music is "Neverending Minute" by Sounds Like Sander.

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 Works referenced: 

Lehnhof, Kent. Voice and Ethics in Shakespeare’s Late Plays. Cambridge: Cambridge University Press, 2025. Print.