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What happens when the state infiltrates your most intimate relationships? How do we protect the innocence and imagination of children in an increasingly authoritarian world? “"If you have love, eventually you're going to win. It's not that people aren't going to die. It's not terrible things aren't going to happen. But if you stay with that and you stay centered in that, you'll get through and you will not have turned into a monster in order to overcome monsters.”
My guest today is AL Kennedy. She is one of Britain’s most acclaimed and versatile literary voices, a writer who can inhabit the internal life of a soldier in a POW camp, as she did in her Costa Book Award-winning novel Day, as easily as she can navigate the "professional lying" of a modern civil servant.
Her latest novel, Alive in the Merciful Country, takes place during the 2020 lockdown. It tells the story of a primary school teacher who receives a confession from an undercover police officer who infiltrated her life decades earlier. It’s a provocative investigation into state power, the "Spy Cops" scandal and the search for mercy in an age of surveillance. It’s a book about the breakdown of trust. We talk about her life, her activism, and why she believes fiction is the only way to tell the truth when the facts are forbidden and how she balances the truth of her novels with the relief of stand-up comedy.
(0:00) Finding Your Voice
On the Alfred Wolfsohn voice method and the power of being fully expressed
(2:17) Education and the Foundation of Democracy
The dangers of dismantling education and how critical thinking protects us from fascism.
(5:14) The Myth of Shrinking Attention Spans
Challenging the narrative that modern audiences cannot focus, and the importance of engaging storytelling.
(8:23) Reading from Alive in the Merciful Country
Kennedy shares a passage from her latest novel, exploring hope and resilience in dark times.
(17:45) The Spy Cop Scandal and State Surveillance
Unpacking the reality of undercover police infiltrating peaceful protests and intimate lives.
(22:07) AI, Digital Slop, and the Loss of Trust
Reflections on artificial intelligence as an unstable plagiarism machine and its impact on truth.
(28:29) The Power of the Powerless: Radical Whimsy
How absurdity, humor, and inflatable costumes can disrupt authoritarian mindsets and potential violence.
(33:13) Lockdown: A Global Pause and the Inrush of Empathy
The fleeting moment of unified humanity during the pandemic and how it was ultimately betrayed.
(42:53) Writing Without Theft: The Ethics of Character Creation
Kennedy explains her imaginative process and why she refuses to steal details from real people's lives.
(1:29:40) Nature, Spirituality, and the Merciful Country
Finding healing in the natural world and navigating the future with love and awareness.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Grief is a particular kind of unrequited love. It wasn't unrequited in the past. Usually, we think of unrequited love as you never got to do it, you never had it for yourself. But, in fact, there can be requited love, which is then unrequited love in the paroxysms of grief.”
Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt’s writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.
(0:00) “We were hugely important to the drama of becoming in our own lives”
(2:04) Grief as Unrequited Love
Siri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.
(3:19) The Shared Space of a 43-year Marriage
(4:36) Reading from Ghost Stories
Siri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.
(7:02) How Loss Changes Our Sense of Time
(11:24) How Powerful Emotions and a Person's Life Can Play a Role in Illness
(13:04) Believing in a Reality that Transcends the Individual
(20:06) Physical Love in Marriage
On the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.”
Today, we are honored to welcome a writer whose work has long explored the intimate landscapes of the mind, memory and the heart. Siri Hustvedt’s writing moves between the personal and the philosophical, the literary and the deeply human. Her work bridges collections of essays, non-fiction, poetry, and seven novels, including the international bestsellers What I Loved and The Summer Without Men. Recipient of the Princess of Asturias Award for Literature and the Gabarron Prize for Thought, her work has been translated into over thirty languages. Her new memoir, Ghost Stories, is a reflection on forty-three years shared with her late husband, the writer and filmmaker Paul Auster. In its pages, we encounter not only love and loss, but the quiet persistence of presence, memory, and language itself.
(0:00) Grief as Unrequited Love
Siri explores the emotional reality of living without Paul Auster, noting that grief occurs because love does not stop when a person dies.
(4:00) Facing Death with Courage
The importance of not hiding from mortality and how discussing end-of-life wishes offered a necessary perspective.
(12:37) Reading from Ghost Stories
Siri reads the opening passage of her memoir, detailing how the loss of her husband deranged her sense of time and bodily rhythms.
(18:41) The Phantom Limb: ” The beloved is taken away and it feels as if you're amputated or gutted.”
(21:50) Grandfather, Father and Son: Generational Traumas Behind Paul Auster's Writing
(24:11) How Powerful Emotions and a Person's Life Can Play a Role in Illness
(30:09) Feeding the Earth
"Paul very pointedly told me that he wanted to be buried in the Jewish mode. And the phrase he used was, “I want my body to feed the earth.”
(44:23) Physical Love in Marriage
On the importance of physical intimacy in long-term marriages, a reality often left out of grief memoirs.
(54:00) The Philosophy of the Between
How relational existence is foundational to life.
(1:00:16) The Hubris of Controlling Nature
(1:12:00) The Dark History of Statistics
(1:32:12) The Art of Learning vs. AI and Automated Outcomes
“I think we have to ask ourselves, what is education? What do we want from it? How do we want people to learn?
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Can curiosity and empathy be taught? How can we expand our sense of solidarity through stories? In this episode, we explore the internal dialogues of artists, actors and writers to ask what it means to step into someone else's shoes.
(0:00) Novelist Jim Shepard discusses Literature as a Tool for Emotional Education and Exploring History
(2:05) Tony Award-winning Actor Neil Patrick Harris on Being Moved by Theater and its Ability to Bridge Worlds
(3:55) Novelist Katie Kitamura on How a Book is Made in Collaboration with the Reader
(5:00) Screenwriter, Playwright Laura Eason on Inhabiting the Hearts of Characters Different from Ourselves
(6:03) Academy Award-winning Director Sharmeen Obaid-Chinoy on the Art of Visual Storytelling
(6:37) Cinematographer, Director Benoit Delhomme on the Freedom of Handheld Cinematography
(7:19) Author Etgar Keret on Looking for Humanity through Shared Intention
(8:18) Viet Thanh Nguyen – Opposing Power through Expansive Solidarity
(9:27) Adam Moss – Author, Fmr. Editor New York magazine on “The Work of Art”
(10:29) John Patrick Shanley – Tony & Academy Award-winning Writer, Director on Finding Value in Ordinary Experiences and the Creative Power of Daydreaming
(11:56) Pulitzer Prize-winning Journalist Nicholas Kristof on Why Individual Stories are Necessary to Generate Connection
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
How do writers develop their voice, showing us what is important in life?
ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) explains that her poetry begins with a bodily sensation or curiosity, not an idea. She values the space and breath poetry offers for unknowing and mystery, finding solace in the making and the mess, not in answers. She discusses being free on the page to be her whole, authentic, complicated self.
JAY PARINI (Author, Filmmaker, Borges and Me) calls poetry the prince of literary arts—language refined to its apex of memorability. He recounts how his road trip with Borges around Scotland restored him from depression and anxiety following the Vietnam War death of his friend.
JERICHO BROWN (Pulitzer Prize-winning Poet, The Tradition, How We Do It: Black Writers on Craft, Practice, and Skill) discusses the rhythm of black vernacular and capturing "symphonic complexity of black life". He shares how he’s found a way not to think about personal risk as he’s writing.
ADAM MOSS (Fmr. Editor, New York Magazine; Author, The Work of Art) relates David Simon’s concept of the bounce, in which creativity gains momentum as it is passed between people.
VIET THANH NGUYEN (Pulitzer Prize-winning Author, The Sympathizer; To Save and to Destroy) discusses his path to expansive solidarity and capacious grief and how it works against the state's power to divide and conquer. He emphasizes that literature is crucial because authoritarian regimes abuse language; a commitment to the beauty of language is a commitment to truth, and fear is often an indicator of a truth that needs to be spoken.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
How can we use negative spaces in fiction to engage with readers’ imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?
KATIE KITAMURA (Author, Audition, Intimacies) emphasizes that a book is created in collaboration with the reader, using negative spaces in the narrative structure to allow for reader interpretation, paralleling the space between audience and actor in performance.
PAUL LYNCH (Booker Prize-winning Novelist, Prophet Song) discusses the richness and slipperiness of the English language in Ireland, shaped by the overlay of English onto Irish grammatical constructions, resulting in unique phrasing and a capacity to create new constructions.
DANIEL PEARLE (Screenwriter, Playwright, The Beast in Me) shares that audiences are fascinated by the unfettered, uncensored ID in characters, reflecting the universal fantasy of acting without consequences. He advises writers to put people who deeply irritate them into a play, as those characters often become the audience's favorites.
HALA ALYAN (Novelist, Poet, I’ll Tell You When I’m Home: A Memoir) describes her work as an excavation of the darkest hours and intergenerational trauma carried by her lineage, which has endured repeated exile. She links exile from the body to the larger patterns of not having a place in the world.
T.C. BOYLE(Novelist, Short Story Writer, Environmentalist) shares that the creative process involves a magic in reaching for the unconscious and the surprise of the creative process. He emphasizes that art and nature are our salvations, over money. He advocates for solitude in nature—alone on a beach or in the woods—to connect with the natural world.
ADAM ALTER (Author of Anatomy of a Breakthrough) discusses the axioms of creativity, noting that being around more people, even those who are "deeply incompetent," is generally beneficial for creativity by providing diversity of opinion and information, preceding the necessary time for solitary focus.
SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida) explains his decision to write in the second person as a way of exploring the spiritual dimension of the internal voice. He posits that the "you" could be a spirit whispering thoughts, leading people (and nations) astray.
DANIEL HANDLER A.K.A LEMONY SNICKET (Author, A Series of Unfortunate Events) argues that his books for children and adults are not fundamentally different and says everyone's childhood is full of powerful emotions derived from ordinary injustices, noting that we cry hardest over hurt feelings, not global catastrophes.
ADA LIMÓN (24th U.S. Poet Laureate, Startlement, The Carrying) talks about her responsibility as a writer to honor her ancestors, specifically her grandfather, who had to sublimate his creative spirit for safety and belonging, leading her to prioritize grace and freedom in her own writing.
To hear more from each guest, listen to their full interviews.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“People today are so used to Basquiat's prices being extraordinarily high and rising that it's almost hard for people to understand that wasn't always the case. In the year he died, 1988, a terrific painting by Basquiat might have sold for $30,000. Relative to his other artistic peers, like a great Julian Schnabel painting that cost $800,000. After Basquiat died, some speculative capital entered his market, and his prices did pop, but in the early 1990s, his prices fell apart, and for much of the first half of the 1990s, his work was selling for 80% off what it had been selling before. Auction houses didn't want to include him in their auctions. There was a really good chance he was going to be remembered, but certainly not become a great star. Three key figures believed in him and proceeded to buy almost every available Basquiat in the first half of the 1990s. They were also just passionate believers in his work. But for those three people, it would have taken much longer for Basquiat to achieve acclaim, if ever.”
Today, we’re joined by someone uniquely positioned to unpack the art world’s inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie’s, one of the world’s leading auction houses. That role gave him an insider’s perspective on how value is created — and mythologized — in the modern art market. In this conversation, we’ll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
Images courtesy of Doug Woodham and Thames & Hudson. For image credits, see Episode Website.
“All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.”
Today, we’re joined by someone uniquely positioned to unpack the art world’s inner workings and to help us understand one of its most mythic figures — Jean-Michel Basquiat. Doug Woodham is the author of the new biography, Jean-Michel Basquiat: The Making of an Icon, the first major life study of Basquiat in over twenty-five years. Drawing on more than a hundred interviews — from family and friends to collectors and curators — Doug traces the rise, fall, and resurrection of an artist who redefined what it means to be a cultural icon. Before turning to writing, Doug served as President of the Americas for Christie’s, one of the world’s leading auction houses. That role gave him an insider’s perspective on how value is created — and mythologized — in the modern art market. In this conversation, we’ll explore not just the man behind the legend, but the powerful machinery that turned Jean-Michel Basquiat into one of the most recognized and commercially successful artists in the world.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“How do you render something interior filmically? How do you communicate the details of the lost child, of the amount of time of the stuck creative process, and even the exterior, or the externalization of the house as a kind of hellish thing that's barely staying together—literally flooding with waste—and that you can't afford? So those are the details that we had to carefully figure out how to weave. But, you know, when you look at the first 10 minutes, it could be a horror movie. From that moment, a lot can happen. But what's important about it is that it sets the table for what does happen.” -Howard Gordon
Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story.
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
“And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.” - Daniel Pearle
Today, we explore the dark psychology of obsession, guilt, and the thin line between predator and victim. Our guests are two of television's most accomplished architects of high-stakes drama and moral ambiguity: Howard Gordon, the showrunner and executive producer whose work defined a generation of thrillers with 24 and the multi-award-winning Homeland; and Daniel Pearle, an executive producer and writer who brings a distinct, penetrating depth from his background as a celebrated playwright and his work on series like Accused and American Crime Story..
Episode Website
www.creativeprocess.info/pod
Instagram:@creativeprocesspodcast
From the publisher's feed
Books & Writing episodes of the popular The Creative Process podcast. To listen to ALL arts & creativity episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of the Pulitzer, Academy Award, Emmy, Tony, Grammy, Booker, Nobel Prize, and other honors. Leaders & public figures share real experiences & offer valuable insights. Notable guests include: Neil Gaiman, Roxane Gay, Ada Limón, George Pelecanos, George Saunders, Viet Thanh Nguyen, Jericho Brown, Daniel Handler a.k.a. Lemony Snicket, Siri Hustvedt, Jeffrey Sachs, Jeffrey Rosen (National Constitution Center), Tom Perrotta, Ana Castillo, David Tomas Martinez, Rebecca Walker, Isabel Allende, Ian Buruma, Aimee Nezhukumatathil, John d’Agata, Rick Moody, Paul Auster, Robert Olen Butler, Yiyun Li, Rob Nixon, Tobias Wolff, Yann Martel, Junot Díaz, Edna O’Brien, Eimear McBride, Jung Chang, Jane Smiley, Marge Piercy, Maxine Hong Kingston, Sara Paretsky, Carmen Maria Machado, Neil Patrick Harris, Etgar Keret, Hala Alyan, E.J. Koh, Lan Samantha Chang (Iowa Writers Workshop), Alice Fulton, Alice Notley, Emma Walton Hamilton, Krys Lee, Richard Wolff, Carl Safina, Suzanne Simard, among others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info

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