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Nick Flynn on the strange days on the set of Being Flynn, a film adapted from his personal memoir, and starring Robert De Niro and Paul Dano.
Jamaica Kincaid's first novel in ten years is an emotionally bare story about the erosion of a marriage.
George Saunders reflects on writing, "infinitely" revising, and how he finds the voices for his luminous but smudged characters. (Part 1 of 2)
Poet Ange Mlinko reads poems from her forthcoming collection and talks about the way that poetry braids difficulty and pleasure.
In Lydia Millet's novels, characters pass from the comedy of daily life to the beauty of visionary experience.
The aimless hero of Antoine Wilson's second novel takes the world at face value and wishes to impart wisdom to his unborn son, after a life of suspended childhood himself.
Oliver Sacks on the neuropsychology and literature of hallucination, and what this disorienting medical condition reveals about the nature of the mind and human condition.
Burns reflects on the eerie spaces and dark themes that populate his graphic novels, as well as the nature of suspense that does not necessarily resolve into explanation.
A ghost story about the weave of storytelling itself, written in sparse fragments of dialogue punctuated by faint embroidery, grim illustrations, and blank spaces.
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