The Serenade's status as a darkly dazzling 20th-century classic is founded on Britten's unerring ear for finding and setting English poetry, coupled with his instinctive sense of instrumental and vocal virtuosity. Its six texts, from Ben Johnson to Tennyson, deal with night and the corruption of innocence, themes which preoccupied Britten throughout his career. Both the solo writing and the interplay between voice and horn are based on the strengths of the two musicians for which it was written, Britten's long-time partner, Peter Pears and the horn player Dennis Brain. They made the first recording in 1944, a year after the premiere, and since then many subsequent recordings, most often featuring British tenors, have followed.