This week’s episode of Broadway Nation is the second half of

Among the outstanding Broadway performers and creatives who

And the musicals referenced include 1776, Carousel, Company,

Ron Fassler is a historian,  theater critic, and former actor whose

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club Members, such as Carl Baldasso.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

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My guest is author Ron Fassler, whose latest book is titled The

The performers and creatives referenced in this episode include Andrea McArdle, Ann Miller, Anne Bancroft, Barbra Streisand, Cameron MacIntosh, Carol Burnett, David Merrick, Dorothy Louden, Hal Lindon, Harold Prince, Helen Gallagher, Jerry Zaks, John Cullum, Lauren Bacall, Lea Michelle,

Ron Fassler is a historian, theater critic, and former actor whose previous

This episode is made possible in part through the generous support of our Patron Club Members, such as Alan Teasley.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠

Thank you in advance for your support!

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I, along with the rest of the musical theater world, was saddened to learn that composer CHARLES STROUSE, one of the last of the great creators from the Golden Age of Broadway had passed away last week at the age of 96.

Of course, Strouse and his three Tony Award-winning “Best Musicals": Bye Bye Birdie, Applause, and Annie — have been discussed frequently on this podcast. So over the weekend, I dug deep into the archives of Broadway Nation and newly adapted a section of my upcoming book regarding the musical Golden Boy and wove it all together to create this tribute episode, including an excerpt from my 2021 interview with Applause original cast member Lee Roy Reams.

I am also delighted to report that a brand-new production of Bye Bye Birdie will open on June 10 at The 5th Avenue Theater in Seattle, where it will

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club Members, such as Taryn Darr.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

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It's hard for me to believe that I launched this podcast exactly five years ago this week, and even harder for me to comprehend that, to date, more than 279,000 people, from nearly every country in the world, have listened to at least one, and in many cases all, of the 175 episodes!

So, today it seemed fitting to rerelease the episode that started it all — the very first episode of Broadway Nation: George M. Cohan and the Immigrants Who Invented Broadway.

As you will hear, at the time, we were still trying to figure out exactly how to make a podcast, so the production quality is not up to my current standards. However, the content and subject matter are still, I believe, essential to fully understanding and appreciating the remarkable history of the Broadway Musical.

Happy birthday, Broadway Nation, and thank you all!

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This is the third and final segment of my conversation with Michael Owen, author of the recent book,  Ira Gershwin — A Life in Words.

On this episode, Michael and I focus on the period of Ira Gershwin’s career

If you missed the first two parts in this series, you may

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club Members, such as Cheryl Hodges Seldon.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠

Thank you in advance for your support!

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This is the second episode of my three-part conversation

If you missed part one, you may want to catch up with that

Michael Owen is also the author of Go Slow — The Life of Jule London

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club Members such as Alan Brodie.

If you are a fan of Broadway Nation, I invite you to become a PATRON!

For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

⁠https://broadwaynationpodcast.supercast.tech/⁠

Thank you in advance for your support!

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My guest today is Michael Owen, whose recent book Ira Gershwin—A Life in Words is the first full-length biography devoted to the other Gershwin. In this book, Owen at last brings Ira Gershwin out from behind the long shadow cast by his younger and more famous brother, George.

Drawing on extensive archival research, Owen often uses Ira’s own words to create a captivating portrait of a shy and retiring artist who, nevertheless, penned the words for many of the greatest songs of the twentieth century.

Michael Owen is a historian, researcher, and archivist. He is the author of Go Slow — The Life of Jule London and the editor of The Gershwins Abroad.

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Patron Club Members such as Geoffrey Block.

If you are a fan of Broadway Nation, I invite you to become a PATRON!

For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!

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This is the second half of this week's Encore presentation of my conversation with Tony-award-winning lighting designer Ken Billington. Last week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken’s own tremendous contribution to it. 

If you missed part one you may want to catch up with that before listening to this one!

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This is a special encore episode of my 2022 interview with Tony-award-winning lighting designer Ken Billington. This past week, Ken received rave reviews for his lighting design of the new Broadway musical SMASH, which amazingly is his 108th Broadway production. So, I thought it was an ideal time to revisit this fascinating conversation about the history of lighting design on Broadway and Ken’s own tremendous contribution to it. This is a two-part conversation and I will be rereleasing both parts this week.

Original Description:

My guest on this episode is Tony Award winning lighting designer Ken Billington who created the lighting for an incredible 105 Broadway plays and musicals, including 21 productions that were directed by Harold Prince.  Ken’s career spans from his very first Broadway show in 1967 when he was the assistant to legendary lighting designer Tharon Musser, to his most recent Broadway show, the hit musical, Waitress. 

Along the way, he designed the original productions of Sweeney Todd, On The 20th Century, The Drowsy Chaperone, The Scottsboro Boys, The Search For Signs Of Intelligent Life In the Universe starring Lily Tomlin, three revivals of Fiddler On The Roof, two revivals of Sunday In The Park with George, and the still running 1996 revival of Chicago for which he received the Tony Award. I have had the great pleasure of knowing and working with Ken for more than 40 years, and it is always fascinating and always a delight to speak with him.

Theatrical lighting design is a very young art form. Its history begins primarily in the early 20th Century -- just as the Broadway musical was being invented. Lighting design’s earliest innovators include the American actress Maude Adams – most famous today for her performance as Peter Pan – and producer, director, playwright, and theater owner David Belasco. 

One of the recurring themes of this podcast, and one of my obsessions, is how the art and craft of the Broadway Musical have been handed down directly – firsthand – from artists to artists, from craftsperson to craftsperson.  Ken Billington’s long career and especially his early experiences as the assistant to the pioneering designers Peggy Clark, Pat Collins, Tom Skelton, William Rittman, and Tharon Musser make him the ideal guest for this episode.

And of course, after Ken stopped being an assistant, he eventually became one of Broadway’s most acclaimed and most prolific lighting designers. And we’ll hear the story of how that came about on the next episode of Broadway Nation!

You can learn more about Jean Rosenthal, Tharon Musser and other great women lighting designers on Episode 8 of Broadway Nation, which is titled, “Agnes DeMille & The Women That Invented Broadway”. It’s a fascinating episode and I encourage you to check it out.

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Since announcing last week that Broadway Nation has teamed up with Like Minds Travel to create a series of unique Broadway and Broadway history-related travel experiences specially designed for fans of this podcast, I have been receiving a number of questions, so I thought I createdd this mini bonus episode to answer them.

As you probably know by now, we are kicking off this initiative with a whirlwind weekend in New York City, September 11—15, 2025, filled with Broadway musicals, Broadway theater-makers, and Broadway history.

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