Jared, Oriana and Ned talk about Ned’s choice of topic: the 1977 Rankin-Bass
version of The Hobbit. Produced by the Rankin-Bass team and animated by
Japanese animation studio Topcraft, 1977’s The Hobbit was a widely promoted
effort for mainstream American network TV. As a result, it gave Tolkien’s work
its highest profile in the US to that point, winning awards and eventually
prompting a further Rankin-Bass sequel drawing on The Return of the King.
However, it swiftly became more of a cult classic curio, more known of than
known, deemed a product of its time and the attendant limitations the creative
team had to work with by default. However it retained fans and, especially in
the wake of Peter Jackson’s own three-film adaptation of the book, it gained a
new wave of reappreciation in contrast to both that and the source text. What
were some of the decisions made in the course of simplifying and adapting the
story, and how did they change the overall impact of the effort as a result?
Are the songs and musical performances handy complements to the whole or are
they too perhaps just a little too much even in context? Are there any notable
vocal acting performances among the ensemble and do they stand up to more
familiar actors in other versions? And is there any final way to determine
exactly why and how Rankin-Bass were actually able to create the film in the
first place given that they didn’t have any formal license from the current
rights-holders at the time?
Show Notes.
doodle. Burn
baby burn, Lake-town inferno.
It really has been two years since we
started! If you’ve been along with
us for the whole ride, we thank you again.
Deadline’s report on Wayne Che Yip
joining the Amazon production.
photo from the
unknown New Zealand beach.
Tom Budge’s Instagram post about
leaving the production and the subsequent IndieWire
definitely a thing. No Tolkien connection...yet.
News on the new Tolkien-illustrated
edition of The Lord of the
Rings via TheOneRing.net.
Yup, this trailer is twenty
years old. Pre-YouTube downloads were where it was at.
Rick Goldschmidt’s history of Rankin-Bass is very much available.
Russell A. Potter’s key article about the making of The Hobbit can be found in
Hogan’s Alley #20. There’s some extra illustrations
Hobbit can be viewed
online various ways via streaming services/rentals. If you’d like to do what
Ned did and replicate his youthful listening experience after that first
Luke Shelton’s 2020 piece about the shadowy 1960s Hobbit
animation gives what info you need about that cryptic effort.
Here’s Middle-earth Enterprises’ own
timeline for the general
rights—worth remembering again that Rankin-Bass’s production was not licensed
The major ‘in the moment’ preview feature for the Rankin-Bass Hobbit appears
to have been John Culhane’s New York Times
piece that ran just a day or two before the broadcast. Not only are
Arthur Rankin and Orson Bean interviewed with a variety of anecdotes but also,
regarding his own separate production, Ralph Bakshi.
Rick Goldschmidt’s interview with Arthur Rankin Jr. from
2003—The Hobbit is discussed
starting around 12 minutes in.
Arthur Rackham’s influence
continues in various ways, but thankfully the 21st century has a much wider
A quick and useful explainer about the Japanese animation connections in The Hobbit.
It really did win a Peabody!
sequence from Rankin-Bass
Walt Simonson is quality.
That W. C. Fields Philadelphia
line, apocryphal as it might be.
It’s true...the Rankin-Bass
Elves are very odd
Brian Froud is good quality. And
of course a collaborator with Alan
How the Rankin-Bass Elvenking sits on his
throne is DEFINITELY not
indeed. In this cel,
Bard’s on the left, fancy armor and no pants.
More of our recent thoughts on
Shin Godzilla IS very great.
Smaug at his best in the film is pretty
Brother Theodore was truly
remarkable. Enjoy Penn Jillette’s
memories and the compilation of Theodore’s Letterman
Diagetic music is something
you know even if you don’t know it.
Glenn Yarbrough’s Wikipedia
page is...odd. Here’s him
with the Limeliters in the
initial splash of his fame.
Our fellow Megaphonic podcast This Is Your
Mixtape is well worth your time. Here’s
Ned’s episode, and Oriana’s should be up
Kermit singing “The Rainbow Connection” at
The whole Ace/Ballantine Lord of the Rings paperback
situation is truly as important as is claimed!
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