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The death of Jason Arday has prompted an uncomfortable question for British journalism: when does legitimate scrutiny become something cruel and destructive?
The 41-year-old resigned from Cambridge University as Professor of Sociology of Education after allegations of plagiarism and questions about aspects of his public biography. Arday denied plagiarism, while acknowledging errors in his work.
He described "an unrelenting level of public scrutiny and personal attack", saying that the "relentless accusations, speculation and public commentary have taken a profound toll on me and on those I love".
In the days before his death, friends described a man overwhelmed by what had happened.
Professor Simon Baron-Cohen, director of Cambridge University's Autism Research Centre, said that Arday told him "they've destroyed my life". He said that "the personal attacks on him have been so immense".
Academic and author Kehinde Andrews said that Arday "felt that there was no way out".
Arday's family has said that a "campaign of misinformation" became too much for him.
London Mayor Sadiq Khan described what happened as "an unacceptable public hounding and campaign of abuse" – "a pernicious public shaming".
The Prime Minister called for "a moment for reflection".
In that reflection, perhaps we might contemplate the author George Eliot's comment that "cruelty, like every other vice, requires no motive outside itself; it only requires opportunity". And there was plenty of cruelty; white hacks lining up to outdo each other in their cruelty towards Arday.
The volume and tone of the attacks on the man were quite shocking.
There is no check to fetter power when unfettered power resides in the check
Hardeep Matharu
In the fortnight before his death, the Spectator published a succession of articles in which its writers repeatedly turned Jason Arday into an object of personal ridicule.
On 31 July, Toby Young wrote that "the more I read about Jason Arday… the more convinced I am he's [Sacha Baron Cohen's] greatest creation". He later imagined him as an "Ali G-like character".
On 6 August, John Power penned a purported fact-check of Arday as a guide to the claims of "our modern-day Walter Mitty".
That same week, the Spectator's Commissioning Editor Lara Brown described Arday as a "charlatan" and wrote that "even in the world of racial grievance peddling, Arday was mediocre".
On 10 August, Owen Matthews called him "the serial fantasist poster cry-bully of our times" and dismissed his work as "twaddle". That same day, Peter Wood put Arday in the tradition of "imposters", "tricksters", and "cozeners".
On 11 August, Julie Burchill called him "daft Jason Arday" and "the nutty professor".
Together, it took on the appearance of a gang of leering, bullying faces crowded over a cowed man, each eager to be the next to weigh in, each finding clever ways to turn their anger and violence into something that might, in a London salon, sound even witty.
Clearly, it wasn't to Jason Arday.
To add injury to their insult, the Spectator published a piece after it was announced that Arday's body had been found with the headline 'The tragedy of Jason Arday.' In it, Melanie McDonagh said that "in death we all should be remembered in our humanity, even in our flawed humanity. And Jason Arday was very human; he bled". She did not note that it was the Spectator that was there doing the stabbing, the cutting, the slashing, and the gouging.
It was not just The Spectator.
In the three weeks before Jason Arday's death, the Telegraph published dozens of articles, columns, and news reports about him.
"Cambridge's diversity poster boy in plagiarism row" on 24 July.
"The Cambridge fantasist is proof that stupid intellectuals…" on 4 August.
"Jason Arday reflects a much deeper rot within universities" on 5 August.
"Jason Arday is living proof that you reap what you sow" on 6 Aug...