Celebrating Cinema

Dutch Nazi propagandist Jan Teunissen was once one of the most powerful—and now largely forgotten—figures in Dutch cinema. Rising to prominence during World War II, he seized the opportunity to shape ideology through film, aligning himself with the Nazi regime to fulfil his artistic ambitions. In De Propagandist (2025), director Luuk Bouwman unearths Teunissen’s unsettling legacy, tracing his trajectory from outcast filmmaker to the chief propagandist of the NSB and Nederlands SS. In conversation with host Kiriko Mechanicus, Bouwman examines cinema’s complicity in propaganda, the moral compromises Teunissen made in pursuit of his craft, and how the language of wartime propaganda lives on in modern advertising.

Get tickets to our CC Film Club: Everything, Everywhere All At Once @ LAB111

In collaboration with Go Short, the Netherlands’ premier short film festival (April 1–6 in Nijmegen), we explore the power of short-form cinema. Host Hugo Emmerzael sits down with artistic director Mathieu Jansen to explore why short films aren’t just stepping stones but playgrounds for experimentation, bold storytelling, and pushing cinematic boundaries. From urgent reflections on war and occupation to the festival’s first-ever dive into video games, this year’s lineup is breaking new ground and audiences should take note.

Want to be there? We’re giving away two day passes! Email us at [email protected] with your favourite short film, and you might just find yourself at Go Short.

Get tickets for Go Short Film Festival (1-6th April)

Hailed as the Citizen Kane of bad movies, The Room (Tommy Wiseau, 2003) has transcended its origins as an enigmatic vanity project to become a bona fide cult phenomenon. But how did it achieve such status, and what, beneath its layers of unintentional surrealism, is it really about? Hosts Laura Gommans and Tom Ooms unravel the film’s bizarre legacy, offering an essential guide to its chaotic production, the rituals of its legendary interactive screenings, and its place in the pantheon of so-bad-it’s-good cinema.

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Get tickets to Go Short Film Festival

When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it’s the perfect time to dive into the bloody brilliance of the Korean New Wave.

Hosts Laura Gommans and Kiriko Mechanicus explore Korea’s obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho’s Hollywood work feels so different from his Korean films.

Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook’s Oldboy and The Handmaiden embrace operatic violence and eroticism.

Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.

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Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?

In our latest review round-up, Bong Joon-ho’s Mickey 17 has Laura and Hugo at odds, Mike Leigh’s Hard Truths steals their hearts, and Brazilian awards darling I’m Still Here sparks a heated debate between our two hosts—is it Oscar bait or a worthy contender? Tune in and have your say on this month’s biggest releases!

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In this review roundup, hosts Laura Gommans and Hugo Emmerzael dive into three films that have caught their attention. Oz Perkins’ latest offbeat horror, The Monkey, leaves them both questioning if the American director knows how to land an ending. Hugo shares insights from his Cannes conversation with Jia Zhang-ke about his latest work, Caught by the Tides. But while Hugo sees something transcendental, Laura isn’t so convinced—questioning whether it’s all just pretension and an easy ride to the Cannes Film Festival. Finally, they close with Payal Kapadia’s fiction feature debut, All We Imagine as Light - a film that moved both hosts, though for very different reasons. (No surprises there!)

With a new wave of nostalgia-driven musical biopics—A Complete Unknown, Better Man, Maria—flooding theaters, hosts Laura Gommans and Hugo Emmerzael ask: what does it take to make a great musical biopic these days? A genre weighed down by formulaic storytelling and its own well-worn bingo card of narrative beats, the musical biopic too often settles for a greatest-hits retelling rather than embracing the radical possibilities of cinema. In this episode, we revisit the films that transcend mere homage, interrogate why audiences remain captivated by these glossy reenactments, and consider how the genre might break free from its own nostalgic loop.

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Show Notes & Films Mentioned

In our first edition of the Review Roundup, a new biweekly cinematic dispatch, Laura Gommans and Elliot Bloom get into the latest films everyone's talking about. From the swirling controversies surrounding Brady Corbet’s Academy-nominated The Brutalist to the unexpected Marvel-like crossover in Pablo Larraín’s Maria, Laura and Elliot share their reactions. Also in focus: the enduring allure of Luis Buñuel’s Belle de Jour, a film as provocative and hypnotic now as it was upon its release, returning to the big screen in all its dreamlike splendour.

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Show Notes & Films Mentioned

Legendary filmmaker Ernest Dickerson joins host Elliot Bloom for a compelling journey through his remarkable career. From his early love of sci-fi and fascination with the practical elements of filmmaking to meeting long-time collaborator Spike Lee on his first day of film school, Dickerson reflects on the defining moments that have influenced his work. With an encyclopaedic knowledge of cinema, he discusses his pivotal role in shaping Black American cinema over the last 40 years and the stories behind the making of his iconic films. In a candid conversation, Dickerson also reveals the unexpected path that led him to make a feature film about Curaçao.

Book tickets to ⁠CC Film Club: Velvet Goldmine⁠ @ LAB111

Show Notes and Films Mentioned

Fresh off winning the Dutch Film Critics’ Choice Award at the Netherlands Film Festival, LAB111 resident filmmaker Jeroen Houben joins host Kiriko Mechanicus to discuss his bittersweet, offbeat drama Torch Song. The film tells the story of an eccentric former pop singer who reconnects with her estranged half-brother in the Netherlands, only to unravel his life when she discovers a muse in his girlfriend. Houben delves into his aim to craft a raw, nuanced portrayal of a struggling artist, sidestepping tired clichés, while offering a fresh perspective on Amsterdam through the eyes of an international community. He also reflects on composing the film’s songs in tandem with the script, his fascination with musicals, and a formative (and unsettling) childhood memory of an animated dog. A bold tribute to the power of music and storytelling, this episode offers an illuminating look into the creation of a film where ambition and emotion collide.

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