CG Garage

Real-time CG is quickly taking over the film industry — but learning about its virtual cameras, lenses, and sets can be tricky. Tackling this is "Becoming a CG Pro," an online virtual production course aimed at filmmakers and CG artists hosted by Edward Dawson-Taylor and Jacqueline Cooper, a pair of VFX industry pros with credits on Jurassic World, The Jungle Book, and The Lion King.

In this podcast, Edd and (returning guest) Jackie talk to Chris about what he learned through taking the course, and how virtual filmmaking brings back on-set collaboration and puts CG tools in the hands of traditional filmmakers. They also discuss the history of filmmaking, from Eadweard Muybridge to The Matrix, and the applications of artificial intelligence and machine learning in the real world.

Ruairidh "Roo" MacNeill's love for 3D modeling began with sandcastles in Lightwave—and now, he's working in London on blockbusters including Thor: Ragnarok, Alita: Battle Angel, and Wonder Woman 1984. In this podcast, Roo brings fresh insight into the trends reshaping the way VFX are produced, with procedural tools such as Houdini removing the industry's reliance on hard-surface modelers.

Roo gives some candid tips about working in VFX, including his thoughts on getting a VFX-related degree, the importance of attending dailies, and why he's on a race to the bottom of Rotten Tomatoes scores. He also dives into why he loves Modo—and talks about taking a rabbit across European borders.

In this week's podcast, Chris digs into the relationship between CG and archaeology with world-renowned archaeologist Bernard Frischer. Having studied Classics, Bernie discovered a passion for the past and led excavations of Horace's Villa in Licenza, Italy. At the same time, he maintained a keen interest in the evolution of computing technology and used it to reconstruct Rome for his Rome Reborn project.

Bernie reveals his vast knowledge of ancient history, explaining what made ancient Roman and modern American societies similar, how chariot racing was the spectator sport of its time, and why he prefers Rome to Athens. He also tells Chris how he founded Flyover Zone and reveals his plans to bring history to the world of videogames.

Liz Montes bumped into someone at an LA party—and landed a job at Digital Domain. Here, she worked alongside Chris on movies including Real Steel and Oblivion. Then she moved to visualization specialist The Third Floor, where she worked as a production manager and producer on blockbusters including Edge of Tomorrow, Solo: A Star Wars Story, and Avengers: Endgame.

In this podcast, Liz talks about how The Third Floor's expertise in previs has made it a perfect fit for the emerging world of virtual production. She delves into how The Mandalorian's immersive set, Volume, helped the cast and crew create incredible worlds in real-time. She also discusses The Third Floor's work on Loki, how gaming graduates are taking over VFX, and how working from home has changed the industry.

Chris Harvey's brief encounters in biology and theater set him up perfectly for a thriving career in VFX. After taking an animation course, he went on to work on movies such as Chappie, TRON: Legacy, and Zero Dark Thirty. Then, he helped Neill Blomkamp launch independent production company Oats Studios and now he works as a freelance VFX supervisor.

In this podcast, Chris talks about striking a balance between working hard and raising a family. He shares the lessons he learned from working at the ahead-of-its-time Oats Studios, covers how easy it is to tighten pipelines and make filmmaking more efficient—and reveals why Neill Blomkamp's new production house is called Stability.

You'll also find out about Chris' upcoming sci-fi film projects, including Neill Blomkamp's Demonic, and 65, from the team behind A Quiet Place.

Want to know the secrets of a successful VFX career? In this week's podcast, Andy Boyd tells Chris how he worked his way up from VFX artist to head of 3D at MPC and then became co-founder of his own company, Jamm VFX, moving from Johannesburg to London and Los Angeles in the process.

Andy gives useful insights on getting noticed and securing promotions. He also talks through the nerve-wracking process of founding a company and taking it from desperately seeking clients to being in a position where it can turn down work. Andy finishes with his thoughts on how AI will change the future of VFX and sheds a little light on Jamm's upcoming projects.

Introducing the CG Garage podcast's first-ever virtual guest: PHIA, AKA Sophia Bollinger. In the space of little over a year, PHIA's "The Virtual Reality Show" has amassed over 100,000 YouTube and Twitch subscribers who tune in to find out about the latest tech and trends in VR. At the same time, she's become a virtual celebrity, and running the show has become her full-time job.

In this podcast, which is better watched than listened-to, the enthusiastic VR expert tells Chris why she started the channel. She talks about how the virtual world can offer a haven from the real one and discusses some of the more unusual phenomena that come about as a result of fooling your brain into thinking the virtual is real. You'll learn what the best tech for a modern VR setup is—as well as PHIA's ambitious plans for the future.

The globally renowned RealTime Conference couldn't have been founded by anyone other than Jean-Michel Blottière. From a young age, Jean-Michel has been at the heart of both the games and media industries, beginning with gaming magazines and TV series in his native France, and moving into CG and animation conferences via Imagina and FMX.

Today, Jean-Michel runs the RealTime Conference, which has proved spectacularly successful—despite starting when the pandemic hit last year. He talks about the joy of organizing the conference, from finding generous sponsors and talented speakers, to presenting live in front of a global audience. He also discusses the exciting upcoming edition of the RealTime Conference—The Rise of the Metaverse: Populating the Metaverse.

This week's podcast guest, Carlos Fueyo, checks all Chris' boxes for architecture, VFX, and real-time. After working alongside theoretical architecture legend Lebbeus Woods, Carlos provided stunning visual effects for movies including Priest, Super 8, and Avengers: Age of Ultron. He then set himself up as a studio working on VFX, architectural, virtual reality, and real-time projects, including evil base compendium, LAIR.

Today, Carlos is investigating real-time filmmaking via an intriguing short film entitled "Replica" while working on effects for a yet-to-be-revealed Marvel project. Carlos gives his thoughts on how real-time is turning filmmaking on its head and some of the new challenges it presents in keeping content fresh.

After making stop-motion videos as a kid and studying furniture design, Ross Denner found his way into VFX via stints at Bermuda Shorts and The Mill. He then moved from London to Los Angeles to work for MPC and now lives in New York, where he helped set up boutique studio ArtJail.

Ross talks about how SideFX's versatile Houdini software is usurping Maya in traditional pipelines and empowering smaller VFX houses. He also gives invaluable advice on getting hired by VFX studios and what to do when you start, and he and Chris talk about working with dyslexia.