Wanna make it in the movies? The Terminator, Schindler’s List and Jurassic Park producer tells Chris the secrets of cinematic success...

From singing raisins to raising the dead: ILM animation director talks ethics, uncanny valleys — and animatronic teddy bears.

Arch viz VR studio founder on how to create great content — and the best tools for experiencing it.

Alex's early career combined his passion for architecture with his love of theater, but an early experience with an Oculus Rift inspired him to move into the virtual arena. His company, Agile Lens, produces everything from quick virtual sketches to immersive photorealistic visualizations for the AEC industry.

THU festival is a wonderful place filled with inspiring things; among them this year was this deep-dive panel discussion on the relationship between artists and their tools.

Black Panther’s VFX supervisor reveals how he worked his way up to this crucially important role.

Chris Nichols chews on the future of a virtual studio in the cloud with two top dogs: Google Cloud’s Adrian Graham and CG artist extraordinaire D. Ryan Reeb.

After five years in production, Kevin Margo’s short film Construct has finally been released. Find out why it’s taken such a long time, and how this little film could change VFX workflows in a big way.

This week, Chris, Dan, and Erick finally get round to discussing Alien. It’s one of the most-requested topics for the podcast, and it’s not hard to see why: Ridley Scott’s 1979 movie is still terrifying today, and it gave birth to one of the silver screen’s most memorable monsters.

Join the Shader Wizard for a journey through the history of ray tracing and a comprehensive guide to metalness

Chris Nichols of Chaos Group talks to Chris Nichols of Digital Domain to discuss digital humans, Thanos of Avengers: Infinity War, and how they used to get each others emails.