Chris Nichols of Chaos Group talks to Chris Nichols of Digital Domain to discuss digital humans, Thanos of Avengers: Infinity War, and how they used to get each others emails.

BMW, McLaren, and Wired have turned to INK for incredible renders. Founder Dave Macey tells us how the company’s made a name for itself, and the importance of its passion projects.

Joining Chris for this podcast are Brick’s CEO András Káldos, Chief Development Officer Attila Cselovszki, Product Development Specialist Péter Sárhidai — and a bottle of Pálinka, Hungary’s favorite fruit brandy.

Look what Houdini made me do! Find out how V-Ray for Houdini powered Taylor Swift’s music video, and go behind the scenes of Get Out.

V-Ray for Houdini made a spectacular debut last year — via the music video for Taylor Swift’s Look What You Made Me Do. Behind the visual effects of the video — and most of Swift’s promos — is Ingenuity Studios, and its Creative Director Grant Miller.

Softly-spoken VFX supervisor Bill Spradlin currently works at Zoic Studios on TV shows such as Arrow, Iron Fist, and Legends of Tomorrow, and his previous credits include Oblivion (with Chris), Transformers, and Iron Man 3.

In this podcast, Chris is joined by Neoscape's Evan Buxton and Bryan Holmes, as well as former Neoscaper - and now Chaos Group CCO - Lon Grohs. The innovative Boston-based studio has been on the podcast wishlist for some time, and it's peppered with amusing anecdotes about when Evan, Bryan, and Lon worked together.

Creative studio Squint/Opera has many talents: as well as creating playful, story-driven arch viz films it has produced kids TV series Messy Goes to Okido, and it even runs a bar in south-east London. Recorded at Total Chaos, this podcast features three of the company’s 3D artists: Michelle Obayda, Camille Lymer, and Zlatina Pancheva

This podcast features Aaron Kupferman, an expert on the intertwined fields of CGI and photography. He's served as compositor on movies such as Avengers: Infinity War, Alice in Wonderland, and upcoming Statham vs. Shark film The Meg. But he’s also an unbelievably talented photographer, effortlessly shifting between shiny automobiles, expansive land and cityscapes, and dwarfing time-lapse photos of the night sky.

It’s not hard to see why Karim Mousa has become one of the world’s most respected arch viz artists. His renders and animations for Zaha Hadid, KPF and MVRDV are cinematic, realistic, and spectacular. In this podcast, recorded at Total Chaos, Karim tells Chris how he’s carved out a career among some of the best in the business.

On the verge of his 50th birthday, Chris’s former colleague Ken Ibrahim looks back at an incredible career in which his childhood dreams came spectacularly true.