This week, we turn once more to the wonderful world of media as we consider ten films for Changeling: the Lost inspiration. We did this previously with Changeling: the Dreaming (check out episode 50!), so it seemed like the right time to pull a similar for the other fae game. There are a couple crossover titles whose themes and plots and aesthetics work equally well in both, in our opinion... but otherwise, this list has a slightly eerier, horror-inflected vibe overall, we suppose? We've tried to keep the discussion as spoiler-light as possible, but for your edification, here are the deets and some trailers for the films we discuss in this order:
Alice (Něco z Alenky) (dir. Jan Švankmejer, 1988): https://www.youtube.com/watch?v=Nxugr1jEYj8Black Swan (dir. Darren Aronofsky, 2010): https://www.youtube.com/watch?v=5jaI1XOB-bsAnnihilation (dir. Alex Garland, 2018): https://www.youtube.com/watch?v=89OP78l9oF0The Blair Witch Project (dir. Daniel Myrick and Eduardo Sánchez, 1999): https://www.youtube.com/watch?v=MBZ-POVsrlIThe Cell (dir. Tarsem Singh, 2000): https://www.youtube.com/watch?v=eIpy4p_yMV0Labyrinth (dir. Jim Henson, 1986): https://www.youtube.com/watch?v=O2yd4em1I6MThe Green Knight (dir. David Lowery, 2021): https://www.youtube.com/watch?v=sS6ksY8xWCYRocky Horror Picture Show (dir. Jim Sharman, 1975): https://www.youtube.com/watch?v=ldo_spDyLKcSpirited Away (dir. Hayao Miyazaki, 2001): https://www.youtube.com/watch?v=ByXuk9QqQkkSmile (dir. Parker Finn, 2022): https://www.youtube.com/watch?v=BcDK7lkzzsUObviously, there were lots of other options that we could have discussed, but for the sake of keeping things trim, these ten will have to suffice. (For now...!) And for other shortlist goodness, further vectors of media include the various avenues to get our attention:
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Pooka G (any pronoun/they) is four degrees from Kevin Bacon, depending how broadly you want to count.
Amelia Fetch (
she/her) has secured three of five clauses in the Contracts of Blooper Reel.
Mothers of America / let your kids go to the movies!
—Frank O'Hara, "Ave Maria"