The Futuro Studios podcast, La Brega, returns for its third season. In Season 3, La Brega shares stories of Puerto Rico’s champions. They take us to the ballfields and cultural battlegrounds where carrying the flag takes on even more meaning. You’ll meet fighters who have represented Puerto Rico in courtrooms and in boxing rings, and icons who have worn Puerto Rico on their sashes and their jerseys. La Brega asks: What do we learn about Puerto Ricanness by spending time with our champions? 

La Brega: Season 3 is out everywhere on 2/3. New episodes every Tuesday on the La Brega: Campeones feed. 

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Candido was working at a car wash when ICE agents pulled up in white vans, blocked all the entrances, and took him and his coworkers. The agents collected their phones but didn’t notice Candido’s Apple Watch right away. He used it to call his family, who otherwise wouldn't have known what happened to him. 

We hear his story, and then, Maria Hinojosa speaks with Cal Matters investigative reporter Sergio Olmos about a new tool that exposes ICE’s targeted strategy of terror against Latinos in California. 

Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. 

Follow the show to get every episode. 

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In the final episode this season, Peniley reflects on the throughline of the Elián story: family separation.

In an extended interview with Cuban American historian Ada Ferrer, we share her family’s story of separation and reunification. Her mom left Cuba when she was pregnant with Ada in 1963, soon after the revolution. They left behind her 9-year old brother, Poly, or Hipólito, playing in the yard without telling him they wouldn’t be returning. She tells us how years later he would eventually come to the U.S. too, and be reunited, but that the wound of abandonment would prove deep.

To read Ada's family story, here is her New Yorker article, My Brother's Keeper.

 

This season's cover art by Ranfis Suárez Ramos.

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After taking you through the Elián González story, we’re sharing some reporting and interview content that didn’t make it into our narrative series.

This week, Peniley and producer, Tasha Sandoval, sit down to reflect on their experiences reporting on this project, particularly through their perspectives as Cubans: Peniley, a Cuban who grew up in Cuba, and Tasha, a second-generation Cuban-American.

During the Elian saga, the Cuban American community in Miami gained a negative reputation as “crazy,” something that came up in several interviews. We hear from writer Vanessa Garcia and former Executive Director of the Cuban American National foundation, Joe Garcia, to reflect on how this perception of “Crazy Cubans” and that the community lost the narrative, may have reverberations to this day.

 

This season's cover art by Ranfis Suárez Ramos.

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Peniley tells us the story of Elián after he returned to Cuba, where he studied engineering, fell in love and had a daughter. Back in his country, Elián became a favorite of Fidel Castro, much to the chagrin of Miami Cubans. Peniley reflects on Elián's journey and her own relationship with Cuba. She speaks to her children about her and Elián's Cubanismo.

 

This season's cover art by Ranfis Suárez Ramos.

Original Material Appeared In:

Al Jazeera English

AP Archive

Belly of The Beast

CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America"

CNN

Fidel Castro Ruz, Soldado de las Ideas

La Caja de Pandora

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Elián and his dad went back to Cuba in June 2000, just four months before the US Presidential election between George W. Bush and Al Gore. Miami Cubans, hurt and angered by President Bill Clinton’s handling of the Elián case, resolved to vote against the Democrats and for the Republicans in what was called el voto castigo — the punishment vote.

To understand the political influence of Cuban-Americans, the stakes, and lasting impact of this moment, producer Tasha Sandoval takes the mic. We meet Tasha’s grandmother, an 87-year-old Miami Cuban, and learn how her story as a first wave Cuban exile informs her perspective.

 

This season's cover art by Ranfis Suárez Ramos.

Thanks to These Archival Sources:

Lynn and Louis Wolfson II Florida Moving Image Archives

Original Material Appeared In:

ABC News

AP Archive

CBS News

CNN Evening News

C-SPAN

Democracy Now!

HBO's "537 Votes"

Museum of the Moving Image

National Archives

NBC Evening News

NBC News

PBS NewsHour

Retro Report

The New York Times

Voice of America

YouTube/Plopsmom

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In the aftermath of the raid, agents brought Elián to Washington D.C. where father and son would finally reunite. But Elián and his dad were stuck in the United States while the court case played out — and while Miami burned with rage at what many Cuban Americans saw as a deep betrayal by the federal government.

Peniley reflects on the power of reunions. As Elián was reunited with his father, his cousin Marisleysis was in despair. And in April 2000, Peniley had just turned 13 years old, still separated from her own father as a result of US and Cuban policies.

 

This season's cover art by Ranfis Suárez Ramos.

Thanks to These Archival Sources:

Lynn and Louis Wolfson II Florida Moving Image Archives

Original Material Appeared In:

ABC Evening News

AP Archive

Belly of The Beast

CNN Evening News

CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America"

Cubadebate

C-SPAN

MSNBC

NPR's "All Things Considered"

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As negotiations failed, the U.S. government had been carefully planning for the possibility of taking Elián by force. Then on Easter Weekend, the order came. Armed agents stormed the house in a pre-dawn raid, armed with tear gas and semi-automatic rifles. They smashed down the door of the Miami home where Elián's relatives were keeping him.

Donato Dalrymple, the man who had rescued Elián at sea, grabbed the boy and hid with him in a closet, but there was nowhere else to go. A news photographer caught the moment on camera, creating an image that would reverberate around the world — including in Cuba.

In this episode, we hear first hand accounts of the night of the raid, from the INS commander of the operation, a family lawyer who was inside the house that evening, and a Cuban exile activist who was outside the Little Havana home.

 

This season's cover art by Ranfis Suárez Ramos.

Thanks to These Archival Sources:

Lynn and Louis Wolfson II Florida Moving Image Archives

Original Material Appeared In:

CBS Evening News

C-SPAN

NBC 6 South Florida

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Throughout the ordeal, Elián's father always insisted he wanted the boy to return to Cuba. But many Cuban Americans speculated that Juan Miguel wasn't operating under free will — but rather under threat, and in the shadow of Fidel Castro.

As the Miami family refused to hand Elián over to his father, tensions boiled over and negotiations began. The Attorney General, lawyers and other negotiators tried to bring the two sides together. As Elián started to disappear from the public eye, authorities became increasingly worried about the boy's safety and well-being.

 

This season's cover art by Ranfis Suárez Ramos.

 

Thanks to These Archival Sources:

Lynn and Louis Wolfson II Florida Moving Image Archives

Original Material Appeared In:

7 News at 5pm

ABC Evening News

ABC Nightline

AP Archive

CBS Evening News

CNN

C-SPAN

Martí Noticias

NBC Evening News

Periódico Escambray

The Guardian

Univison

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While authorities decided how to proceed, Elián stayed in Little Havana with his Miami relatives, including with his older cousin turned mother figure, Marisleysis. The Cuban American community in Miami rallied around the family, arguing that Elián would only be free in the U.S., and that sending him back to Cuba was sentencing him to a life under the Communist regime.

This idea was fueled by traditional exile ideology, a set of beliefs informed by the Cuban American experience. Peniley explores how the staunch ideology, often informed by trauma, animated Elián' s story. While in Cuba, the ideology of the revolution also colored Elián's journey. Peniley reflects on what it has been like for her to experience Cuba and Miami — two places with very strong belief systems. And she revisits how the INS finally decided who Elián should stay with.

 

This season's cover art by Ranfis Suárez Ramos.

Thanks to These Archival Sources:

Lynn and Louis Wolfson II Florida Moving Image Archives

Original Material Appeared In:

CNN's "Elián: The Remarkable Story of A Cuban Boy's Journey to America"

C-SPAN

Gabriel Iglesias' "How To Tell Latinos Apart"

Martí Noticias

Sony Pictures' "3:10 To Yuma"

YouTube/dvjmindsnare

 

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