This episode is a Chill Out Summer Farewell for 2020, a slow-down set designed to ease the end of summer and the start of fall. The mix collects downtempo, deep-house and lounge-leaning cuts to calm the nerves and create a gentle transition out of a chaotic year.

Highlights include VERWEST’s sunrise opener, Yotto’s reflective Another Riff For The Good Times, and ARTBAT’s take on CamelPhat & Yannis’ Hypercolour. There are late-afternoon remixes from Sean Finn and Full Intention, plus atmospheric originals by Adriatique & Marino Canal with Delhia De France and breezy pieces from Mauro Picotto and Nigel Hayes. The flow favors mood, texture, and tasteful remix work over dancefloor peak-time pressure.

At nearly two hours, the set is meant for unwinding—reading, driving at dusk, or sipping something slow. It’s a curated chill-out sendoff that balances familiar names and deeper cuts while nudging you gently toward whatever comes next.

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Chill Out: Be Free — The Chill Out Sessions (Summer 2020) is a downtempo, lounge-forward mix designed for late afternoons and easy evenings. This 2½-hour set blends chill, jazz, indie and low-key house into a mellow flow meant for unwinding, reading, or background conversation. Highlights include Peyton’s Things Can Only Get Better (Eric Kupper Extended Mix), an Atjazz remix of Bob Sinclar’s The Ghetto, and moments from Bicep, Peggy Gou, Jayda G, and Elements Of Life with Louie Vega featuring Anané. The sequence moves between warm, melodic pieces and subtle grooves—splashing in experimental textures and beachy edits like Alex Kentucky’s take on Chill & Groove. It’s curated as an escape from daily noise: relaxed, thoughtful, and musically varied without ever losing its late‑day calm.

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This Chill Out entry in the Diva Series (2017) collects slowed, soulful house reworks that spotlight Sade’s shadowy elegance for relaxed sets and late-night listening. The episode is built around a library of remixes and rare edits, and it doubles as a small archival hunt — note the mention of a scarce David Morales take on "Shelter" that samples Sade’s "I Never Thought I'd See the Day."

Highlights lean toward tasteful, downtempo treatments: Palinoia’s airy rework of "The Sweetest Taboo," Master Chic’s lush version of "Nothing Can Come Between Us," and Nellee Hooper’s hypnotic flip of "Feel No Pain." Jason B’s revamp of "Soldier of Love" and Ben Watt’s Lazy Dog mix of "By Your Side" give the set modern dancefloor texture while keeping the original songs’ restraint. The mix also nods to fan-driven bootlegs and edits that have kept Sade’s songs alive in remix culture, making this a respectful tribute rather than a straight hits compilation.

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This episode is a 2016 Chill Out mixtape — a Summer Farewell set blending chill, deep house, electronic pop, and classic house moods to close out the season. It’s meant as a reflective, late-summer wrap: warm grooves, downtempo textures, and dancefloor-ready moments rolled into one 82‑minute set.

There’s no published tracklist for this release, but the mix moves between downtempo atmospheres and deeper house rhythms with occasional electronic-pop touches. If you’re looking for a relaxed end-of-summer soundtrack that still nods toward the club, this one covers that territory, balancing mellow passages with more driving house sections.

This episode also has a bit of a backstory: the original post was lost during a site and system update, but the recorded mix survived and is available here. Press play for a smooth transition from summer afternoons into cooler nights.

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This is a 2016 chill-out mixtape from the Mixtape Sessions designed to cool down the height of summer with downtempo, deep-house, and soulful grooves. The set opens with Zedd & Aloe Blacc’s reworked Candyman and moves through relaxed house and reggae-tinged cuts, all sequenced for easy listening and late‑night mood-setting.

Highlights include Danny Darko’s Los Angeles (Slinko Remix), TrackLab’s Jetlag, and J Paul Getto’s nostalgic The Vibe, which brings a 70s soul vibe that repeats itself in the best way. Bertie Bassett’s The Only One drops a familiar Loleatta sample, and the mix closes on Emapea’s Good Old Days, whose early‑90s production makes for a warm, nostalgic finish. Expect a measured, sunset-friendly hour and a half built for wine, quiet company, and slow dancing in the fading light.

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A Winter 2016 chillout mix from the Mixtape Sessions series, built as a one-and-a-half hour mood-setter that blends deep house, indie and tech-house flavors into an easy-flowing cocktail. This installment gathers a few earlier favorites like Snakehips' All My Friends and Mike Posner's I Took a Pill In Ibiza with newer go-to cuts to create a warm, reflective winter ride aimed at late-night listening and slow-build dance floors.

Standouts called out in the mix include Sandy Rivera’s Longtime Coming, which recasts Sam Cooke’s classic into deep, soulful house, and Syncrosonic’s Shelter, a plush Loleatta Holloway-sampling cut that leans into old-school warmth. Also featured are the indie-leaning BTFU (Mommy Issues) by Mark Johns, Louis Futon’s Wasted On You featuring ROZES, and the deep house bomb I Love It When You by Sam Callahan. Expect remixes and tasteful edits throughout that favor groove and atmosphere over bombast, perfect for winding into a weekend or easing out of the workweek.

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This is a chill, deep-house Mixtape Sessions installment from Spring 2015 showcasing a laid-back, anti–Top 40 selection built for late-afternoon listening and easy nights. The mix blends deep reworks and soulful originals, threading familiar vocal house moments into a downtempo-friendly sequence meant to unwind without losing groove. Highlights include a Classixx recovery of Janet Jackson’s Pleasure Principle and Funkstar De Luxe’s Sun Is Shining rework, alongside a surprising, lyric-forward take on Show Me Love by Sam Feldt. You’ll also hear contemporary gems from Alina Baraz & Galimatias and a Chainsmokers remix of Clean Bandit’s Real Love, plus a soulful closing with Gina Carey’s Dance (Nigel Lowis Mix). The set favors thoughtful remixes and indie-leaning deep house over radio fodder, making it a good pick for fans of soulful, chill electronic music seeking something subtly uplifting.

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This is a chill, genre-spanning Mixtape Sessions mix from Spring 2015, assembled as a sunnier counterpoint to recent sets. The hour-plus blend leans into deep house, indie and downtempo moods while keeping a hopeful, danceable edge.

Expect an eclectic flow that puts The Jackson 5 and Simon & Garfunkel next to contemporary producers: highlights include the Shaparder & LRX revamp of "I Want You Back," The Golden Pony's take on "Sound of Silence," and Unlike Pluto's rework of Diplo's "Revolution." The set also features Kiasmos' atmospheric "Looped" and a Darius remix of The Magician feat. Years and Years' "Sunlight," stitching classic melodies to modern club textures.

The mix favors warm grooves over aggression, with moments of moodiness balanced by upbeat edits and remixes. At 1:23:37 it’s designed for easy listening or a relaxed late-night set.

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This episode is a deep-house Mixtape Sessions set from 2014 built to wind you from feel-good indie-house into darker, more hypnotic club textures. Kicking off with Santa Maradona F.C. feat. Lucy Spraggan’s breezy “Give Me Sunshine,” the mix moves through Eelke Kleijn’s western-tinged “Mistakes I’ve Made” and Klangkarussell’s soothing “Netzwerk,” then into moody cuts like Zhu’s “Faded” and Sebastian Carter’s addictive remix of Birdy’s “Skinny Love.” The Avener’s “Fade Out Lines” anchors the latter half with its goth-western deep-house pulse.

Highlights include a surprising Justin Faust rework of Janet’s “Someone To Call My Lover,” a Diplo remix turn for Zola Jesus, and a closing shift in tempo with Feint’s “Forget Me Not.” The set favors soulful grooves and indie-electronica moments, making it an easy late-night drive or relaxed pre-party listen. Total running time is about 1:46:51.

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This chill-out mixtape session from Autumn 2014 collects a smooth, late-summer set designed for relaxation and escape. The Mixtape Sessions Volume 2 eases through deep-house, indie and nu-disco textures, starting with the slow-moving groove of Synapson’s “Djon Maya Mai” to set a mellow, atmospheric tone. Highlights include reimagined takes like London Grammar’s “Strong,” the lilting elegance of Julio Bashmore featuring J Danna on “Simple Love,” and a tender Two Inch Punch remix of Jessie Ware’s “If You’re Never Gonna Move.” Newcomer Superhand’s expansive “Crystal Pianos” sits alongside nuanced indie-dance cuts, and the set closes on a bright, disco-tinged note with The Knocks featuring Powers on “Classic.” The mix moves deliberately, favoring mood and continuity over peak-time urgency — perfect for late afternoons, long drives, or winding down.

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